Showing results for "fyodor dostoevsky" in Genre Fiction

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

Dostoevsky's last and greatest novel, The Brothers Karamazov (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons—the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha—are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disastrous consequences of rationalism.

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.

A groundbreaking new translation of Dostoyevsky's most radical work of fiction. In the depths of a cellar in St. Petersburg, a civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory, and even sadistic nature. Yet in Dostoyevsky's most extreme and disturbing character, there is the uncomfortable flicker of recognition of the human condition. When the narrator ventures above ground, he attends a dinner with a group of old school friends.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

A Gentle Spirit, from 1876, was released in Dostoyevsky's one-man periodical, A Writer's Diary, which was always eagerly anticipated in his contemporary Russia. The short novel is a despairing man's monologue on the night after his young wife's suicide, and through his incoherent speech by her deathbed the background of the tragedy slowly unfolds. The narrator is a retired officer who now earns his living as a pawnbroker.

Crime and Punishment is Fyodor Dostoevsky’s novel about the nature of law and morality, told through the eyes of a murderer and his internal conflict.

"The Dream of a Ridiculous Man" is a short story by Fyodor Dostoyevsky written in 1877. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with the "terrible anguish", he is determined to commit suicide. A chance encounter with a young girl, however, begins the man on a journey that re-instills a love for his fellow man.

Raskolnikov, a student in St. Petersburg, murders an old woman, a money-lender, to prove his theory that violence purifies the strong. But no sooner is the deed done than Raskolnikov begins to feel remorse. What follows is one of the greatest psychological studies in world literature.