Showing results for "William Shakespeare" in Relationships

The complete play in five acts.

One of Shakespeare's final works, Cymbeline uses virtuoso theatrical and poetic means to dramatize a story of a marriage endangered by mistrust and painfully rebuilt, in a context of international conflict. This edition emphasizes the play's theatrical impact and pays close attention to its complex, evocative language.

The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to see The Tempest's dark comedy and magical fantasy.

Romeo and Juliet was Shakespeare's first great tragedy, a richly lyrical love story that has long been one of the author's most popular plays for performer and audience alike. Romeo and Juliet is a simple but dramatic cautionary tale about the blindness that both love and hate can engender. As performed by Claire Bloom and Albert Finney, this lively production captures the youthful exuberance and poetic passion that characterize all of Shakespeare's early work.

Sir John Falstaff, the lovable rogue, is brought back from his death in Henry V to set this farce in motion. Falstaff (Anthony Quayle), finding himself in need of funds, attempts to seduce 2 wealthy young ladies, Mistress Ford (Joyce Redman) and Mistress Page (June Jago). Alas, the scoundrel's money-making scheme goes awry when he sends the ladies - who are friends - identical love letters. The 2 women retaliate by plotting his downfall - with hilarious results.

He after honor hunts, I after love. He leaves his friends to dignify them more, I leave myself, my friends and all, for love....

The Comedy of Errors is likely the very first play Shakespeare ever wrote, and for that reason alone it deserves a special place in literary history. Yet, despite the author's lack of maturity, the play is unmistakably the work of a burgeoning master. A farce of a type that was wildly popular in Shakespeare's day, The Comedy of Errors transcends its genre, and is as accessible and as entertaining as any of the Bard's later comedies.

In Much Ado About Nothing, Shakespeare created one of the greatest verbal sparring matches in all of literature, echoes of which can be heard in the sophisticated dialogue of such late masters as George Bernard Shaw and Noel Coward. Throughout the play, would-be lovers Beatrice and Benedick circle each other warily, until their scathing witticisms and sly innuendoes reach a feverish intensity that befits the passionate longing they both vainly seek to deny.