Showing results for "robert louis stevenson" in Fantasy

“The Sire de Maletroit’s Door” by Robert Louis Stevenson is a gripping Gothic tale set in 17th-century France, weaving suspense, fate, and honor into a tightly written narrative. When a chance twist of circumstances traps a young man in a mysterious chateau, he finds himself at the mercy of its enigmatic master. Stevenson crafts a rich, atmospheric story filled with tension, old-world intrigue, and sharp psychological insight. This short story showcases Stevenson’s mastery of mood and character, making it a must-listen for fans of historical fiction and classic suspense.

The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.

What starts with young Jim Hawkins meeting a beggar and ends in a climactic battle between him and one of the most infamous villains in literature — Long John Silver — has long been revered as the ultimate pirate adventure story. This non - dramatized classic will sweep you off to a world of sly and savvy seafarers as the young Hawkins navigates treachery, assassination and the ominous prophecy of the black spot in the greatest treasure hunt known to literature.

Robert Louis Stevensons großer Klassiker in einer intensiven und packenden Hörbuchlesung! Der junge Hawaiianer Keawe erwirbt eine Flasche von teuflischer Macht. In ihr sitzt ein Kobold, der jeden Wunsch erfüllen kann – doch wer diese Flasche noch an seinem Lebensende besitzt, vermacht seine Seele dem Teufel und schmort auf ewig im Höllenfeuer. Darum muss sich Keawe rechtzeitig wieder von der Flasche trennen. Allerdings muss sie für weniger verkauft werden, als man selbst dafür zahlte – ein Wettlauf gegen die Zeit beginnt…

Unabridged readings of four spine-tingling stories. This suspenseful anthology collects together four gripping tales of gruesome scientific experiments and chilling supernatural events - all read in full by some of the very best voice actors. With over 18 hours of electrifying listening, tracked by chapter, these classic tales will have you on the edge of your seat.

Novela corta escrita por Robert Louis Stevenson y publicada por primera vez en inglés en 1886, que trata acerca de un abogado, Gabriel John Utterson, que investiga la extraña relación entre su viejo amigo, el Dr. Henry Jekyll, y el misántropo Edward Hyde.

Der Notar Gabriel Utterson spürt einer Geschichte nach, die ihm Grauen bereitet, jedoch ebenso sein Interesse weckt: das Auftauchen eines kleinwüchsigen Mannes mit erschreckend bösartigen Gesichtszügen, der ein ausgesprochen schlechtes Benehmen an den Tag legt und auch vor Gewalt nicht zurück schreckt, scheint mit der Person des respektablen Dr. Henry Jekyll verknüpft zu sein. Durch hinterlassene Aufzeichnungen bestätigt sich ein schauriger Verdacht: bei Mr. Hyde und Dr. Jekyll handelt es sich um ein und dieselbe Person.

Charles Utterson, un avoué de justice, mène l'enquête sur Mister Hyde, un étrange personnage, violent et sans scrupules, peut-être même un meurtrier. Il découvre que ce M. Hyde est très lié avec le docteur Henry Jekyll, un philanthrope sympathique et passionné par son métier. Il découvre que le docteur Jekyll se livre à des expériences scientifiques et a inventé une drogue pour séparer le bon côté de sa personnalité et de son mauvais côté.

The Strange Case of Dr Jekyll and Mr Hyde ranks alongside Frankenstein, The Picture of Dorian Gray and Dracula as one of the top horror stories to emerge from the late 19th Century. Film and stage adaptations have never been able to fully relate the agony and conflict that permeates the mind of Dr Jekyll, but the audio version read by Ian Holm adds an extra spine-chilling dimension to the original text by Robert Louis Stevenson.

"Olalla" is a short story by the Scottish novelist, poet, essayist, and travel writer Robert Louis Stevenson. It was first published in the Christmas 1885 issue of The Court and Society Review, then re-published in 1887 as part of the collection The Merry Men and Other Tales and Fables. It is set in Spain during the Peninsular War. The story is based on a dream that Stevenson had and in his 1888 essay "A Chapter on Dreams", he describes the difficulties he had in fitting his vision into a narrative framework.

Keawe ist ein durchaus glücklicher Mensch, aber ein bisschen mehr Glück wäre natürlich auch nicht schlecht. Also schlägt er zu, als ihm eine besondere Flasche angeboten wird - eine Flasche, die sämtliche Wünsche erfüllt. Doch natürlich hat diese Flasche ihren Preis, und dieser Preis ist verdammt hoch, wie sich herausstellt. Stevensons Geschichte ist wunderbar einfach erzählt und spannend bis zum Schluss.

Todas las noches cuatro amigos se reúnen en una posada de Debenham. Fettes es el más reservado, poco saben de su vida pasada de la que nunca quiere hablar. Una noche, llega a la posada un reputado médico venido de Londres, el Dr. Macfarlane. El médico y Fettes parecen conocerse, pero éste se muestra arisco con el doctor y rechaza sus amables ofrecimientos.

"Fábulas" es la recopilación póstuma de cuatro relatos de Robert Louis Stevenson. Autores como Jorge Luis Borges la han considerado una de las obras más originales y de mayor calidad del autor escocés. Una fábula, como decía su autor, tenía que sorprender al lector por su audacia y combinar siempre lo onírico con lo alegórico sin ofrecer soluciones fáciles o únicas a un problema que se planteara. Era el lector el que debía estar alerta para encontrar en la mitología de la fábula la justicia.

Keawe es un hawaiano que decide conocer otras tierras y se embarca en un buque que se dirige a San Francisco, donde descubre una casa preciosa, cuyo dueño parece triste y solo. Keawe se pregunta cómo el dueño de una casa tan hermosa puede ser tan infeliz. Tras enseñarle su mansión, el anciano le muestra una botella de vidrio blanco en cuyo interior se pueden ver los colores cambiantes del arco iris, además de un diablillo.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

Suppose you could travel the streets in a perfect disguise and commit any crime, indulge any vice, do whatever you wanted, to anyone you wanted, unburdened by guilt or remorse, and no one would ever know it was you. What would you do? Would you ever stop? Would you still be yourself? Or can a creature without compassion, without self-restraint, without morals, still be called human at all?

Nineteen stories of the supernatural: The Brazilian Cat by Arthur Conan Doyle Read by Paul Panting, Eveline’s Visitant by Mary E. Braddon Read by Hayward Morse, The Leopard Man’s Story by Jack London Read by Garrick Hagon, The Eyes of the Panther by Ambrose Bierce Read by Garrick Hagon, The Voice in the Night by William Hope Hodgson Read by Sean Barrett, Oshidori by Lafcadio Hearn Read by Liza Ross, Markheim by Robert Louis Stevenson Read by Paul Panting.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Mark Twain, Robert Louis Stevenson, Jerome K. Jerome and Edgar Allan Poe. These tales are designed to unsettle you, just a little, as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are "A Ghost Story" by Mark Twain, "Ollah" by Robert Louis Stevenson, "The Doctor’s Story" by Jerome K. Jerome, and "Murders In The Rue Morgue" by Edgar Allan Poe.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.