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What happens when a dancer who traded pre-professional ballet training at the John Cranko School and the Joffrey Ballet Studio Company for a Harvard degree? Or when a dancer who received offers from the training programs at Joffrey, Colorado Ballet, and Philadelphia Ballet decides that college was always the plan? We sat down with Clara Thiele and Melinda Wang, co-directors of the Harvard Ballet Company, to explore one very compelling way to keep ballet in your life without a professional contract and the decisions that brought them to Cambridge and what they found when they got there.

We talk about the moment Clara knew she was done auditioning, the very real grief of walking away from something you've built your identity around, and why Melinda is still grappling with the what-ifs even as a junior. We also dig into what the Harvard Ballet Company actually is: a 60-to-80-person, audition-based, collegiate ballet company that brings in choreographers from NYCB and SF Ballet, performs on a 500-seat stage, stages Balanchine repertoire, and somehow manages to keep ballet feeling joyful again. We also discuss the Ivy Ballet Exchange and the Beyond the Barre mentorship initiative.

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