In 1960s Tucson, a five-foot-three man named Charles Schmid built himself out of tin cans, axle grease, and lies. He called himself “Smitty,” the Pied Piper of Speedway Boulevard—part Elvis, part devil, and all performance. But when the mask slipped, the city discovered what he’d really built: a cult of personality, a trail of bodies, and one of the strangest intersections of true crime and American myth.

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