This week’s episode leans into the emotional core of songwriting—apologies, longing, connection, and self-reflection. From intimate acoustic moments to richly textured arrangements, these Canadian artists explore what it means to stay, to leave, and to be truly heard. There’s a quiet strength running through this set—songs that don’t shout, but linger—offering listeners a deeply human, coast-to-coast musical experience. www.SFHAA.ca

Jessie Bird – “If This Is How Sorry Goes”

🔗 https://www.instagram.com/jessiebirdmusic

A raw and reflective take on apology, questioning whether words alone can ever be enough.

Alick Mac – “500 Days”

🔗 https://www.instagram.com/alickmacmusic

A thoughtful, time-marked journey through love and distance, carried by understated storytelling.

Jon Martin and Lovers – “Little Heartbeat”

🔗 https://www.instagram.com/jonmartinmusic

A tender, rhythm-driven piece that captures the fragility and persistence of connection.

Thea Koper – “If I Were A Stone”

🔗 https://www.theakoper.com

A beautifully introspective song imagining emotional stillness as both refuge and burden.

Elisa Thorn – “My Moon”

🔗 https://www.elisathorn.com

Delicate and atmospheric, this track glows with harp-led textures and poetic lyricism.

Geoff Arsenault – “Two Bodies, One Soul”

🔗 https://geoffarsenault.com

A warm, roots-infused duet exploring deep connection and shared experience.

Cam Blake – “Endless”

🔗 https://www.instagram.com/camblakemusic

A smooth, contemplative song that drifts through themes of time and continuity.

Ian Sherwood – “Don’t Want To Leave”

🔗 https://iansherwood.com

Energetic and heartfelt, this track balances urgency with emotional honesty.

Jesse Bird – “If This Is How Sorry Goes”

🔗 https://www.instagram.com/jessiebirdmusic

A second listen that reinforces the song’s emotional weight and lyrical nuance.

Jim Henman – “Round In Circles”

🔗 https://www.jimhenman.com

A seasoned songwriter’s reflection on cycles—musical, personal, and universal.

Shirley Jackson – “Do You Want Me To Be Honest?”

🔗 https://www.shirleyjackson.ca

A direct and compelling piece that confronts truth-telling with clarity and courage.

This week on Songwriters From Here And Away, www.SFHAA.ca, a rich mix of Canadian songwriting voices spanning roots, folk, soul, and storytelling that runs deep.

Bishop J. Church – “Affection” 🔗 https://donriver.bandcamp.com A quirky, genre-blurring piece with poetic imagery and a distinctly offbeat indie sensibility.

Jason Wilson and Ashara – “Coal Dust Caruso” 🔗 https://jasonwilsonmusic.com A cinematic, roots-driven narrative blending reggae influences with working-class storytelling.

Jason Wilson and Ashara – “The Shoemaker” 🔗 https://jasonwilsonmusic.com Another evocative collaboration—rich in detail, weaving history and melody into a compelling folk tale.

Jess Knights – “I Know That I Love You” 🔗 https://jessknightsmusic.com A heartfelt, modern folk love song with clear vocals and an intimate, confessional tone.

Julia Skye – “T-Shirt” 🔗 https://juliasyke.com (note: confirm URL spelling) A light, catchy pop-leaning tune that captures fleeting moments and youthful nostalgia.

Malia Rogers – “I Could Barely Drive” 🔗 https://maliarogersmusic.com A reflective piece with emotional weight, pairing understated instrumentation with honest lyricism.

Cam Blake – “Passenger” 🔗 https://camblakemusic.com Smooth and contemplative, this track explores movement—both literal and emotional—through warm melodies.

Graeme Jones – “Ride Or Die” 🔗 https://graemejonesmusic.com A roots-rock anthem about loyalty and connection, delivered with energy and heart.

James Harley – “Rock N Roll Man” 🔗 https://jamesharleymusic.com A spirited nod to classic rock influences, celebrating the enduring pull of the genre.

Satellite Birdhouse – “One More Afternoon” 🔗 https://satellitebirdhouse.com Dreamy and atmospheric, this song drifts through memory with layered textures and gentle hooks.

The Harpoonist – “Show Me The Green” 🔗 https://theharpoonist.com Bluesy, groove-heavy, and unmistakably cool—an infectious track with swagger and bite.

#SongwritersFromHereAndAway #CanadianSongwriters #IndieMusic #FolkMusic #RootsMusic #SingerSongwriter #NewMusic #MusicDiscovery #EastCoastMusic #SupportCanadianMusic

Jim Henman www.JimHenman.com shares songs & stories in a live concert recorded in Musquodoboit, NS.

• Co-founder of April Wine
• installed into the Canadian Music Industry Hall Of Fame, along with April Wine
• Juno award, commemorating April Wine’s induction into the Canadian Music Hall of Fame.

Writing his first tune, at age 12, Jim spent much of his youth strumming a Stella acoustic guitar on the sandy shores of Clam Harbour, Nova Scotia. Jim wrote his first song on this Stella. Jim, with high school friends Myles Goodwyn, Greg Stephen, Dave Dodsworth & Doug Grace started the top 40 band, “Woodies Termites”. Jim and Myles went on to co-found the Canadian rock band, April Wine, in the fall of 1969 with Jim’s cousins, David and Ritchie Henman. Shortly after the release of their debut album in 1971, Jim decided to leave the band, moving back to the East Coast to start a family and pursue a career in Medical Technology.

Jim officially re-emerged onto the East Coast music scene in the 90s, co-writing and co-producing the album,” More Than My Share” for Cape Breton singer, Jeannie Beks. He also co-wrote the music for “Death the Musical”, a stage production performed both at Halifax’s Neptune Theatre and in French, at Théâtre Génération in Montréal. This musical score was later released on CD and you can hear it at https://open.spotify.com/album/393fHJBKi7G7O5IUlYjU68

In keeping a promise to his late friend, Canadian blues artist, Rick Jeffery, Jim completed and produced Rick’s final album, 13 Vultures in 2009.

Jim is accompanied by keyboardist Robert Campbell for this concert. www.RCampbell.com

Songwriters From Here And away www.SFHAA.ca