In this episode Amber talks with Erika and Caitlin about why they decided to start producing! In an effort to fill a gap in the art ecosystem of Atlanta, they became producers. They refer to the artists they serve as Producer Playwrights. Tune in to learn about how SheATL is empowering playwrights and theatre artists of all kinds to produce their own work. And check out the SheATL festival in September!

In this episode Amber and Tori talk about self-producing, how she was trained to do her own work and how you can train with her through Atl Original Works! Check out this episode for amazing tidbits about producing, directing, and creating shows. Tori Weddell of Atl Original Works is not only excited to produce your next piece, she wants to train you too! To learn more, check out this interview with the awesome Tori Weddell and get involved with Atl Original Works. There's an empty stage waiting for your next story.

On this episode Amber talks with Vivian Bang, an actor and creator working in Atlanta, about her journey into acting and experimental theatre, and how that ride took her all the way to Los Angeles. Now that she's in Atlanta, she's been gathering community (a third place) through her new collective Performance Jam. Hear her talk about what they do, what they've been cooking and how they built their collective. Listen now to hear about the ups and downs (mostly the ups) of producing your own work on a tight budget! What is the value of gathering community and why should we bother? To find out why, check out this episode now.

On this episode Amber talks with Ken Cerniglia about the dramaturgy of Musical Theatre, Creative Producing and finally, the Business of being a Dramaturg. With years of experience in making Musicals for Disney, Ken has spent his career in Dramaturgy. Now as a full time freelance dramaturg, he has developed some exciting tools for negotiating contracts and pay. Listen now to hear about how he builds a process for a musical, how he leads by serving and how he negotiates his pay on behalf of all artists.

In the final episode of our Series on Vernal & Sere Theatre, Amber interviews Movement Choreographer, Education Director, Actor, and V & S co-founder Erin Boswell. We ask the question: What is experimental theater? And discuss the many acting techniques and methods Erin uses in her work as a theatre maker and devisor. We also talk about how a movement choreographer or director might work with a team and the tools she uses for actor care and consent. It’s been a joy diving into the world of V&S to find out how they do their work. Thanks for joining us for Part III of Vernal & Sere Theatre with Erin Boswell!

In Part II of this series Sawyer and Amber talk about Vernal and Sere Theatre’s recent production of LEAR by Young Jean Lee, Sawyer’s continued development of THE GLASS ESSAY by Anne Carson, and his translation of UBU ROI. In an effort to uncover the ways Sawyer approaches theatrical storytelling, Amber investigates his process, his approach to audience and how he creates work. Thank you for joining us for this conversation with Sawyer Estes!

In this episode Amber talks with Sawyer Estes, a director, dramaturg, playwright and company member of Vernal & Sere Theatre. Vernal and Sere was founded in Atlanta, Ga in 2016 by five company members: Sawyer Estes, Erin Boswell, Lindsay Sharpless, Erin O’Conner and Katherine Barnes. This team produces new work (like Hurricane Season), adaptations (like the upcoming Glass Essay or Ubu Roi), and powerfully conceived shows like (4:48 Psychosis and Lear). No matter what they are up to, this team of explorers is on a journey I am super enjoying going on with them. They are highly collaborative and bring a special energy to everything they do. I hope you will enjoy this conversation with Sawyer as much as I enjoyed having it. Stay tuned for Part 2!

In this episode I talk with Fig LeFevre, a dramaturg, educator, playwright, drag artist and fellow queer! We discuss the nature of Queer, it's definition, how we apply it to our work and finally, how it connects to everything we do. We discuss intimacy coordination and consent, dive deep into working with actors and their unique and invaluable contribution and speak in detail about Theatre of the Oppressed Forum Theatre, a class that Fig recently taught for the WTP community. Considering the nature of queer, we also discussed the idea of succession, ageism and making way for the next generation. Tune in folks to hear about approaching dramaturgy from a queer lens!