Showing results for "V. S. Naipaul" in Literary Fiction

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

The story of a writer's singular journey - from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another - is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.

Former government minister Ralph Singh is the perpetual outsider: displaced, disillusioned, and now living in exile, Ralph reflects on his earlier life and the searing effects of colonialism. Ralph's constant estrangement sees him ever attempting to fit into various communities, only to find home in more transient spaces. Born on the tropical island of Isabella, he is one of West India's many "Mimic Men".

On a road trip through Africa, two English people - Bobby, a civil servant with a guilty appetite for African boys; and Linda, a supercilious "compound wife" - are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin's Uganda. And the farther Naipaul's protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims.

Spanning continents and centuries and defying literary categories, A Way in the World tells intersecting stories whose protagonists include the disgraced and half-demented Sir Walter Raleigh, who seeks El Dorado in the New World; the 19th-century insurgent Francisco Miranda, who becomes entangled in his own fantasies and borrowed ideas; and the doomed Blair, a present-day Caribbean revolutionary stranded in East Africa.

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portuguese colony in East Africa, where he finds a happiness he will then be compelled to betray.

V. S. Naipaul's legendary command of broad comedy and acute social observation is on abundant display in these classic works of fiction - two novels and a collection of stories - that capture the rhythms of life in the Caribbean and England with impressive subtlety and humor.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion.

On an unnamed Caribbean Island, political tensions provoked by race and poverty are high. Jimmy Ahmed, a young mixed-race man, has been hailed as a revolutionary leader of the people. Roche, imprisoned for activities against South Africa's apartheid regime, and Jane, a feckless English rich girl wanting to feel a part of something bigger, get sucked into the turmoil and world of Ahmed. But does anyone achieve anything by causing unrest? Do any of them really want freedom in a new society or just the old society with themselves at the helm of power?