• Ep. 66: Leonardo da Vinci in the Sforza Court
    Nov 24 2025

    There is no better way to explore the art and politics of the Sforza court in Milan than through the eyes of Leonardo da Vinci. Leonardo spent most of his early career employed by Ludovico il Moro, the regent and eventual Duke of Milan. This episode ties together the drama and intrigue of Sforza court politics with the work Leonardo did during his First Milanese Period (1482-1499).

    Some of Leonardo's most innovative painting arrived in this period. Beyond his Last Supper, the Renaissance master also worked on court portraits. Looking at both Lady with an Ermine and La Belle Ferronniere, we unpack the history of the ladies of the Sforza court and the complex social structures in Leonardo's Milan. Additionally, we explore the sophistication of Leonardo's style and ingenuity, especially as precursors to his Mona Lisa.

    This conversation ultimately ties the complicated threads that unite art, court culture, politics, gender, and romance in Renaissance Milan.

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    Works Discussed:

    Leonardo da Vinci, Genevra de' Benci, ca. 1478 https://www.nga.gov/artworks/50724-ginevra-de-benci-obverse

    Leonardo da Vinci, Lady with an Ermine, ca. 1490 https://artsandculture.google.com/asset/lady-with-an-ermine-leonardo-da-vinci/HwHUpggDy_HxNQ?hl=en-GB

    Leonardo da Vinci and workshop, La Belle Ferronniere, ca. 1497 https://collections.louvre.fr/en/ark:/53355/cl010062372

    Salai, Head of Christ the Redeemer, 1511 https://ambrosiana.it/opere/testa-di-cristo-redentore/

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    33 mins
  • Ep. 65: Isabella d'Este feat. Eleanor Walker
    Nov 10 2025

    Art Historian Eleanor Walker joins us this episode to discuss the life and patronage of Isabella d'Este, Marchioness of Mantua. Isabella perfectly bridges the northern courts of Este Ferrara and Gonzaga Mantua, serving as the pivotal figure who united the two courts.

    Eleanor Walker introduces us to the life and vibrant personality of this Renaissance giant, looking at the scope and limitations of women in power in the northern courts. Then we turn to her patronage, diving deep into her portrait by Titian and a copy of another Titian portrait of Isabella by the Baroque master Peter Paul Rubens.

    Works Discussed:

    Titian, Isabella in Black, ca. 1536 https://www.khm.at/kunstwerke/isabella-d-este-markgraefin-von-mantua-1474-1539-1940

    Peter Paul Rubes, Isabella in Red (copied after Titian), ca. 1605 https://en.wikipedia.org/wiki/Isabella_in_Red_(Rubens)

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    Jennifer Samit and Eleanor Walker, Women Artists in Their own Words: https://www.merrellpublishers.com/9781858947235

    Jill Burke, How to Be a Renaissance Woman, https://www.amazon.it/How-Renaissance-Woman-Jill-Burke/dp/1788166663/ref=asc_df_1788166663?mcid=84574746f829322698bfc93eb94e80af&tag=googshopit-21&linkCode=df0&hvadid=700814440216&hvpos=&hvnetw=g&hvrand=11473624181355666976&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9199215&hvtargid=pla-1888711395289&psc=1&hvocijid=11473624181355666976-1788166663-&hvexpln=0

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    28 mins
  • Ep. 64: The Camera Picta - Andrea Mantegna in the Gonzaga Court
    Oct 27 2025

    This episode looks at how the Gonzaga family of Mantua shaped their political image through art patronage. Ludovico Gonzaga, eager to raise his court’s prestige, brought the painter Andrea Mantegna to Mantua in 1460. Under Gonzaga patronage, Mantegna transformed court painting with his mastery of perspective and classical form. Their collaboration produced the fresco cycle in the Camera degli Sposi, a landmark of Renaissance art that blended dynastic portraiture with political messaging. Together, they turned Mantua into one of the most influential artistic centers of fifteenth-century Italy.

    Works discussed:

    Andrea Mantegna, Camera degli sposi / Camera picta, 1465-1475, Mantua.https://www.wga.hu/html_m/m/mantegna/07/index.html

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    28 mins
  • Ep. 63: Cintho's Desdemona, feat. Michael Curtotti
    Sep 29 2025

    Join me and writer/translator Michael Curtotti on a discussion about the literary patronage of the Este court. Centered around Micheal's new translation of the playwright and novella author Cinzio, our discuss dives deep into the cultural moment of Duke Ercole d’Este’s Ferrara. Michael walks us through the history of Cinzio and his work, both in theater and prose.

    Further, Michael leads us through his translation of the short story that would eventually influence Shakespeare's Othello, primarily investigatin notions of Renaissance misogyny and racism.

    Acquire Michael Curtotti's "Cinthio's Desdemona: The Story that Inspired Othello": https://beyondforeignness.org/book/cinthios-desdemona-the-story-that-inspired-othello

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    47 mins
  • Ep. 62: Este Ferrara - Borso, Ercole, & Alfonso I
    Sep 15 2025

    We continue our journey through the Este court of Ferrara, moving from Borso’s decoration of the Palazzo Schifanoia to the ambitious reign of Ercole I. We explore his transformation of Ferrara with the Addizione Erculea and the dazzling Palazzo dei Diamanti, before turning to his son Alfonso and the overlooked brilliance of court painter Dosso Dossi. Finally, we trace how Este patronage shaped Renaissance literature through Ludovico Ariosto’s Orlando Furioso, a chivalric epic that fused fantasy, wit, and courtly ideals into one of the great masterpieces of the age, one that enabled further crosscurrents between the visual and written world.

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    Works Discussed:

    Palazzo Schifanoia Frescos: https://youtu.be/20FIWIDxEbg?si=_-6t4Iba48X0ozuK

    Palazzo dei Diamanti: https://www.wga.hu/frames-e.html?/html/r/rossett/diamant.html

    Dosso Dossi

    Portrait of Alfonso I, ca. 1534, https://it.m.wikipedia.org/wiki/File:Battista_Dossi,_ritratto_di_Alfonso_I_d%27Este_-_Modena.jpg

    Triumph of Bacchus, ca. 1514: https://commons.wikimedia.org/wiki/File:Dosso_dossi,_trionfo_di_bacco,_00,1.jpg

    Apollo and Daphne, ca 1525: https://youtube.com/shorts/P3o367FdT_c?si=mwY2Z-7Rr0T2Pmyc

    Circe/Melissa, ca 1524: https://it.wikipedia.org/wiki/Melissa_(Dossi)

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    27 mins
  • Ep. 61: Este Ferrara - Niccolò III, Leonello, and Borso
    Sep 1 2025

    In this episode, we explore the rise of the Este family and the transformation of Ferrara into a vibrant Renaissance court. From Niccolò III’s political maneuvering to Leonello’s humanist vision and groundbreaking artistic patronage, we trace how the Este shaped culture and power in northern Italy. We then turn to Borso d’Este’s reign, examining his use of art and spectacle to project authority, including his enthroned bronze statue. Along the way, we uncover surprising details—like a controversial monument restoration—and set the stage for Ercole I’s ambitious ducal legacy.

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    Images Discussed

    Pisanello, Portrait of Leonello d'Este, 1441-44 https://www.wga.hu/html_m/p/pisanell/1paintin/este.html

    Pisanello, Medal of John VIII, 1438 https://www.wga.hu/html_m/p/pisanell/2medals/palaeol.html

    Pisanello, Medal of Leonello d'Este, ca. 1444 https://www.wga.hu/html_m/p/pisanell/2medals/leonell1.html

    Antonio di Cristoforo, Niccolo Baroncelli, and Leon Battista Alberti, Equestrian Monument to Niccolo III, 1441 https://equestrianstatue.org/nicolo-lll/

    Niccolo Barroncelli, Monument to Borso d'Este, ca. 1452 https://commons.wikimedia.org/wiki/Category:Monument_to_Borso_d%27Este_(Ferrara)

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    26 mins
  • Ep. 60: Giuliano da Sangallo
    Jun 23 2025

    The Court of Lorenzo the Magnificent Part 6 of 6: Architecture

    This episode looks at the most significant works of Lorenzo's court architect and dear friend, Giuliano da Sangallo. Among his most important designs, Sangallo was the chief architect and designer behind the Medici Villa at Poggio a Caiano, a countryside escape for Lorenzo that would serve as a prototype for Renaissance villas that came after. Additionally, Lorenzo and Sangallo were involved in the design and creation of the splendid church of Santa Maria delle Carceri in Prato.

    Overall, this podcast addresses the way Sangallo served as Lorenzo's chief architect, as well as the way in which he remains an essential figure in understanding Renaissance architecture as a whole. Sangallo was a dedicated follower of Filippo Brunelleschi and Leon Battista Alberti, as well as an expert on the rules of classical architecture.

    Works Discussed:

    Giuliano da Sangallo, Medici Villa at Poggio a Caiano, begun 1485. http://www.museumsinflorence.com/musei/villa-poggio-a-caiano.html

    Giuliano da Sangallo, Santa Maria delle Carceri, Prato, 1495. https://www.cittadiprato.it/en/Sezioni/content.aspx?XRI=186

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    27 mins
  • Ep. 59: The Pollaiuolo Brothers
    May 26 2025

    The Court of Lorenzo the Magnificent Part 5: Antonio and Piero Pollaiuolo

    Among the many artists who earned the attention of the Magnificent, the Pollaiuolo brothers left behind an artistic legacy closely tied with Medicean propaganda. This episode explores the role of the Pallaiuolo brothers in the development of Florentine Renaissance art, specifically through the works they completed for the Medici Palace: The Labors of Hercules.

    Later reappropriated, this episode also dives into how Hercules is used as a Florentine political symbol and is adaptable as both a pro-Medici and an anti-Medici symbol, similar to function of the biblical heroes David and Judith.

    Works Discussed

    Antonio Pallaiuolo, Hercules and the Hydra, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-idra

    Antonio Pallaiuolo, Hercules and Antaeus, ca. 1475 https://www.uffizi.it/opere/pollaiolo-ercole-anteo

    Antonio Pallaiuolo, Hercules and Antaeus, ca. 1475, bronze Antonio https://www.wga.hu/html_m/p/pollaiol/antonio/sculptur/hercul2.html

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    25 mins