In today’s episode, host James Cox sits down with Chicago‑born jazz virtuoso Brian Culbertson – a multi‑instrumentalist, composer, producer, and the man behind the acclaimed album “Day Trip.”

From Brian’s early days tinkering on piano at eight, picking up trombone in the school band, and discovering the magic of a home studio at twelve, to his modern‑day workflow that blends live horns, synth‑laden beats, and the Output Arcade plug‑in that sparked the track “Sandcastles,” the conversation drifts through:

The instrument journey: why piano became his songwriting hub, how drums shaped his groove sense, and the challenge of playing piano passages that push his limits.

Music theory & learning: a down‑to‑earth take on why theory is “baby steps” and how a good teacher can make it approachable for anyone.

Creative influences: everything from Earth, Wind & Fire and Tower of Power to classical, EDM, Mongolian metal (The Hu) and dark hip‑hop—showing how eclectic listening fuels fresh ideas.

Production vs. performance: why the studio feels like home, the painstaking process of polishing a record, and the tricks he uses to translate studio vibes to a live stage.

The “Day Trip” story: how nine songs were written in just four days with co‑writer Nicholas Cole, and the emotional contrast between rapid bursts of inspiration and years‑long labors of love.

Beyond the music: Brian’s passion for wine, the creation of his signature blends, the Napa Valley Jazz Getaway he co‑hosts, and the balance of artistry with entrepreneurship.

Get ready for a deep dive into a musician’s mindset, a handful of quirky anecdotes (no secret studio rituals—just a shower and a good vibe), and plenty of tips for anyone who dreams of turning a musical spark into a polished record.

Press play, lean back, and let the conversation remind you why, when words fall short, music always finds a way to speak.

Welcome back to When Words Fail Music Speaks, the show that explores how music can lift us out of depression, anxiety, and everyday struggles. In today’s episode, host James Cox—your “professional handicapped” guide to the power of sound—sits down with Grammy‑winning arranger, composer, and multi‑instrumentalist Fletch Wiley.

We dive deep into Fletch’s remarkable story: a childhood trumpeter from Seattle who chased his dream to the University of North Texas, survived a battle with drugs, found a life‑changing conversion to Christianity in 1971, and has since devoted his talent to ministry, touring the world with his wife under the Heart and Art initiative.

From the nuts‑and‑bolts of jazz—Fletch’s recommendations for newcomers (Chuck Mangione, Kirk Whalum, Chris Bodie) and his take on the “all‑wrong‑notes” myth—to the art of arranging across genres (worship, film scoring, children’s music, theater, and big‑band projects), the conversation reveals why he believes jazz is “the highest form of music” because it demands real‑time improvisation, listening, and technical mastery.

Listeners will also get practical tips for getting into jazz, a behind‑the‑scenes look at his global benefit concerts (Turkey, Egypt, Albania, Nigeria, South Africa), and a few lightning‑round fun facts that showcase his personality—favorite coffee, dream super‑band lineup, the instrument that would complain the most, and the single piece that moves his soul (Beethoven’s 2nd Movement of the 7th Symphony).

Whether you’re a seasoned jazz aficionado, a country‑music lover, or simply searching for the therapeutic resonance of melody, this episode offers inspiration, humor, and a heartfelt reminder that music really does speak—and can heal. Tune in, settle in, and let Fletch Wiley’s story and wisdom harmonize with your own journey.

Welcome back to When Words Fail, Music Speaks, the show that explores how music can lift us out of the valleys of depression and anxiety and into brighter emotional terrain. In today’s episode, host James sits down with pianist, composer, educator, and prolific writer Kurt Ellenberger for a deep‑dive into the world of jazz, its pedagogy, and its power to heal.

We’ll hear Kurt recount his path from a performing career in Grand Rapids, Michigan, to a long‑standing faculty role at Grand Valley State University where he teaches everything from “Jazz in the Culture” to a beloved interdisciplinary course, “Music, Culture, and Aesthetics.” He shares practical advice for newcomers who feel intimidated by jazz—starting with the universally‑accessible Miles Davis classic Kind of Blue—and explains why jazz demands full, focused listening in the way classical music does, unlike the background‑friendly nature of pop or country.

Kurt also opens up about his parallel life as a writer and managing editor of the Journal of the International Association of Jazz Educators. From a blog that caught the eye of the Huffington Post to a series of essays that demystify everything from why Christmas music feels “jazzy” to the emotional weight of minor chords, his mission is simple: turn scholarly insight into stories anyone can enjoy.

We’ll explore how jazz varies across continents, why European and Australian approaches sound distinct yet remain unmistakably jazz, and why the genre is less a fixed style and more an improvisational mindset. Kurt even reveals a surprising non‑musical talent—his knack for home‑repair and hammer‑work—that keeps him grounded when the academic world gets heavy.

Finally, we close with Kurt’s personal “Rushmore” of musical heroes—Genesis, pianist John Taylor, composer Paul Hindemith, and David Bowie—plus a secret, deeply moving piece that leaves him speechless every time he hears it.

If you’ve ever wondered how to get into jazz, why it’s sometimes dismissed as “wrong notes,” or simply want a heartfelt conversation about music’s therapeutic power, you’re in the right place. Grab your headphones, set aside the background noise, and let’s tune into the conversation that proves—once again—when words fail, music truly speaks.