Vortex Temporum cover art

Vortex Temporum

Vortex Temporum

By: Vortex Temporum
Listen for free

About this listen

composers and inner thoughts about this and that --- vortex temporum is a podcast by Nuno Aroso / Limina & Diana Ferreira / Arte no Tempo | ISSN 2975-8157© 2025 Vortex Temporum Music
Episodes
  • VT041 | Silva Borzelli: pianocast - on erosion and resistance
    May 27 2025

    Send us a text

    A few days before the Portuguese premiere of Silvia Borzelli's (Rome, 1978) A Self-portrait (with Anatsui in the background) [2022], this Netherlands based Italian composer shares some insights on her own music, erosion, resistance and whatever comes before music.

    credits: stalagma (Anna Politkovskaja in memoriam) [2007], for piano | Emanuele Torquati > piano // zattere [2013], for piano and stereo soundtrack | Vittoria Quartararo > piano // hyper-image [2020, rev. 2023], for piano concertante and 5 instruments | mdi ensemble // A Self-Portrait (with Anatsui in the background) [2022], for prepared piano | Paolo Gorini > piano

    vortextemporum.com

    Show More Show Less
    15 mins
  • VT040 | João Pedro Oliveira: tense and harsh
    Apr 29 2025

    Send us a text

    Right before the release of the album “City Walk”, in which Nuno Aroso and his ensemble (Clamat - colectivo variável) perform João Pedro Oliveira (Lisbon, 1959) percussion music, Portuguese composer based in Santa Barbara - California, tells us about the universe from which his music arises.
    Would it all be rock?

    credits: In the House of the Glass King [2021], concerto for marimba, vibrafone, percussion ensemble and fixed media electronics | Clamat – Colectivo Variável; Nuno Aroso and Henrique Ramos as soloists// Vox Sum Vitae [2011], for vibraphone and fixed media electronics | Nuno Aroso > vibraphone // Broken Loops [2013], for 2 percussion players | Vitória do Bem and João Pedro Lourenço


    vortextemporum.com

    Show More Show Less
    13 mins
  • VT039 | Sivan Cohen Elias: conversation about puppetry
    Mar 27 2025

    Send us a text

    One of Sivan Cohen Elias’ (Jerusalem, 1976) major interests must be sound puppetry. In Vortex Temporum episode number 39, this Israeli composer lets us listen to a conversation she has with her husband and collaborator, Rey Hulme, about this central matter of her own music.

    credits:
    How to Make a Monster [2021], for a performer with objects and live electronics | performance by Winnie Huang // Escape Room [2024], for trio percussion | ensemble Line Upon Line Percussion // Whistle Town [2022], for 8 musicians, live electronics, and video | ensemble soundinitiative // .onion - short opera, for tenor, soprano, electric guitar, percussion, cello, string orchestra, and fixed media.

    vortextemporum.com

    Show More Show Less
    16 mins
No reviews yet
In the spirit of reconciliation, Audible acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.