• Ariel Nereson, "Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past" (U Michigan Press, 2022)
    May 11 2025
    On the 200th anniversary of Abraham Lincoln's birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln's writings as they examined key moments in his life and his enduring legacy. Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past (U Michigan Press, 2022) explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 mins
  • Brendan Haug, "Garden of Egypt: Irrigation, Society, and the State in the Premodern Fayyūm" (U Michigan Press, 2024)
    May 6 2025
    Garden of Egypt: Irrigation, Society, and the State in the Premodern Fayyūm (University of Michigan Press, 2024) is the first environmental history of Egypt’s Fayyūm depression. The book examines human relationships with flowing water from the 3rd century BCE to the 13th century CE. Until the arrival of modern perennial irrigation in the nineteenth century, the Fayyūm was the only region of premodern Egypt to be irrigated by a network of artificial canals. By linking large numbers of rural communities together in a shared dependence on this public irrigation infrastructure, canalization introduced a radically new way of interacting with both the water of the Nile and fellow farmers in Egypt. Drawing on ancient Greek papyri, medieval Arabic literature, and modern comparative evidence, Garden of Egypt explores how the Nile’s water, local farmers, and state power continually reshaped this irrigated landscape over more than 13 centuries. Following human/water relationships through both space and time further helps to erode disciplinary boundaries and bring multiple periods of Egyptian history into contact with one another. In this episode, Ibrahim Fawzy chats with Brendan Haug about the relationship between people, water, and the environment in Egypt’s Fayyūm. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 mins
  • Nothingism
    May 5 2025
    In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print. You can read more about poetry at the end of print culture in Jason’s new book, entitled Nothingism (Michigan UP, 2025). In the episode Jaason refers to M.B. Parkes’s book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali. Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY’s BMCC and in the MFA Program for Writers at Warren Wilson College. The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    20 mins
  • Alan Chong, "The International Politics of Communication: Representing Community in a Globalizing World" (U Michigan Press, 2025)
    May 4 2025
    In an era of globalization, international communication constantly takes place across borders, defying sovereign control as it influences opinion. While diplomacy between states is the visible face of international relations, this “informal diplomacy” is usually less visible but no less powerful. Information politics can be found in propaganda, Internet politics, educational exchanges, tourism, and even popular film. In The International Politics of Communication: Representing Community in a Globalizing World (University of Michigan Press, 2025) by Dr. Alan Chong examines this informational dimension of international politics, investigating how information is generated, conveyed through channels, and directed specifically at audiences. While citizens are often portrayed as faithfully loyal supporters and beneficiaries of the modern nation-state—a fiction supported by passports, identification papers, and other notarized credentials—they are subject to the pulls of loyalty from transnational tribal affiliations, mythological and historical narratives of ethnicity, as well as the transcendental claims of religion and philosophy. Increasingly, social media also enchants non-state individuals, providing new virtual communities as the center of loyalties rather than national affiliations. By reinterpreting taken-for-granted concepts in journalism, media, political economy, nationalism, development, and propaganda as information politics, this book prepares serious-minded scholars, citizens, politicians, and social activists everywhere to understand the power plays in international communication and use alternatives to begin transforming power relations.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 17 mins
  • Katherine Ngo, "Unlocking the Treasury: Elementary Learning for Boys in Qing China" (Lever Press, 2025)
    Apr 11 2025
    How did young boys in premodern China learn? What educational texts did they use? What values informed their education? Katherine Ngo’s new book Unlocking the Treasury: Elementary Learning for Boys in Qing China (Lever Press, 2025) explores these questions through a focus on a Qing-dynasty textbook: Treasury of Elementary Learning (Youxue qionglin 幼學瓊林). One of the most popular textbooks in the Qing, Treasury is packed to the brim with allusions, references, exemplars, and much more. Katherine deftly unpacks Treasury, showing how it is at once a handbook for practical learning, a child-friendly version of the school of heart-mind, and an introduction to training for the civil-service examination. In addition to being a wonderfully rich and careful introduction to Treasury, this book highlights how education in the Qing was complex, eclectic, and anything but focused exclusively on rote learning. Unlocking the Treasury should be of interest to scholars of China, historians of the early modern world, but also anyone interested in the history of education, pedagogy, and different ways of learning. Unlocking the Treasury is also available as an Open Access ebook here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 10 mins
  • Xian Wang, "Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs" (U Michigan Press, 2025)
    Feb 19 2025
    Gendered Memories: An Imaginary Museum for Ding Ling and Chinese Female Revolutionary Martyrs (U Michigan Press, 2025) takes readers on a journey through the lives and legacies of Chinese female revolutionary martyrs, revealing how their sacrifices have been remembered, commemorated, and manipulated throughout history. This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture. Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame. Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 3 mins
  • Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
    Oct 25 2024
    Every year a relatively small number of canonic operas are produced around the world. Many companies shy away from new works, afraid of alienating a predominantly white, older, wealthy audience who are comfortable with operatic traditions. But opera can also be a site of incredible innovation. Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age (University of Michigan Press, 2024) by Megan Steigerwald Ille examines one of the most disruptive opera companies in the United States. The Los Angeles-based company, The Industry, wants to make opera for everyone by breaking down hierarchies, undermining the expectations of both audiences and performers, and confronting how opera is part of harmful systems of exclusion and marginalization. Rather than simply analyzing some operas and interviewing a handful of key players in the company, Steigerwald Ille spent years observing rehearsals and interviewing many of the participants in the Industry’s productions. Focusing on the period between 2012 and 2020, her ethnographic work yields a thorough and nuanced analysis of the company and its operas and the many ways they challenge the conventions of Western classical music. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 mins
  • Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)
    Aug 30 2024
    Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China (University of Michigan Press, 2024) offers a fascinating approach to modern Chinese theater history by placing the stage at the center of the story. Combining vivid readings of plays with technical manuals and how-to guides, Tarryn Li-Min Chun charts how stage technology changed from the 1920s to the 1980s, showing how Chinese theater artists mobilized staging, lighting, and props to convey different meanings, including political revolution, nationalist nation-building, grassroots ingenuity, and the triumph of science. Throughout, Revolutionary Stagecraft demonstrates how theater, technology, and politics were deeply intertwined in modern China, and how Chinese theater artists manipulated the materiality of stagecraft for their own means. Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 8 mins