For this episode I have Alex Aviña joining me. We discuss the convergence of Latin American politics, leftist anti-colonial revolution and cinema. Taking a cue from Third Cinema creators Fernando Solanas and Octavio Getino, we look at 3 films that represent each of the "Three" different worlds of cinema and use it as a bridge point to connect the actual material history that informed the films creation, but also how these works fed back into the living world. Its really a wide ranging convo, and frankly this caption doesn't do it justice. You will have to listen!

Alexander Aviña is a historian and professor—and the son of undocumented migrants from Michoacán, Mexico whose sacrifices and love made these educational achievements possible. He is currently an Associate Professor of History in the School of Historical, Philosophical and Religious Studies at Arizona State University (ASU). He has taught previously at Florida State University and the University of Southern California. He holds a B.A. in History magna cum laude from Saint Mary's College of California and a Ph.D. in History from the University of Southern California. His research focuses on twentieth-century Mexico, with an emphasis on revolutionary movements, the Mexican Left, state violence and terrorism, immigration, and the history of narcotics production and trafficking

To get a jump on the shows a few days early, bonus video episodes every month, deeper dives into text and works with revolutionary content and political art study groups check out Mtume's Patreon and become a subscriber!

Additionally, check out my new colaboration The Imperial 80's, a series I co-hosted with Jared Ware of Millenials are Killing Capitalism. We take a dive into the wild world of 80's Hollywood and uncover what it has to say about this imperial project called The United States. You can find us on Patreon and make sure to follow the channel if you want to catch the livestreams

Tumes

Stephen Sheehi joins me to talk about his text Camera Palaestina, a critical exploration of Jerusalemite chronicler Wasif Jawhariyyeh (1904–1972) and his seven photography albums entitled The Illustrated History of Palestine. We have an expansive conversation, talking not only about the collection but the historical context in which they were collected, and how these images and the history around them tell us about Palestine, and the struggle against colonial erasure and genocide.

During our conversation we talk about a few images. You can click the link to images below and follow along!

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Stephen Sheehi is the Sultan Qaboos Professor of Middle East Studies at William & Mary in Arabic Studies, Asian and Middle East Studies and Asian and Pacific Islander American Studies. He is also Professor Extraordinarius at the Institute for Social and Health Sciences at the University of South Africa (UNISA). He has written a number of books, articles and book chapters around Arab photography and cultural history, Palestine and Palestinian studies, psychoanalysis and settler colonialism, race, anti-Arab racism and Islamophobia, and, more recently, gender and sexuality in Southwest Asia and the Global South. Most recently, he is co-author with Lara Sheehi, Psychoanalysis Under Occupation: Practicing Resistance in Palestine (Routledge, 2022), which was awarded the 2022 Palestine Book Award. He is also the author of Camera Palestina (University of California Press, 2022) with Salim Tamari and Issam Nassar. He current research project is entitled Intimacies of Guerillas: Queer Objects of Palestinian Liberation.

To get a jump on the shows a few days early, bonus video episodes every month, deeper dives into text and works with revolutionary content and political art study groups check out Mtume's Patreon and become a subscriber!

Additionally, check out my new colaboration The Imperial 80's, a series I co-hosted with Jared Ware of Millenials are Killing Capitalism. We take a dive into the wild world of 80's Hollywood and uncover what it has to say about this imperial project called The United States. You can find us on Patreon and make sure to follow the channel if you want to catch the livestreams

Tumes

For this episode I am joined by Gabriel Rockhill to further my discussions on arts, culture and aesthetics from a dialectical materialist framework. Rockhill is the author of the newly released "Who Paid the Pipers of Western Marxism?" on Monthly Review Press, a text which offers a crash course in the history of imperialist propaganda, as well as in the Marxist method for analyzing culture and ideology. In our discussion we cover many grounds, some related to his new book, but also other areas of scholarly interest concerning analysis of the failures of bourgeois cultural analysis and practice, and questions we must ask ourselves when looking towards developing revolutionary artistic pathways.

Dr. Gabriel Rockhill is the Founding Director of the Critical Theory Workshop / Atelier de Théorie Critique, Professor of Philosophy and Global Interdisciplinary Studies at Villanova University, and the author or editor of twelve books, as well as numerous scholarly and general public articles. He is also the Director of Cultural Studies at Villanova University, Research Associate at the Laboratoire d'anthropologie politique – LAP (EHESS, Paris), one of the editors-in-chief of the World Marxist Review, and co-editor of the book series AIM–Anti-Imperialist Marxism.

To get a jump on the shows a few days early, bonus video episodes every month, deeper dives into text and works with revolutionary content and political art study groups check out Mtume's Patreon and become a subscriber!

Additionally, check out my new colaboration The Imperial 80's, a series I co-hosted with Jared Ware of Millenials are Killing Capitalism. We take a dive into the wild world of 80's Hollywood and uncover what it has to say about this imperial project called The United States. You can find us on Patreon and make sure to follow the channel if you want to catch the livestreams

Tumes