Showing results for "The" in Canadian

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Demonstrating once again why he is one of Canada's most loved jokesters, Black masterfully captures the laughter that often bursts out of the seams of everyday life. From an unexpected drag race to a Google search for a picture of the illusive "Arthur the Meek", you just never know when a regular day is going to turn into comedic genius. Black provides uproarious insight into uses a matador might have for a teacup, mango, or simply some paper towel....

Tom and Charlie are living out what's left of their lives on their own terms in a remote forest, two pot growers their only connection to the outside world. But then two women arrive - a photographer on the trail of survivors of a decades-ago forest fire and an elderly escapee from a psychiatric institution - and everything changes. And the Birds Rained Down, the recipient of several prizes, is a haunting meditation on aging and self-determination.

In collaboration with the Festival of Literary Diversity (FOLD), Audible is illustrating the power of the spoken word with Power in Poetry: Moods That Move. Five spoken word artists created unique pieces of poetry connected by the mood themes of the 2021 FOLD and rooted in the oral traditions of African, Indigenous, and other communities. Their poems serve as an anthem to not just the festival but to the power of diverse voices.

When love turns to hate - that's where I come in. I'm Halton Andrew Smithers, attorney. Hal to my clients and friends. Messy divorces, deadbeat dads, runaway wives, cheating partners - I handle them all. I know the seedy side of love, and it isn't pretty. I avoid emotional attachments - I've seen all too often when hot passion turns to frozen tundra. I satisfy myself with helping people behind the scenes. It gives me a sense of satisfaction that completes my life. Until she enters it and everything I believe is turned upside down. She fills a void I never knew existed.

Long listed for the 2010 Scotiabank Giller Prize, Lemon is the story of a teenaged girl with the numbers against her: Three mothers, one deadbeat dad, one cancer-riddled protégé, two friends, one tree-hugging stepbrother, and a 60 percent average. The adults in her life are all mired in self-centeredness and the other kids are busy getting high, and she just can't be bothered to fit in.

In Hop-Scotch Palooka's, Jackson Durocher invites listeners into a shadowy world of dive bars, rain-slicked alleys, and forgotten souls, where each poem pulses with the raw ache of human frailty. Drawing from personal battles with addiction—as glimpsed in pieces like "Olive Green, Soaked in Red"—this collection of poems explores the tender wreckage of love, regret, and mortality. From the suicidal introspection of "I am Hemingway" to the bourbon-soaked lament in "A Jockey Full of Bourbon," Durocher's words paint vivid portraits of palookas and dreamers stumbling through neon-lit nights.

Kanada, 1934: Das Mädchen Pearly Everlasting, zu Deutsch Silberimmortelle, ist fünfzehn und in einem Holzfällercamp mitten im Wald aufgewachsen – zusammen mit dem Bären Bruno, der seit ihrer Geburt ein Teil der Familie ist. Doch dann beschuldigt man Bruno, einen Mann getötet zu haben. Der Bär wird weggebracht, niemand weiß, wohin. Verzweifelt und entschlossen macht Pearly sich zu Fuß auf den Weg durch die tief verschneite kanadische Landschaft, um Bruno zu suchen.

Kate Braddock, a sexually ambiguous ex-Spacer, isolates herself on Luna. After detecting a faster-than-light ship en route to Earth several years ago, she now conducts geophysical surveys for a mineral resources consortium. One day, she and a young intern, Mary Atteberry, discover an anomaly in the dust near the Mare Marginis that is clearly unnatural, and clearly alien.

Cette fresque familiale canadienne fut l'un des plus grands succès de la littérature nord-américaine, dès la parution en 1927 du premier des seize romans, aussi célèbre que Autant en emporte le vent de Margaret Mitchell. La famille s'est agrandie. Mary et Philippe ont eu deux fils : Eden et Piers. Renny, enfant du premier mariage de Philippe, est un adolescent difficile qui méprise les livres et adore les chevaux.

Bla_K is a collection of previously out-of-print essays and new works by one of Canada's most important writers and thinkers. Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence.

Renny Whiteoak, l’héritier de Jalna, revient d’Europe à la fin de la Première Guerre mondiale. Le domaine a été mal géré et ses quatre jeunes frères ne se montrent guère disciplinés. Renny commence par remonter l’écurie. Son rêve, c’est de renflouer la fortune familiale en gagnant des courses.

Timothy Findley (1930-2002) was one of Canada’s foremost writers - an award-winning novelist, playwright and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and '80s.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

Margaret, Elsie, Phoenix, Cedar : quatre femmes, mères et filles, issues de la communauté amérindienne du North End, un quartier défavorisé de Winnipeg, Manitoba. Quatre membres d'une même famille, les Stranger, chacune hantée par ses propres démons. Quatre personnages qui cherchent désespérément la lumière. Dans cette fresque poignante, Katherena Vermette immerge le lecteur dans l'univers mouvant d'une lignée de femmes autochtones, dessinant la force de leurs liens, la souffrance héritée du passé et l'espoir de briser enfin la fatalité.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

This is a book about women and ageism. There are twenty-nine contributing writers, ranging in age from their forties to their nineties. Through essays, short stories, and poetry, they share their distinct opinions, impressions, and speculations on aging and ageism and their own growth as people. In these thoughtful, fierce, and funny works, the writers show their belief in women and the aging process.

Rinaldo Walcott’s groundbreaking study of black culture in Canada, Black Like Who?, caused an uproar upon its publication. With its incisive readings of hip-hop, film, literature, social unrest, sports, music, and electronic media, Walcott’s book not only assesses the role of Black Canadians in defining Canada, it also argues strenuously against any notion of an essentialist Canadian blackness.

When her marriage suddenly ends, and a diary documenting her beloved Opa’s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi Lewis decides to retrace his journey to freedom. Travelling alone from Amsterdam to Lyon, she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis’s memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations.