Showing results for "Lawrence Block" in Literary Fiction

In this brand-new novella, Keller, everyone's favorite assassin for hire, is Chicago-bound on Amtrak's City of New Orleans, ready to do what he does best. But it's complicated. Usually there's someone ready to point him toward the target. Or he'll have a photo, say. Or, bare minimum, a name and address. Not this time. When he gets to Baker's Bluff, Illinois, he'll have to play private detective before he can get down to business. Well, okay. He knows how it works. So before he even packs his suitcase, Keller buys a fedora.

Even before Lawrence Block could rest on his laurels from "In Sunlight or In Shadow", a question arose. What would he do for an encore Suppose each author was invited to select a painting from the whole panoply of visual art - from the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response! 

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting.... 

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

A truly unprecedented literary achievement by author and editor Lawrence Block, this newly-commissioned anthology of 17 superbly-crafted stories, each inspired by the paintings of Edward Hopper. Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kristine Kathryn Rusch, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself.

In the third installment of his acclaimed anthology series, master of crime fiction Lawrence Block has gathered together the best talent from popular fiction to produce an anthology of short stories based on masterpieces of American art. Among the star-studded lineup of writers you'll find Jerome Charyn, Jane Hamilton, Christa Faust, John Sandford, Sara Paretsky, Walter Mosley, Charles Ardai, Barry Malzberg, and Janice Eidus.

I wrote three paperback original novels for Berkley under the pen name Jill Emerson, two of them in diary form, the third a presumed collaborative novel written in concert by the three viewpoint characters. These were fun to do and worked out well, and they led to Ronald Rabbit Is a Dirty Old Man. I riffed on the experience of my friend George Dickerson, who, like the novel's protagonist, had the magazine he was editing folded out from under him.