Who's afraid of realism? 'Notes from Underground' by Fyodor Dostoevsky cover art

Who's afraid of realism? 'Notes from Underground' by Fyodor Dostoevsky

Who's afraid of realism? 'Notes from Underground' by Fyodor Dostoevsky

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 Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism. In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB on Dostoevsky: John Bayley: https://lrb.me/realismep301 Daniel Soar: https://lrb.me/realismep302 Michael Wood: https://lrb.me/realismep303
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