THE SPLENDID BOHEMIANS PRESENT A TEUTONIC TWOFER: “THE MOONDOG AND NICO QUEST" BILL AND RICH ENTER THE REGAL REGION OF MYTHICAL MUSICIAN MOONDOG, AND THE ETERNAL INFERNO KNOWN AS NICO.
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THE SPLENDID BOHEMIANS PRESENT A TEUTONIC TWOFER: “THE MOONDOG AND NICO QUEST" BILL AND RICH ENTER THE REGAL REGION OF MYTHICAL MUSICIAN MOONDOG, AND THE ETERNAL INFERNO KNOWN AS NICO.
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"In 1960s New York City lived a blind, often homeless man with a long, flowing beard, who dressed as a Viking and stood sentinel at the corner of West 54th Street and Sixth Avenue in midtown Manhattan. He sold his poetry and performed on custom-built percussion. His recordings are considered legendary pieces of original sound emanating from a unique artist who continues to be misunderstood and under appreciated."
"Nico was used to being treated as a physical spectacle. At the Dom, Leonard Cohen was a regular guest, and he began writing songs in hopes of seducing her. Her improbable bone structure, and her role in “La Dolce Vita,” intrigued prominent rock managers like Albert Grossman, who worked with Bob Dylan. But her songs were less appealing, and the Dom’s clientele often laughed through her set. She was eventually accompanied on guitar by Tim Buckley, and then by Jackson Browne, who had just arrived in New York. Browne became enamored with Nico, and before they fell out—she accused him of harassing her with obscene phone calls—he gave her two songs: “The Fairest of the Seasons” and “These Days,” both of which appeared on her 1967 début, “Chelsea Girl.”-