Kemi Ilesanmi is planting seeds for the future. Three years ago, she stepped back from running The Laundromat Project, took a gap year in which she visited 13 countries, and came back full of ideas and possibilities. Now she's an independent arts worker. A diaspora weaver. A connector of people and worlds. She says that five core values drive her work: Assume abundance. Foster connections. Multiply knowledge. Center joy. Manifest dreams. In this third conversation with host Charlotte Burns, Kemi reflects on building sustainable institutions, the women who shaped contemporary art across Africa, and why she believes in looking for "new suns" even in difficult times, sharing insights about the projects and people inspiring her now. The ecosystem needs tending, she says. The seeds need space to grow. What if we stopped trying to do it alone?

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Website: www.schwartzmanand.com/

Longtime podcast collaborators Allan Schwartzman and Charlotte Burns sit down for a conversation about an art industry in profound flux. After almost a decade of podcasts tracking how everything has changed, the duo is now looking ahead—and the view is complex.

In this frank conversation, they discuss everything from the art market to museum models, to artists history has overlooked. This is a reckoning with the art world at a crossroads.

Schwartzman reflects on challenging times but also opportunities. What new possibilities emerge when old systems transform?

What if we could reimagine how art is supported?

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Website: www.schwartzmanand.com/

The artist Agnes Denes saw it coming. Machines taking over. Technology converging with consciousness. History on a pendulum swinging perilously back and forth.

In this intimate conversation recorded with host Charlotte Burns in Denes' downtown Manhattan loft apartment and studio space, they talk about her work. When Denes wrote about these things more than 50 years ago, it was prescient, unsettling, and brilliant.

Now the artist is in her mid-90s and is still writing and making art every day. And she’s still asking the questions that matter: What is humanity's purpose? What is love? How do we survive?

Denes planted wheat in downtown Manhattan on landfill that would become Battery Park City. She made ecological art before climate change was front page news. Her work spans conceptual art, poetry, drawings, installations, sculptures, writings and more. Twenty thousand pieces, mostly never seen.

Today? She hands out wheat seeds like promises. Plant hope. Harvest peace. Become part of the art.

The questions never change, she says. Only their importance shifts.

What if we listened?

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Website: www.schwartzmanand.com/

In this bonus episode, we’re joined by the newly appointed director and CEO of the Solomon R. Guggenheim Museum and Foundation, Dr. Mariët Westermann, who is the first female appointed to the role. Mariët oversees the “constellation” of museums—four over three continents united, she says, in one mission, “to create opportunities for anyone to engage with the transformative and connective power of art and artists”. Mariët is inheriting opportunities and challenges, and we delve into some of those, from the back histories to the budgets. She talks to us about the future of the museum—from plans for the opening of the Guggenheim Abu Dhabi to the nuts and bolts of balancing the books. One of the key changes Mariët advocates for is a shift in the institutional mindset. Rather than taking a defensive stance, where the museum might try to address gaps or criticisms reactively, she hopes for a move towards a more open approach. "We are learning communities," she says. "We're full of curious people. Artists are curious." All this and much more in this special episode, which brings to an end our second season.

What if you were embroiled in a public workplace controversy? And what happens on the other side of the headlines—would you walk away from your field, or would you reengage with it to try and improve upon it? This very special episode is a break from the norm. In it, we discuss museums and change—and what it takes to get to that change. We’re joined by three curators—Mia Locks, director and co-founder of Museums Moving Forward; Fatoş Üstek, curator and former director of the Liverpool Biennial; and Laura Raicovich, writer, curator, and former president and executive director of the Queens Museum. Each of them has been through a public furor. In those moments, they have found a lack of institutional support and, afterwards, each has shifted from their previous career paths. But each has reengaged with the field in more ambitious and ultimately hopeful ways. Museums can't be taken for granted. But what does it take to create change? Tune in now for more.

This time, we’re joined by the artist LaToya Ruby Frazier, just before the opening of her major new exhibition 'Monuments of Solidarity' at the Museum of Modern Art in New York. “This exhibition spiritually uplifts people,” she says. “It inspires people to be the change they need, but it also inspires them to be better human beings. To look beyond the self, to look beyond individualistic desires, to think about the fact that you are connected to an ecosystem and a world around you. People won't be the same. This is a transformative exhibition.” We delve into LaToya’s faith and the impact of art on our lives, its power not only to shine light into the darkness, but to move through people and communities and so to create profound, lasting change. Enjoy.

In this episode, we visit the Legacy Sites in Montgomery, Alabama, including the newly opened Freedom Monument Sculpture Park, a 17-acre site on the banks of the Alabama River. We interview their founder, the lawyer and civil rights hero, Bryan Stevenson, who says that a founding narrative of racial difference was created in America that “was like an infection. I believe the infection has spread. We've never treated that infection and the consequences of it are still with us today.” The US has never created cultural sites that have “motivated people to say, ‘never again can we tolerate racial bigotry, can we tolerate racial violence, can we tolerate the kind of indifference to these basic human rights’. So, that's what we're trying to achieve.” Hope and resilience inform the Legacy Sites. “I've always argued that hopelessness is the enemy of justice and that hope is an essential feature of what we do. I have to believe things I haven't seen,” Stevenson says. “I think we need an era of truth and justice, truth and reconciliation, truth and restoration, truth and repair,” Stevenson adds. “But we can't skip the truth-telling part.”