Publishing likes to imagine itself as a marketplace of ideas with a strong immune system: good arguments win, bad ones fade, and editors act as principled gatekeepers. In practice, it’s also an industry with thin margins, status anxiety, and a constant fear of reputational damage.

Adam Szetela argues that a lot of what gets called “cancel culture” in books is better understood as risk management under social media conditions. Outrage compresses timelines, collapses context, and turns interpretation into a moral referendum. A handful of motivated actors can create the impression of a mass consensus—and once that perception takes hold, institutions often move first and ask questions later.

We talk about how “sensitivity reading” functions in this environment: sometimes as thoughtful critique, sometimes as a liability shield, and sometimes as a tool that quietly shifts a book’s meaning toward whatever ideology currently feels safest. The result is a distributed system of incentives that nudges publishers toward caution, self-censorship, and blandness … while occasionally rewarding controversy because conflict drives attention.

This conversation doesn’t treat every public criticism as illegitimate, or every publisher decision as cowardice. The point is to map the machinery: how reputations get threatened, how moral language expands, why apologies can backfire, and why the incentives often select for the loudest framing over the most accurate one.

Adam Szetela earned his PhD in English from the Department of Literatures at Cornell University. Before Cornell, he was a visiting fellow in the Program on the Study of Capitalism at Harvard University. He writes for The Washington Post, The Guardian, Newsweek, and other publications. Among other places, his writing has been honored by the Society for Features Journalism. His new book is That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.

Documentary filmmaker Marcie Hume (BBC alum; Magicians: Life in the Impossible) joins Michael Shermer to talk about her new verité film Corey Feldman vs. the World—shot over a decade, starting in the “Corey’s Angels” era and following a tour that unravels in real time.

It goes to some uncomfortable places: how celebrity can create cult-ish dynamics (not just with fans, but with the people working around them as well), how “truth” becomes a slogan—used to frame criticism as persecution and to keep tight control of the story, and how living on camera can turn real life into performance where every moment becomes part of the persona.

Then the story folds back on itself—the release of Marcie’s film becomes its own drama, with last-minute legal threats and a cease-and-desist landing right before the premiere.

Marcie Hume is a documentary filmmaker, television executive, and immersive experience creator focused on how people manufacture meaning under pressure, while the story is still being written. A BBC alumna, she has originated and executive produced unscripted series for the BBC, Channel 4, Discovery, National Geographic, and A&E. Her feature documentaries Hood to Coast, Magicians: Life in the Impossible, and Corey Feldman vs. the World trace endurance, obsession, and the narratives people construct to live with extraordinary choices. Corey Feldman vs. the World is currently available to rent or buy on YouTube, Google, or Apple, even though Corey is still trying to have it removed.

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Christopher Beha grew up Catholic in Manhattan, walked away during the New Atheist era, and spent years trying to build a secular worldview sturdy enough to live inside. It didn’t hold. So he kept reading—Hume, Kant, Russell, the existentialists—and kept chasing the questions that don’t let you sleep: what counts as evidence, what belief even is, and what you do when reason can’t answer the things you still have to decide.

In this conversation with Michael Shermer, Beha makes a case that skepticism and belief aren’t enemies—and that some debates go nowhere because people are arguing about the “branches” while standing on totally different foundations.

Christopher Beha is the former editor of Harper’s Magazine and the author of four previous books, including The Index of Self-Destructive Acts, which was nominated for the 2020 National Book Award. His new book is Why I Am Not an Atheist: The Confessions of a Skeptical Believer.