Aidan and Diana Face/Off about National Treasure and The Rock of so many incredible films, the amazing Nicolas Cage. Aidan tells us about Pig and Diana quotes almost every line of Moonstruck off the top of her dome. It’s a different kind of Two Show Day so grab your popcorn, but don’t eat it too fast or it’ll be Gone in 60 Seconds.

Also…Con Air, I guess?

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Our intrepid podcast gang seem mighty tired, friends. Why? 'Cause Mike only pretends to know what he's doing behind that recording console! After attempt #1 of recording this conversation failed spectacularly, Mike made Diana stay late and have the conversation again. But fear not! Jokes are always funnier the second time.

Mike shares his plan to be in a show whose title would almost certainly get this episode shadow banned and Diana talks about her plans to produce "Natasha, Pierre, and the Great Comet of 1812." At least, that's what we think happened. We were pretty sleepy by the end of the day.

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What better way to commemorate the 113th anniversary of the sinking of the Titanic than by chatting with the wonderful Jess FitzSisti about "Titanic: the Musical!" Keeping with the nautical theme, Diana commemorates the 91st anniversary of the debut of "Anything Goes" by celebrating tap dancing, trumpet players named Gabriel, and blonde-haired Patti LuPone. It's a typical day at Two Show Day Pod, friends.

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This week Diana is joined by the incredible Stephanie Saint Germain, fresh off her leading role as Ti Moune in Black Theatre Troupe of Upstate New York's production of "Once On This Island!" She and Diana talk about that amazing production and the joy David Byrne brought to millions.

In other news, Mike ate it so hard this week by neglecting to record one episode before deleting all the video files for this one. What can I say? It was a rough week.

Want to send us a message? Find all our socials on www.linktr.ee/twoshowday or email us at twoshowdaypodcast@gmail.com

Want to be a part of the Collaborative Studios network? Contact us at CollaborativeStudios@proctors.org

We received so many hot takes from you, it took two whole episodes to get through them all! Is Broadway guilty of sequel-itis? Do movie musical adaptations need to be made? And what's the deal with jukebox musicals? We answer all these questions, plus Mike decides to keep up his elbows (that's DEFINITELY how the expression goes) while he pushes Diana to her Canadian limits as she defends her country from his unrelenting attacks.

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Diana sits with Schenectady Light Opera Company Artistic Director Michael Camelo as he regals her with stories of tearful auditions (he got the part), characters who blend into the background (he played the part), and how important it is to be a part (be...a part? This one got away from us...) of the theatre community, no matter if you're on-stage, backstage, or in the audience.

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In our first listener-suggested hot takes, Dan, Roberto, and Barb ask the unaskable: Is Andrew Lloyd Webber is as good as he thinks he is? (No.) Is Broadway boring or have I changed? (A little of both.) Which is better: movie actors in Broadway shows or Broadway actors in movies? (Yes?)

Do you have a hot take you want us to tackle? Go to linktr.ee/twoshowday to send us a message or email us at twoshowdaypodcast@gmail.com

Want to be a part of the Collaborative Studios network? Contact us at CollaborativeStudios@proctors.org

In this week's hot take, Mike takes on the simple task of vilifying some of Broadway's most cherished shows and creators. Diana happily allows him to dig his own grave because NOBODY comes after Ado Annie and lives to tell the tale.

Want to send us a message? Find all our socials on www.linktr.ee/twoshowday or email us at twoshowdaypodcast@gmail.com

Want to be a part of the Collaborative Studios network? Contact us at CollaborativeStudios@proctors.org