Showing results for "Jerome K Jerome" in Literary Fiction

In 1889, satirist Jerome K. Jerome fully intended to write a serious travel guide when he and his two best friends embarked on a boating trip up the river Thames to Oxford. But his musings on landmarks and local history were soon hijacked by his own digressive, waggish voice. And so, what began as a peaceful and edifying two-week exploration soon floated upriver into farce - aided, quite naturally, by a portly ration of cheese, some very bad weather, and a dog named Montmorency.

לראשונה, הספר המפורסם כל כך זוכה לראות אור בעברית במלוא משמעותו ועושרו. זאת הודות לתרגום המלא והמהימן לחלוטין למקור, והודות ל-256 ההערות ושפע האיורים והצילומים...

When three late-Victorian gentlemen escape from their claustrophobic suburban life to go on a cycling tour in the Black Forest of Germany, their trip turns into a comic expedition.

When acclaimed writer, television broadcaster, and gifted audiobook narrator, Steve Matchett, was asked to name his three favorite authors, he swiftly volunteered the names of Ernest Hemingway, George Orwell, and Jerome K. Jerome. The last of these may not be as widely known, but this only highlights the immense value Matchett places on Jerome’s work. Best known for his comic masterpiece of 1889, Three Men in a Boat, Jerome's captivating tale of an unhurried boat trip along old England’s river Thames.

Three Men in a Boat (To Say Nothing of the Dog), published in 1889, is a humorous account by English writer Jerome K. Jerome of a two-week boating holiday on the Thames from Kingston upon Thames to Oxford and back to Kingston. The book was initially intended to be a serious travel guide, with accounts of local history along the route, but the humorous elements took over to the point where the serious and somewhat sentimental passages seem a distraction to the comic novel.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

A story bubbling with Jerome's wit and whimsy, this tale fully deserves its place in the sun.

This is a sensible book. I want you to understand that. This is a book to improve your mind. In this book, I tell you all about Germany – at all events all I know about Germany – and the Ober-Ammorgau Passion Play. I also tell you about other things. I do not tell you all I know about all these other things because I do not want to swamp you with knowledge. I wish to teach you gradually. I should only be defeating my own object that I, by making you think too much at first, give you a perhaps lasting dislike to the exercise.