Presumed Innocent had all the makings of a gripping legal thriller: a best-selling novel, Harrison Ford at his dramatic peak, and a twisty murder mystery. This 1990 courtroom drama was a major box office hit but somehow left a surprisingly faint cultural footprint. Was it too slow, too serious, or just overshadowed by slicker thrillers that followed? We dig into the performances, the plotting, and why this prestige drama feels more forgotten than it should. Patrick and Anton are joined by special guest Jay Skipworth, one of the hosts of The Film Strip Podcast!

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A House of Dynamite turns seventeen minutes of nuclear uncertainty into a Netflix thriller. Kathryn Bigelow delivers a fractured, overlapping narrative where a single anonymous missile forces the American government into a race against time—and against its own instincts. This episode digs into the film’s structure, its unsettling realism, and why it may or may not be a pointless pyramid scheme.

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Peter Jackson's follow up to his Lord of the Rings triumph was his most personal project, a remake of his favorite film. King Kong was an enormously expensive, massively hyped monster movie that performed well but has a mixed legacy twenty years later. Should it have been better? Guest Peter Baldeo returns to talk Kong.

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Pixar's latest entry has unfortunately turned out to be its biggest loser at the box office. Whether it was the delay in production, controversy around its content, or a lack of marketing, audiences flatly ignored Elio when it was released a few months ago. It's doing better on Disney+ but how does it stack up in the totality of Pixar's filmography?

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He's baaaaack! After the poorly-received bizarre third film, the studio decided to bring back Michael Myers. The fact that he died in the second film didn't matter. In what is now a yearly tradition for this podcast, guest Sean O'Connor returns to discuss Halloween 4: The Return of Michael Myers.

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Edgar Wright’s stylish dive into psychological horror had fans buzzing — but Last Night in Soho left audiences split. Was it a bold genre experiment or a beautiful mess? Patrick and Anton unpack the film’s aesthetic highs, narrative lows, and whether it actually delivers on the scares. Guest Zion Parker returns to discuss Giallo vibes, ghost girls, and one very confused third act.

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It's gothic, it's moody, and it's kind of a mess. We sink our teeth into Neil Jordan’s adaptation of Anne Rice’s Interview With the Vampire. Tom Cruise goes full glam rock as Lestat, Brad Pitt pouts for two hours, and Kirsten Dunst steals the whole movie. We talk tonal whiplash, tragic wigs, and why this movie is equal parts fascinating and frustrating with return guest Jake Valkusky.

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Perhaps John Carpenter's finest work, The Thing may be beloved now but was completely ignored by audiences upon its release in 1982. It's a perfect choice to talk about as we get into spooky season. Guest Sean O'Connor returns to the podcast to discuss.

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