Journalist Jane Borden joins the girls to discuss her book Cults Like Us, a gripping investigation into how cultic thinking is woven into the fabric of American life. Jane delves into the radical roots of early Protestant settlers, how the deep-rooted American mythology of a strong rebel cowboy who can save us from the bad guys makes us more susceptible to demagogues and authoritarians, and why pronatalism is just another form of doomsdayism.
They talk about how fear of the end of the world, fear of not being good enough, and fear of “the other” influence us. They discuss everything from the bootstraps myth to mass marketing to self-help empires, and how the promise of salvation has shaped the American psyche more than we like to admit.

SOURCES:
Jane Borden
Cults Like Us: Why Doomsday Thinking Drives America

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Megan Elizabeth Cox–not to be confused with our Meagan Elizabeth–shares how she first started Gwen Shamblin’s weight loss program as a child, when her mom began listening to the cassette tapes in the 90s. She opens up about what it was like growing up in a family that was fixated on weight loss, how it felt meeting Shamblin, the high-haired woman behind the voice, and how the program evolved into the Remnant Fellowship, a full-fledged church centered around skinniness as righteousness.
Megan tells the girls about the level of control the church had over her eating and even her thoughts, with Bible study sessions that required the members to weigh themselves, how she drifted in and out of the church during dark times in her life, and what made her finally realize she needed to leave the group for good.

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Journalist Claire Hoffman joins us again, this time to discuss her new book Sister, Sinner: the unbelievable true story of Aimee Semple McPherson, a glamorous Pentecostal preacher who pioneered entertainment evangelism. McPherson was so famous in the 1920s she could have been a Kardashian.
Claire talks about how the early televangelist used theatrics and mass media to build an empire around her preaching–only to mysteriously disappear in 1926, leading to one of the most notorious court cases of the time. The girls unpack early 20th century fame, faith, scandal, and the dangers of worshipping cultural icons.

SOURCES:
Sister, Sinner

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