Raz Segal, an Israeli historian and an associate professor of Holocaust and Genocide Studies at Stockton University, analyzes how the weaponization and distortion of the Holocaust, in the midst of the genocide in Gaza, has been used to serve the narrative of Zionists and the Israeli government. He tells host Chris Hedges on this episode of The Chris Hedges Report:

“We know that Holocaust education eventually was more focused on transmitting this feeling of exceptionality than actually teaching about Holocaust as history, as real history, as normal history, as a part, indeed, of the making of the modern and late modern world.”

Segal recounts his personal experience learning about the Holocaust in Israel, revealing a Zionist perspective that is both skewed and contradictory.

“Jews, because they were a unique people, always faced a unique hatred, anti-Semitism, which then culminated in a unique genocide, really the only genocide ever in human history, in this framework: the Holocaust,” he explains.

Though Segal outgrew this propagandized view, he explains that many in Israel and its international supporters still frame Jews and the Holocaust as exceptional. This belief in exceptionalism, Segal argues, blurs the history that led to the Holocaust and the events that have followed.

“We really can't understand the phenomena of modern genocide without understanding the nation-state system, the exclusionary nation system and colonialism, European expansion around the world, settler colonialism and colonial genocides that accompanied this expansion for hundreds of years,” Segal contends.

“I've witnessed a lot of war and in that there is nothing that compares to the level of destruction, the level of [dis]proportionality, the absolute disregard for Geneva Convention and international humanitarian law and considerations of the laws of armed conflict. [Nowhere] in my career… have I witnessed anything close to the absolute escalation of violence and [unnecessary] force I witnessed in Gaza.”

This is what Anthony Aguilar, a retired Lieutenant Colonel who served for 25 years in the U.S. Army Special Forces as a Green Beret, tells host Chris Hedges in this episode of The Chris Hedges Report, as he recalls his experiences in Gaza serving as a subcontractor for UG Solutions, which provides security for The Gaza Humanitarian Foundation (GHF).

His testimony has added another crucial dimension to understanding the genocide in this late stage, as hundreds of thousands face starvation and desperation for food and aid. While GHF presents itself as a humanitarian aid group, in reality it is an arm of Israel’s infrastructure of genocide, facilitating violence and imposing increased desperation against Palestinians at the behest of the Israeli Defense Forces (IDF).

Aguilar’s testimony — detailing the weaponry he was supplied as a contractor, the money he was paid, the operating procedures he was given and the internal structure linking the GHF and the IDF — provides undeniable evidence of Israel’s continued aggression and depravity. From high tech-surveillance that beams Palestinians with biometric scanners to scan their faces at aid sites, to dehumanizing crowd control techniques, to blatant indiscriminate murder, Aguilar makes clear that GHF is a project of Israeli genocide.

It is rare to find war correspondents who are willing to break the rules of access and safety imposed by dominant powers. Only by challenging these structures and facing the dangers of war can journalists begin a true effort to report the truth and, if they are lucky, materially alter the course of conflict.

Journalist, author and documentary filmmaker Ben Anderson joins host Chris Hedges on this episode of The Chris Hedges Report to detail what it means to be a reporter who is committed to chasing and documenting the truth in a media landscape that often chooses complacency.

Anderson chronicles his motivations and influences, such as the late John Pilger, early on in his career. “Back then, I really believed that if I went to these places, got this shocking footage, something would happen to help the people that you were actually covering,” he explains.

Over time, Anderson realized that this youthful optimism may not translate to reality — but his cynicism did not deter him from covering brutal conflict in Afghanistan. Anderson went far beyond typical embedded reporting, choosing to spend weeks away operating independently with other journalists to the point of exhaustion and hunger, refusing to submit to the relatively comfortable lifestyle of most foreign correspondents.

Anderson’s commitment to journalism drove him and his work: “I just thought, this is obviously the most important story in the world and here is something I can do. Just by having a bit of endurance, I can stick it out and get footage that might make a difference.”

One of the most stark examples of the expanding tide of authoritarianism worldwide was the 2017 murder of Gauri Lankesh, an Indian journalist and activist, allegedly assassinated by a far-right religious group in India for her fearless journalism.

Joining host Chris Hedges on this episode of The Chris Hedges Report is Rollo Romig, a journalist whose Pulitzer Prize-finalist book, I Am On the Hit List: A Journalist’s Murder and the Ruse of Autocracy in India, examines the historic and political context of Lankesh’s murder.

Romig chronicles the rise of Hindu nationalist extremism in India, linking it to India’s current authoritarian policies under Narendra Modi and his Bharatiya Janata Party (BJP). The group accused of Lankesh’s assassination, Sanatan Sanstha, operates on the vision “of making India an officially Hindu country and, equally importantly, relegating all non-Hindus to second-class citizenship and ostracizing, particularly, Muslims from Hindu society,” according to Romig.

Much like in the United States, Romig and Hedges argue that such fringe groups serve a strategic purpose of mainstreaming extremist ideologies that ultimately benefit the ruling class. Gauri’s work represented a threat to far-right political movements in India and she was often subjected to fierce intimidation campaigns, including, as the title of Romig’s book suggests, being placed on murder hit lists.

Known as the “Silent Holocaust,” the genocide in Guatemala is seldom mentioned in modern history. The United States, with support from Israel, backed yet another violent crusade against an indigenous population as well as against communism. The Guatemalan genocide — preceded by a CIA-instigated coup d’état of the Guatemalen government in 1954 and the ensuing civil war — saw hundreds of thousands of the Mayan Indigenous peoples and alleged communists massacred or disappeared.

Jennifer Harbury, an attorney, author and human rights activist, witnessed the horrors of the genocidal campaign waged by the U.S.-backed Guatemalan military. Included in these horrors was the torture and disappearance of her husband, Mayan rebel leader Efraín Bámaca Velásquez (known as Everardo) by CIA-backed Guatemalan military officials.

Harbury joins host Chris Hedges on this episode of The Chris Hedges Report to dissect the brutal history of the genocide as well as recount her own experiences, including several hunger strikes in Guatemala and Washington, D.C., that ultimately led to the exposure of the CIA’s complicity in the atrocities.

Fame and fortune are often corrupting forces, ones that beget power and comfort. To stand with the afflicted requires sacrificing this privilege and few embody that sacrifice more profoundly than the legendary musician of Pink Floyd Roger Waters.

For years, through his music and political action, Waters has amplified the voices of the oppressed. He has championed WikiLeaks founder Julian Assange, defended attorney Steven Donziger, demanded the closure of Guantánamo Bay, has long stood against the apartheid state of Israel and now unwaveringly against the genocide of Palestinians.

Waters joins host Chris Hedges on this episode of The Chris Hedges Report to discuss his political activism, including his support for Palestine Action, a group criminalized by the British government for their protest against Israel.

The pair discuss how Waters’ art has documented his moral devotion against oppression over the years while also examining the political decay — fueled by greed and corruption — of the United States, the United Kingdom and other world powers.