Showing results for "Iris Murdoch" in Classics

Charles Arrowby has determined to spend the rest of his days in hermit-like contemplation. He buys a mysteriously damp house on the coast, far from the heady world of the theatre where he made his name, and there he swims in the sea, eats revolting meals and writes his memoirs.But then he meets his childhood sweetheart Hartley, and memories of her lovely, younger self crowd in - along with more recent lovers and friends - to disrupt his self-imposed exile. So instead of 'learning to be good', Charles proceeds to demonstrate how very bad he can be.

Iris Murdoch's first novel is set in a part of London where struggling writers rub shoulders with successful bookies, and film starlets with frantic philosophers. Its hero, Jake Donaghue, is a drifting, clever, likeable young man who makes a living out of translation work and sponging on his friends. A meeting with Anna, an old flame, leads him into a series of fantastic adventures.

Ex-tax collector and author of two unpopular novels, Bradley Pearson wishes to devote his retirement to writing a masterpiece. But the doorbell and the phone keep ringing and every ring brings with it an ex-wife, a friend in need, a sister in trouble or a young woman seeking a teacher and so dusty, selfish Bradley is plunged into the muddles and mysteries which will end in his doom.

A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an enclosed order of nuns. A new bell, legendary symbol of religion and magic, is rediscovered. Dora Greenfield, erring wife, returns to her husband. Michael Mead, leader of the community, is confronted by Nick Fawley, with whom he had disastrous homosexual relations, while the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved whatever that may mean.

Booker Prize-winning author Iris Murdoch is renowned for her sublime fiction, exploring themes such as art, passion, morality and human freedom. Included in this collection are adaptations of two of her finest novels and a reading of her only published short story, as well as an edition of Writers Revealed in which Murdoch discusses her ideas and beliefs.

Stuart Cuno has decided to become good. Not believing in God, he invents his own methods, which include celibacy, chastity, and the abandonment of a promising academic career. Interfering friends and relations question his sincerity, his sanity, and his motives.