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THE BIG SLEEP (1939) is a seminal work in the hardboiled detective genre, and it’s among the best of the Raymond Chandler books. It showcases Chandler’s masterful use of sharp dialogue, complex characters and his gritty depiction of 1930s Los Angeles.

This classic hardboiled detective novel introduces private eye Philip Marlowe. Hired to resolve a blackmail scheme, Marlowe uncovers a web of corruption and murder. It revolutionized crime fiction, establishing a template for noir storytelling that continues to influence literature and film.

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Pulp Magazines and Black Mask

English detective stories “are too contrived, and too little aware of what goes on in the world. … The boys with their feet on the desks know that the easiest murder case in the world to break is the one somebody tried to get very cute with; the one that really bothers them is the murder somebody thought of only two minutes before he pulled it off. But if the writers of this fiction wrote about the kind of murders that happen, they would also have to write about the authentic flavor of life as it is lived.” (The Simple Art of Murder, Raymond Chandler)

Pulp magazines (printed on wood-pulp paper) were a cheap source of popular entertainment that sometimes mixed in subversive social commentary. The format was invented in 1882 as a vehicle for children’s adventure stories. By the 1920s, pulps specialized in detective stories, love stories, westerns, …. During the Depression, they provided a sense of escape. [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

“In 1931 my wife and I used to cruise up and down the Pacific Coast in a very leisurely way, and at night, just to have something to read, I would pick a pulp magazine off the rack. It suddenly struck me that I might be able to write this stuff and get paid while I was learning.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

“It took me a year to write my first story. I had to … learn to write all over again.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

The emotional basis of the standard detective story had always been that justice will be done. Its technical basis was the relative insignificance of everything except the final denouement. What led up to that was more or less passagework. The denouement justified everything. (Trouble Is My Business, Raymond Chandler)

The technical basis of the Black Mask type of story, however, was that the scene outranked the plot. The ideal mystery was one you would read if the end was missing. (Trouble Is My Business, Raymond Chandler)

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THE BIG SLEEP (1939) is a seminal work in the hardboiled detective genre, and it’s among the best of the Raymond Chandler books. It showcases Chandler’s masterful use of sharp dialogue, complex characters and his gritty depiction of 1930s Los Angeles.

This classic hardboiled detective novel introduces private eye Philip Marlowe. Hired to resolve a blackmail scheme, Marlowe uncovers a web of corruption and murder. It revolutionized crime fiction, establishing a template for noir storytelling that continues to influence literature and film.

Get your book here! Or Anthony's annotated version here!
Watch clips from our conversations with guests!
Join our Patreon community here! It's free to join, with extra perks for members at every level.

Here are some questions and discussion starters here. Also – we want to hear from YOU! Share your thoughts, and we may just include them in our upcoming episodes!

Philip Marlowe (Raymond Chandler Books)

Marlowe is 33 and went to college once. He’s a bit of a cynic, and his manners are bad. He was fired for insubordination. “I test very high on insubordination.”

American hero: “Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious” (NYT Book Review).

Prometheus: “Marlowe is Prometheus [of American myth]: the noble outsider, sacrificing and enduring for a code he alone upholds.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

Honest: Vivian asks if Marlowe is honest. “Painfully,” he says. He tells Carmen he has “professional pride.” Her father trusts him not to “pull any stunts.”

Tough Guy: He’s tough, clever, and a good judge of character. His speech is brash and witty.

Self-Destructive streak? “I had concealed a murder and suppressed evidence for twenty-four hours, but I was still at large and had a five-hundred-dollar check coming. The smart thing for me to do was to take another drink and forget the whole mess. That being the obviously smart thing to do, I called Eddie Mars and told him I was coming … That was how smart I was” (ch. 21).

Catalyst: There are the aficionados of deduction and the aficionados of sex who can’t get it into their hot little heads that the fictional detective is a catalyst, not a Casanova. (Trouble Is My Business, Raymond Chandler)

Dashiell Hammett’s Influence on the Raymond Chandler Books

The famous Detection Club: “Its roster includes practically every important writer of detective fiction since Conan Doyle. But Graves and Hodge decided that only one first-class writer had written detective stories at all. An American, Dashiell Hammett. … Graves and Hodge were not fuddy-duddy connoisseurs of the second-rate; they … were aware that writers who have the vision and the ability to produce real fiction do not produce unreal fiction.” (The Simple Art of Murder, Raymond Chandler)

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Puja Guha grew up and has worked all over the world. Her spy thriller series THE AHRIMAN LEGACY is an Amazon bestseller, and she has been featured on TV and media, including Fox5, Reader’s Digest, and The London Post.

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Espionage. Assassins. Middle East. 2021.

Three years ago, a traumatic op forced her into a quiet life as an analyst. But after new intel surfaces on a terrorist plot Kuwait, intelligence agent Petra Shirazi has no choice but to return to the field. Thrust back into a violent world she vowed to leave behind, Petra must face her personal demons and her guilt over the death of one of her sources.

A money trail exposes a massive wave of terrorist attacks, implicating the highest levels of the Kuwaiti and Iranian governments. All signs point to the Ahriman, the Iranian mastermind behind the cruelest and deadliest attacks in history. Petra must confront her past if she is to stop the world from tilting into an abyss from which there is no return. The race to stop the Ahriman begins.

Fans of global espionage thrillers like Patriot Games and The Day of the Jackal will love this fast-paced spy novel from master storyteller Puja Guha. Find out why The US Review of Books says: “Like Grisham and Clancy … this title shines among the genre simply through superb storytelling.”

Let’s talk about Kuwait. You were inspired to write Ahriman: The Spirit of Destruction while visiting family in Kuwait. You thought about the nuances of the Kuwaiti political system.

• Kuwait is a major oil exporter and historically one of the richest countries in the Middle East.
• Of the 4.8M people living in Kuwait, 1.5M are Kuwaiti citizens; the rest are foreign nationals.
• Kuwait is a constitutional monarchy. The Emir (king) doesn’t have legislative powers while the National Assembly (Parliament) is in session. The Emir can disband the Assembly.
• The monarchy is more moderate than the democratically elected Assembly. The monarchy has enabled progress for women (not requiring burkas; women can drive, vote, and run for office). Women gained the right to vote in 2005. Accused of being puppets of the west.
• Political instability and chronic political deadlock have hampered Kuwait’s economic development and infrastructure. Islamist and liberal factions can’t agree on anything, including how many traffic lights to install on one of the main roads.

In the prologue, we meet Kasem Ismaili and “Lila’s” friend Nurah Bahar. Jamal is sleeping on Kasem’s sofa. Kasem is kidnapped. Puja Guha, how did you decide to the start the novel here?

Petra attends a meeting. “The eight individuals in the room covered as many countries, each with their own unique ethnic and racial backgrounds” (7-8). A secret organization was created to cater to global intelligence needs without being bogged down in political bureaucracy (121). The Agency tackles global threats other intelligence organizations can’t handle. Let’s talk about the Agency.

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