Episodes

  • POTUS Eleve Theatre Company: STTS IE
    Mar 9 2026

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    A president we never hear. Seven women we can’t ignore. We sit down with Eleve' Theater Company to unpack the whiplash world of POTUS by Selina Fillinger, a ferocious farce where doors slam, spin cycles faster than the news, and the people holding power together aren’t the ones at the podium. Melissa, the director, shares why art should unsettle and how this script spotlights women leading from the shadows—strategizing, firefighting, and finding solidarity under pressure.

    We trace Eleve’s origin story from a string of no’s for “Wit” to a mission built on yes: yes to edge, yes to new work, yes to women-centered plays the community rarely sees. With a grant-backed partnership at Chance Theater’s 48-seat black box in Anaheim, the team brings a DIY ethos to life—hand-built doors for farce timing, self-sourced costumes, and prop lists wild enough to ping a delivery algorithm. The intimacy of the space becomes an asset: the audience is part of the charge, close enough to feel the speed of decisions and the shock of consequences.

    Cast members dig deep into character and context. Leyna’s Harriet, the chief of staff, carries strategy and stamina; Sej’s Jean, the press secretary, maps the White House to corporate corridors where women navigate promotion politics and pay the tax of honesty; Cydney’s Stephanie embodies the under-credited labor that keeps the day moving. Together they show how systems pit women against each other even as they build alliances to make it through an impossible 24 hours. The result is comedy that tells the truth at speed—tragedy accelerated until it’s hilarious and uncomfortably real.

    If you’re hungry for smart political theater, community grit, and an ensemble that elevates each other, this conversation will pull you in. Join us for craft talk, candid stories, and a look at why representation onstage changes what audiences feel and remember. Don’t miss the run: March 13–15 at Chance Theater in Anaheim, already more than half sold. Subscribe, share this with a theater friend, and leave a quick review to help more listeners find the show.

    Elevé Theatre Company presents POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive | Chance Theater

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    43 mins
  • Neverland, Built From Blocks And Light
    Mar 2 2026

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    What if Neverland isn’t a place you fly to but a world you build together? We’re pulling back the curtain on our reimagined Peter Pan Jr., where the nursery anchors reality and the stage reshapes itself with moving blocks into forests, ships, and hideaways. That design choice isn’t just clever staging; it’s a manifesto about how play transforms what we see and how young actors can hold a complex story with honesty and joy.

    We dive into the heart of the concept by turning light and shadow into living forces. Tinker Bell appears as pure light with a musical voice, while the crocodile becomes a shadow presence—time, fear, and consequence embodied—linked to both Mr. Darling and Captain Hook, played by the same actor. This lens lets us find layers in every role: Hook as more than a villain, Peter as a charming whirlwind who can also be selfish, Wendy as the spine that learns to lead. The result is a children’s theater production that treats kids as artists and the audience as smart partners in the story.

    Our creative team is a mentorship story in motion. Former students now lead choreography, music, art design, costumes, lights, and sound, guiding a cast of 30 young performers with care and high standards. You’ll hear how we direct without micromanaging, why confidence is a daily choice, and how tiny details—clock numerals stitched into Hook’s coat, twig toothbrushes and bark slippers for the lost boys—help actors discover behavior and make scenes breathe. We also honor the founders whose educational vision still fuels everything we do.

    If you love theater that balances clarity with risk, tradition with fresh craft, and spectacle with soul, this conversation will light you up. Join us to celebrate five years of growth, 25,000 downloads across 79 countries, and a community that keeps lifting each other higher. Subscribe, share this with a theater friend, and leave a quick review to help more people find the show—then tell us: which character’s arc surprised you most?

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    31 mins
  • Lost Girl: Wendy After Neverland
    Feb 20 2026

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    What if the story didn’t end at the window? We sit down with director Debbie and cast members Sophie (Wendy), Evangeline, Jandy, and Gavin to explore Lost Girl, a daring, female-forward play that follows Wendy Darling’s life after Neverland. Instead of chasing pixie dust, we trace the quiet shock of coming home: the disbelief of others, the ache of a promise never kept, and the courage it takes to reclaim a voice that was written off as a side note to Peter’s legend.

    Debbie shares how playwright Kimberly Bellflower centers young women with nuance and grit, using a chorus labeled ABC to embody Wendy’s inner thoughts and stitch time together through subtext. The cast breaks down how this device turns emotion into movement, letting us feel the pull between memory and growth. We talk modern themes—agency, closure, and healing—and why Wendy is neither invincible nor helpless. She’s a person finding her footing after an untidy ending, which makes her deeply relatable.

    Design choices amplify the story rather than distract from it. A near-bare stage revolves around a single window and an aged nursery, symbols of waiting and stasis that contrast Wendy’s slow, brave steps forward. Modular blocks and a small turntable ease shifts from the nursery to the city, while recurring sound motifs become the heartbeat of Wendy’s journey. The team also reveals a smart collaboration with the upcoming Peter Pan Jr., creating visual continuity and a shared creative language across productions.

    Along the way, we celebrate the ensemble’s craft: how young actors tackled layered subtext, how casting shaped chemistry, and how Slightly’s gentle loyalty reframes what support looks like. If you care about contemporary theater, fresh adaptations, and stories where girls write their own endings, this conversation will hit home.

    Tickets for Lost Girl run February 27 through March 7. Grab your seats at chinochildrenstheater.org or call 909-590-1149. If you enjoyed this episode, follow the show, share it with a friend who loves reimagined classics, and leave a quick review—your support helps more people find us.

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    26 mins
  • Chino Hills HS Theatre: STTS Drama Department
    Feb 10 2026

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    Courage looks different under stage lights. We sit down at Chino Hills High School’s theater to unpack how a training-first program turns nervous auditions into confident performances, and how a tight-knit ensemble carries each other through missed cues, costume malfunctions, and the rush of opening night. With director Kerry Rupe at the helm and students Anthony, Drake, Angie, and Shelby sharing the mic, we trace real journeys from backstage to center stage—and the life skills that stick long after the curtain falls.

    We dive into the choices that built a powerhouse program: closing some productions to class members to strengthen commitment and shared vocabulary, then keeping the spring musical open to discover hidden talent school-wide. The team breaks down how ambitious titles like Little Shop of Horrors, Newsies, Puffs, and Legally Blonde come to life with serious sets, lighting, sound, and costumes. You’ll hear why tech isn’t background—it’s a character with its own voice—and how stage management and design develop leadership, empathy, and precision. Along the way, students explain how theater became their community, contrasting the scoreboard pressure of sports with the ensemble mindset that meets people where they are and grows them.

    We also explore how the program reaches beyond the stage. From the Princess Tea fundraiser that doubles as long-form improv training to PR crews mixing hallway posters with TikTok and Instagram, this group treats outreach like part of the craft. Cross-school partnerships boost attendance and celebrate a bigger truth: there’s room for everyone when the goal is great theater. As Little Shop heads into tech week, energy runs high, ticket sales climb, and students reflect on dancing, timing, and playing iconic roles with fresh choices. It’s a portrait of arts education at its best—bold shows, steady mentorship, and a culture that turns fear into fuel.

    If you care about student creativity, community theater, or the behind-the-scenes alchemy that makes a musical sing, hit play and share this one with a friend. Subscribe, leave a five-star review, and tell us: what moment first made you fall in love with the stage?

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    37 mins
  • The Ghost Train rides into CCT
    Jan 11 2026

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    A storm rattles the windows, the timetable is no comfort, and a ghostly locomotive refuses to be just a rumor. We’re bringing Arnold Ridley’s The Ghost Train to life with a bold 1930s aesthetic—think noir shadows and comic-book color—that turns a small station into a pressure cooker where fear and wit trade jabs. Sage Patel walks us through the vision: why an old thriller still lands today, how a tight room can hold thirteen distinct voices, and why the train itself must feel alive through sound, light, and clever stagecraft.

    You’ll meet Jamie Putnam, who crafts Miss Bourne with tenderness and steel, and Craig A. Jackman, leaning into the mischievous curiosity of Teddy Deacon. Together we dig into how people perform bravery when they’re stranded with strangers, how costumes can telegraph independence or insecurity, and how props become actions rather than decorations. We also pull back the curtain on the ensemble’s casting surprises, a scenic design inspired by Dick Tracy’s saturated world, and the invisible heroes who make suspense sing: lighting, sound, carpentry, and front-of-house. Community theater is the engine here—mentors teaching tools and timing, techs shaping breath and silence, and a crew that treats every detail as story.

    If you’re local to the Inland Empire, come ride with us: The Ghost Train runs January 16–31 at Chino Community Theater. Friday and Saturday evenings at 7:30, Saturday and Sunday matinees at 2:30, with a gala after opening Friday, a two-for-one phone-only special on Saturday, and a Sunday talkback with the cast and crew. Grab your seats at chinocommunitytheater.org or call 909-590-1149. Enjoy the episode, share it with a theater-loving friend, and leave a rating and review to help more people find the show.

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    40 mins
  • Steampunk Christmas Carol On Stage: STTS IE
    Dec 5 2025

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    This holiday story gets new gears. We sit down with the Riverside Community Players team bringing a steampunk A Christmas Carol to life—complete with in‑the‑round staging, layered costumes, and a cast that looks and sounds like Riverside. From the first “God bless us” to the final curtain, the conversation uncovers how a first-time director balances reverence for Dickens with the courage to reimagine the world he wrote.

    We talk through Sage’s path back to the stage, the decision to lean into steampunk aesthetics, and the practical realities of building a show where minimal sets and 360-degree sightlines demand bold blocking and clean storytelling. Kit Wilson shares his approach to Ebenezer Scrooge—mining classic performances without echoing them, researching 1843 London to ground the character’s arc, and finding the moment where regret turns into change. We also spotlight Tiny Tim, played by Jasper, whose enthusiasm and resilience bring rare authenticity to a role that carries the play’s soul.

    Behind the scenes, the creative engine hums: meticulous costume design that fuses Victorian texture with industrial flair; prop choices that do the heavy lifting when scenery stays lean; and a rising scenic designer crafting a modular world that moves as fast as the story. An assistant director with movement training helps the ensemble build truthful relationships, so every corner of the house sees intentions as clearly as words. Expanding the cast unlocks fresh voices and sharper narration, while a commitment to diversity ensures the stage reflects the Inland Empire community it serves.

    If you love theater that honors tradition and still surprises, this one’s for you. Hit play, get inspired, then grab your tickets to A Christmas Carol at Riverside Community Players. Subscribe, share with a friend who needs a spark of holiday spirit, and leave a quick review to help more listeners find the show.

    December 5-14

    Riverside Community Players: 4026 14th St. Riverside, CA 92501

    Box Office: 951-686-4030

    www.riversidecommunityplayers.com

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    30 mins
  • Miracle on 34th Street The Play: Holiday Magic
    Nov 24 2025

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    A small stage, a big cast, and a 1940s reset bring fresh heart to Miracle on 34th Street as we explore belief, courage, and community. We share how volunteers, teachers, and first-timers shape a classic into something intimate, warm, and alive.

    • why we chose Miracle on 34th Street and set it in the 1940s
    • how a large ensemble, kids to grandparents, powers the show
    • Doris Walker’s arc as a frank, working single mother
    • crafting Fred Gailey’s warmth and courtroom grit
    • Jack’s return after 30 years and finding Kris Kringle’s truth
    • building Macy’s and the courtroom on an intimate stage
    • period costumes, carols, and 1947 radio pre-show
    • the teamwork culture that defines community theater
    • key creatives and crew shaping sets and flow
    • show schedule, opening night gala, and talkback

    December 5-20 Friday/Saturday 7:30pm Sat & Sunday Matinee 2:30pm


    Get your tickets now. This will sell out. Call 909-590-1149 or visit ChinoCommunityTheater.org


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    48 mins
  • Lord of the Flies: Two Casts, One Story
    Oct 12 2025

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    Power is easy to claim and hard to carry—especially when the rules fall away. We take you inside a bold staging of Lord of the Flies led by a first-time director who turns rehearsal into a living workshop on leadership, morality, and what it means to build a tribe. The twist: two full casts, one male and one female, telling the same story from different lived experiences to expose how gender, socialization, and pressure shape our choices when the conch hits the sand.

    You’ll hear how the production was designed from the ground up to center actor growth. Blocking rehearsals united both casts, then split into scene studies anchored by written questions that forced clarity: What do I want? What stops me? What breaks inside me when I cross a line? The team’s most intimate exercise—letters written as the characters before the crash and after rescue—unlocked risky, grounded performances. Tears flowed, choices sharpened, and even the youngest cast members found language for grief, responsibility, and change. Around them, a veteran crew—producer, assistant director, stage manager, designers, and fight/movement coach—built an island that feels alive, from the carved light to the hum under the silence.

    We also open the door on auditions and casting, where the goal wasn’t to mimic the book but to discover truth. Actors arrived with monologues that revealed who they are; callbacks measured preparation and chemistry rather than speed alone. The message was steady and freeing: you are worthy, and this is about the story we build together. As opening night approaches, the ensembles own their lines, their intentions, and their bond. See both casts and compare how power forms, fractures, and—sometimes—finds its way back to compassion.

    Subscribe for more behind-the-scenes stories, share this with a theater friend, and leave a quick review to help others find the show. Then grab tickets, choose your cast nights, and tell us: where did you see the island change?

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    36 mins