Showing results for "jack" in Film & TV

This hilarious compendium celebrates a decade of Taskmaster's inspired chaos. Relive the most outrageous tasks, iconic meltdowns, and ingenious victories from your favourite contestants.

This witty and unexpected show brings you toponyms, abbreviations, euphemisms, old words, new words, cockney rhyming slang and Greek gobbledegook. Find out the meaning of words like giff-gaff, knock-knobbler and buckfitches; the difference between French marbles, French velvet and the French ache; hear the glorious poetry of the English language, as practiced from writers varying from William Shakespeare to Vanilla Ice; and spend time laughing and learning with some of the finest Wordaholics in the business.

In his compelling new biography, noted animation historian Michael Barrier avoids the well-traveled paths of previous biographers, who have tended to portray a blemish-free Disney or to indulge in lurid speculation. Instead, he takes the full measure of the man in his many aspects.

Twilight for the Gods: The Art and History of Film Editing is a passionate exploration of the important role played by editing in the process of filmmaking and a functional guide to using editing most effectively. The book explains how an editor is, in many ways, responsible for the final rewriting of a script - and that editing is in reality a pictorial form of writing.

24 and Philosophy is a book you just can't do without. It's all here, folks: the reason presidents trust him; how Jack cuts through the lies and ambiguities; why he puts his life on the line for others; and how he knows which knee cap to blow out to get that all-important next lead. With the help of 20 "24 crazed" philosophers, you'll figure out what makes this guy tick, and much much more.

Jacqueline Pearce is well-known to fans of British Sci-Fi television as the iconic Supreme Commander Servalan in Blake's 7, or perhaps as Chessene o' the Franzine Grig in Doctor Who: The Two Doctors. But these appearances are merely two in a long, distinguished career, which in itself is a mere part of a fascinating life. Over a bottle of champagne, she gives an uncompromising interview to Big Finish's Nicholas Briggs, discussing her past triumphs and times.

Many have seen and studied the classic films of Alfred Hitchcock, but how many know a lot of these movies were inspired by real life murders? These cases range from his native England in the 1800’s to 1950’s America. Influencing his work from The Lodger, his third directorial effort and first true suspense thriller, all the way down to Frenzy, his next to final film. Such minor details appear in his films as a woman’s necklace or being buried in a garden. Or can be so detailed that one film, about a wrongly accused musician, is based on a true story outright.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

This eBook contains two essays on film: "On Viewing Hans Richter's Rhythmus 21": the search for cinematic meaning in one of the most famous early German avant-garde films. "The Perfect Filmic Appositiveness of Jack Smith": impressions of the films of one of cinema's most eccentric auteurs.

Long before Rod Serling created The Twilight Zone and hid social messages within the context of science fiction and fantasy, Playhouse 90 was among the last of the live television anthology dramas to explore them as straight dramas. This audiobook shall shed light on Playhouse 90, and put into perspective the influence it had on The Twilight Zone and others.

Arguably the greatest comedy duo in show business history, Stan Laurel and Oliver Hardy delighted filmgoers and theatregoers for over 30 years. The public not only found Laurel's serene simpleton and Hardy's pompous buffoon hilarious, but they also thought of them as friends. Laurel and Hardy may have been nitwits, but they were loveable nitwits.