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Sustain.fm

Sustain.fm

By: Stephen Williams / drusnoise
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Harmonizing Sound and Sustainability – merging electronic music and sustainability. Explore global electronic soundscapes, beats, and live performances while hearing from artists, researchers, and activists driving positive change. Each episode of Sustain features a curated selection of electronic music from diverse cultures and genres. From pulsating basslines to ethereal melodies, our show celebrates the power of music to unite people while highlighting its connection to sustainable living. Tune in to experience the fusion of digital sounds and environmental consciousness, creating a unique audio landscape.Copyright 2023 All rights reserved. Music
Episodes
  • Heartbeats with Jeannette Petrik
    Nov 26 2025

    Today I am happy to have Jeannette Petrik on the show. Jeanette is an experimental noise maker performing as Chebedajha, writer, and cultural worker based in the Netherlands. I have been fascinated by Jeannette’s work ever since I saw their live performance in Enschede using heartbeats to clock a live modular synth show. We talk about live performance, working with environments, and building community and hear some of their incredible live sounds.

    Links and Bio

    Bio:

    Drifting off while in the moment, a raw and unfinished collage of harsh and intense analogue and digital electronic sounds emerges from the delicate interaction between a human and a collection of sound devices—sensitively modulated noise with a slow, yet driving pace, embracing the unexpected with a situationist attitude. Chebedajha means “not from here” in an imaginary language. Chebedajha is the solo sound art project of cultural producer Jeannette Petrik, mental child of situationism, adhocism and punk. With a curiosity for sound design, experimental noise and meditation practices, they consider language, sound and design as an opportunity for public empowerment. Operating in the vicinity of intense states of anxiety and pleasure, discomfort and relief, the experimental sound of Chebedajha aims for increased levels of perception and sensitivity to become part of the collective everyday. Petrik is a cultural producer concerned with collective spaces and processes, who challenges hierarchies and structures of dominance. Their practice spans across disciplines which include text, sound, performance and the organising of collective events of doubt. Since 2013, they’re part of Dutch and German D.I.Y. scenes and are active in a loosely organised network of tekno soundsystems. Petrik was an organiser at the squatted D.I.Y. venue The Loch in Enschede. They’re part of the feminist network fem*noise and are active as an experimental sound artist under the pseudonym Chebedajha.

    Photo credit: Paulus https://www.instagram.com/by_pauluz/ https://www.by-pauluz.nl/

    Instagram: https://www.instagram.com/jeannettepetrik

    Linktree: https://linktr.ee/chebedajha

    Recordings

    sw9mep: excerpt of a live recording that was produced as part of the podcast 'Conversing our Soundscapes of Fear' hosted by studio calh at Z33 in Hasselt, BE (2021): Invited as the show's accompanying musician, I was tasked to try and acoustically articulate their approach towards contemporary sounds of fear.

    Quantum Inspired Sound: https://jeannettepetrik.com/quantum-inspired-sound

    Recording of live performance at Schwankhalle Bremen as part of the series Anachronism: using a modular synth and other sound devices (2023

    Recording of live performance from Voltage Control Amsterdam (January 2025): using the heartbeat together with a modular synth and a Lyra-8

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    1 hr
  • Biodiversity and sound with Hendrik Klatte from re:natura
    Oct 22 2025

    Today I’m happy to welcome Hendrik Klatte to the show. Hendrik has science background and is also an artist, curator and also the founder of re:natura, a non-profit artist collective, music label and experimental laboratory. We get into the intersections between science and sound along with talking about the role of curators in building community and engaging audiences with sustainability through sound.

    Links and Bio

    After studies in biochemistry and pharmacy, Hendrik Klatte applies his scientific background to his sonic, installation, and curatorial work. He studied at the Institute for Music and Media (RSH Düsseldorf) with Heike Sperling, Phillip Schulze and Marcus Schmickler. Here, he deepened his understanding of the connection between science, art, and sound. He completed his studies with a multimedia installation inspired by the slime mold Physarum Polycephalum and a scientific thesis on the representation of biodiversity in experimental musics.

    re:natura is a non-profit artist collective, music label and experimental laboratory with a clear, shared vision. With a focus on topics of biodiversity, we explore animals, plants, landscapes and natural phenomena. In the critical tradition of naturalists, we compose, publish, perform and convey experimental musics that are concerned with the specifics of life. https://www.instagram.com/label.re.natura/

    Links

    Crescere Release Event

    Crescere Preorder / Listening Party (available fromm monday, 13th)

    Featured artists: IDRA / Samaquias Lorta / Berenice Llorens

    Experimontag

    Release Lapis Elle – Hyphae

    Release Deniz Dortok – Nocturna

    Gregor Dys on Instagram

    Music For Cinemas on Instagram

    Listening Party

    Music credits

    from Gregor Dys – Anguilla Anguilla [re:natura]

    Gregor Dys – stroemung

    from Gregor Dys – mumstakes

    Gregor Dys – tuer

    Excerpt from Hendrik Klatte – Mucus [will be released on re:natura]

    from re:natura #04 – Æther

    Laure Boer – Connecting Winter and Spring

    Music: Laure Boer

    Mastering: Jannis Wolff

    from re:natura #05 – Crescere

    cosmic swarm, Walter Magi – coral nursery:

    Music: Chiara Pitrola, Luca Ventrini

    All field recordings are from coral reefs recorded by Dr. Aran Mooney / © Woods Hole Oceanographic Institution. To donate to their coral reef restoration projects, follow https://explore.whoi.edu/giving

    Mastering: Jannis Wolff

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    1 hr
  • Interplays, Play, and Performance with Polina Medvedeva and Andreas Kühne
    Aug 27 2025
    Today I’m happy to welcome Polina Medvedeva and Andreas Kühne to the show. Polina and Andreas create amazing sounds on their own and in collaboration. Together they play with narratives, community, shadow economies, and human relationships with environments. They work with an impressive array of techniques merging merges documentary filmmaking, AV performance, interactive installation, electroacoustic instruments introducing new ways of improvising in live performance. I can’t wait to chat with them both and hear some sounds go let’s get into it! Track listing Anarchiving Rávdnji (2024). A live audiovisual performance following forward traces from “Rávdnji” exhibition at The Arctic University Museum with Elin Anna Labba’s reading of her book “The Rocks Will Echo Our Sorrow” (spoken in Northern Sámi). For this performance at Tromsø Kunstforening, artists and collaborators of the exhibition Andreas Kühne and Polina Medvedeva improvise with the audiovisual material they gathered for the exhibition and invited Risten Anine Kvernmo Gaup to add new traces in response. Cross-border Interference (to be released, 2026). Part of a documentation series of feedback improvisation performances by Andreas Kühne, camera Polina Medvedeva Facing the Spills (to be released, 2026). Short film, live film performance and audiovisual installation by Polina Medvedeva and Andreas Kühne with Runa Sætervoll, Anastasia Kizilova, the lands, waters and animals in the Várjjat / Varanger area on the Norwegian side of Sápmi. The Informals II 360 (2023) Live a/v performance by Polina Medvedeva and Andreas Kühne with Bobbie Johnson, Phonetic, and Marshall Mandiangu. Commissioned by Lighthouse, Brighton and Brighton Festival, Supported by Mondriaan Fund, Creative Industries Fund NL and Creative Europe Programme of the European Union Audio Zine "Flowing, flushing, freezing, streaming: Listening at the intersection of human interference" (2025) based on a workshop developed by Polina Medvedeva and Andreas Kühne for Arctic Auditories: Hydrospheres in the High North (NFR 325506, 2021-25), recorded at Tromsø Center for Contemporary Art on May 25th 2025. The audio zine brings together recorded sounds, compositions, and live performances by Anna, Nathalia, Lars, Karolin, Anna, Femi, Lea, Sofía, Sindre, Mattin, Grisha, Anders, Johanna, Gwen, Martha, Eimear, Enrique, Lio, Steve, Ylva, Florentine, Angus, Polina and the anthropogenic waters of Tromsø, Romsa in northern Norway, Sápmi Links and Bios Polina Medvedeva (NL/NO) works at the intersection of film, installation and performance, portraying individuals or communities who exist by circumventing political prohibitions, societal stereotypes, and effects of economic crises and conflicts. Questioning linearity in storytelling, she explores formats that allow for nuance and multiplicity of narratives. Medvedeva has been a resident at de Rijksakademie van Beeldende Kunsten Amsterdam (2020-2022) and her work was exhibited at among others Stedelijk Museum Amsterdam; WIELS Contemporary Art Centre, Brussels; Lydgalleriet, Bergen; Tromsø Kunstforening; Al-M_a_’mal Foundation for Contemporary Art, Jerusalem and Bak Basis voor Actuele Kunst, Utrecht. Performances include Landmark, Bergen Kunsthall; Baltic Circle Festival, Helsinki; HYBRID Biennale, Dresden; Sonic Acts festival, Amsterdam; Lofoten International Art Festival, Svolvær; Brighton Festival, Brighton. Medvedeva has been a guest tutor at Sandberg Instituut Amsterdam, KMD Bergen, Tromsø Art Academy, ArtEZ Zwolle, Gerrit Rietveld Academie, Amsterdam and a tutor and lecturer at the Utrecht University of the Arts. She is a member of the selection committee for the Creative Industries Fund NL and a board member of The One Minutes Foundation. https://www.polinamedvedeva.net/ https://www.instagram.com/p.a.medvedeva/ Andreas Kühne (NL/NO) is a sound artist, composer, and drummer making electroacoustic music, collaborative audiovisual performances and interactive installations that focus on listening positionalities and cross-pollination between improvisation practices and the milieu. Andreas is a PhD fellow in electronic music and music technology at the Academy of Music, The Arctic University of Norway (UiT) and Grieg Academy, University of Bergen (UiB). His artistic research seeks to imagine practice-based strategies of radical attentiveness to face industrialisation and settler entanglements to human and more-than-human entities in Sápmi/Northern Norway. Kühne’s work has been exhibited and performed at among others Tromsø Kunstforening, Landmark Bergen Kunsthall, Lofoten International Art Festival, Arctic University Museum of Norway (NO), Sonic Acts Festival, Rewire Festival (NL), HYBRID Biennale (DE), Baltic Circle Festival (FI), and Lighthouse (UK).https://andreaskuhne.net/ https://www.instagram.com/andreaskuhne_/ Combined biography In their collaborative practice creating...
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    1 hr
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