We chase a messy, funny path from eggnog tales and Community parodies to a surprisingly thoughtful breakdown of The Band’s Christmas Must Be Tonight, stitching nostalgia, skepticism, and marriage banter into one warm holiday listen. Curiosity drives the night as we weigh UAP “proof,” honor Jimmy Cliff, and daydream dream covers and movie syncs.

• what this show does and why we make music while we wait in line
• amphibians vs reptiles, anime and Ghibli clarified
• Happy Gilmore 2 takeaways, cameos, and nostalgia curve
• UAP doc fatigue, talking heads, and trust in media
• Jimmy Cliff memories, The Harder They Come, and The Kinks deep cut
• crate digging joy with Dilla, Doom, and sample hunting
• Steven Seagal’s album: serviceable voice, great players, trite lyrics
• critical thinking, screen life, and attention hygiene
• why Christmas Must Be Tonight works: simple chords, rich melody
• dream covers, B-sides, and film moments that fit the song

Check out our YouTube video cover of “Christmas Must Be Tonight.” Christmas must be tonight.

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This is also where you can watch our covers of the songs we discuss.
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Two of us trade fast picks on music and movies, then veer into ghost stories, dreams, and whether reality is bigger than it looks. We close with a lively defense-and-craft breakdown of Baby It’s Cold Outside and why performance and context matter.

• consumption corner from tea to The Roots and George Cables
• ambient study pick from Mehdi’s Instrumental Imagery, Volume Three
• session legend Reggie Young’s fingerprints across classic records
• film talk on The Irishman and There Will Be Blood
• Howl’s Moving Castle book vs film and story priorities
• true crime pick Carmen Family Murders and narrative pull
• seasonal ghost stories, Radio Rental standouts, missing 411
• Bigfoot skepticism, national parks, and cave systems
• aliens vs interdimensional ideas with faith and physics
• dreams as intuition, precognition, and cognitive edges
• conspiracies, bureaucracy, and why secrecy is hard
• music craft of Baby It’s Cold Outside and shifting language
• favorite versions, dream covers, and B-side ideas

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This is also where you can watch our covers of the songs we discuss.
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We trade tea, jazz, and arcade nostalgia for a deep dive into “Highwayman,” breaking down guitar lines, phrasing, and why the 80s video refuses to go to space. Simple games, simple songs, and how restraint can feel wide open.

• what our show sounds like and why it’s equal parts music and nonsense
• Stuff the band, Julian Lage, Grover Washington Jr, and Parcels as the week’s soundtrack
• Jimmy Buffett’s Fruitcakes and why ballads stick
• Shredder’s Revenge mechanics, characters, and couch co-op chaos
• Harry Connick Jr’s rhythm trick and audience psychology
• Highwaymen context, Jimmy Webb’s writing, Glenn Campbell’s version
• guitar tones, B minor to D lift, and tasteful fills over flash
• the infamous 1985 video choices and verse-by-verse imagery
• dream covers, supergroups, and the power of minimalism

Check out our cover on YouTube: The audience won’t like it. Watch us on YouTube, like, subscribe. Don’t you move.

Send us a text

📺 Watch this episode on our YouTube Channel!
This is also where you can watch our covers of the songs we discuss.
👉 youtube.com/@TheAudienceWontLikeIt