WHO YELLING NOW — S3 EP9“The Things That Hide in Too Much Light” What if the brightest places in our world are the ones hiding the biggest truths?

In this episode, Olga Foreign exposes the illusions that don’t hide in darkness, but in too much light — the ideas so trendy, so “obvious,” and so widely accepted that nobody stops to question them.

Through a sharp, hilarious parable of a desert neighborhood ripping the roofs off their homes to follow a trend they can’t afford, Olga examines how society glamorizes ideas that collapse the moment the weather changes. And how our eyes, our minds, and our politics all get blinded by brilliance we never stopped to inspect.

This is an episode about perception, imitation, responsibility, and the cost of following someone else’s vision without asking the one question that matters:

“Can you afford their idea?”

Stay tuned for the poem “The Blinded Room,” and a lesson in why light can hide truth just as deeply as shadow.

What if the Earth isn’t round or flat—
but water-shaped?

In this episode, Olga Foreign tells the story of Travis,
a boy who grows into a man searching for the “edge” of the world
only to discover that shape itself is a fluid illusion.
Through travel, oceans, deserts, salt flats, and trench-deep pressure,
he learns the truth:
The world is held together by water, movement, and stories—
not the rigid maps we were taught as children.

Featuring a powerful poem, philosophical storytelling,
and a deep meditation on unlearning the world we inherited.

Listen now and redraw your map.

Episode 7 turns inward. After breaking the idol ofsuccess, we explore the myths we carry within ourselves — the stories wemistake for identity. Through the tale of a village whose personal books beginto blur in the rain, Olga Foreign unpacks how identity, trauma, family roles,and old narratives shape us… and how they can be rewritten. This is the momentthe season becomes personal.

#WhoYellingNow #TheStoryOfUs #RewriteYourMyth#OlgaForeign

Episode 6 of Season 3 dives into one of humanity’sloudest myths — that success is worth any sacrifice. Through a golden idolworshiped by an entire kingdom, Olga Foreign unpacks hustle culture,generational pressure, capitalism’s demands, and the cost of confusing ambitionwith worth. This episode blends humor, truth, and poetry to reclaim success onour own terms.

We treat time like a finish line.
But what if it’s a circle that keeps starting over — same mistakes, new packaging?
In this two-hour cinematic journey, Olga Foreign drifts through the spiral of history and heart: where revolutions recycle, progress rebrands itself, and even love loops back to its own beginning.

Featuring the myth of The Girl Who Remembered Before — a child born in the Fifth World wearing a yellow dress and carrying the full memory of every age — this episode asks whether we ever truly evolve, or just return wiser to the same truth.

Poetic narration, humor, and haunting calm collide in this meditation on motion, memory, and mercy.

Takeaway: To break history, stop running forward — breathe inside the circle.

Gender. The first story someone tells about us, and the lastone we ever stop editing.

It’s not about who’s right or wrong, who wears what, or wholoves how.

It’s about what happens when you finally stop auditioningfor belonging.

You don’t disappear. You just take up your own light.

This is Who Yelling Now, and I’m Olga Foreign —reminding you that sometimes the bravest thing you can wear is nothing buttruth

Gender. The first story someone tells about us,
and the last one we ever stop editing.

It’s not about who’s right or wrong,
who wears what,
or who loves how.

It’s about what happens
when you finally stop auditioning for belonging.

You don’t disappear.
You just take up your own light.

This is Who Yelling Now,
and I’m Olga Foreign —
reminding you that sometimes the bravest thing you can wear
is nothing but truth

In a world obsessed with having more, one man tries to own everything — until his possessions begin to own him.
Elias, known only as The Collector, spends a lifetime gathering pieces of people, moments, and memories — all in the name of completeness. But when the silence in his home starts to whisper back, he’s forced to confront the truth: you can’t collect what you refuse to live.

A poetic story about the illusion of ownership, the weight of memory, and the freedom that comes when you finally let go.
Narrated and written by Olga Foreign — from Who Yelling Now, where reflection meets rebellion.