Pete Collard is exhibitions curator at the RIBA; and the brains behind a new show held at RIBA North in Liverpool called Home Ground, the Architecture of Football. Tim spoke to him about an architectural typology that was developed in the home of football but increasingly found its apogee away in Europe.

With controversy lingering over his personal conduct, three major new museums designed by David Adjaye open this month. Tim Abrahams goes beyond the scandal to explore his commitment to Africa’s cultural and social transformation.

The Superurbanism News Review is back again! Tim sits down with our good friend Vicky Richardson, former Architecture Curator at the Royal Academy to discuss the latest events in the architecture world and reaction to them. Award season is upon us in the United Kingdom and we talk through the early responses to Witherford Watson Mann’s victory in the Stirling Prize and much more.

In the early 21st century, Olafur Eliasson helped define a new era of public art with works that took on nature for scale. Tim Abrahams met him at the new Oxford North development and asked him what he makes of his metier as a public artist in a new era when who the public might be is less clear and the idea of nature is unstable.

Tim heads out to Almaty in Kazakhstan to talk to Asif Khan about his work on the Tselinny; an incredibly painstaking transformation of a 1964 Soviet cinema into an arts centre, which he undertook with Kazakh wife the architect Zaure Aitayeva.

This is the second half of a two part discussion with Andy Groarke of the London practice Carmody Groarke in which he and Tim discuss more recent buildings including archives for the Bibliotheque Francaise and for the British Library takes this idea about the relationship between materials and time into a different order.

Tim spoke to Ab Rogers about the exhibition he has curated, dedicated to his father Richard, at Sir John Soane’s Museum. They also talk about Ab's own career including his ongoing working relationship with the film director Wes Anderson, and their upcoming Design Museum show in London.

This is the first half of a two part discussion with Andy Groarke of the London practice Carmody Groarke. Talking to Tim, he explores the origins of the practice and the influence of Antony Gormley on their singular appreciation of materials and their relationship to time.