With more than 35 books under her belt, Australian author Christine Keighery has written across a range of age groups and genres. In this episode, she shares some insights from that time, along with details about writing her latest adult thriller, We’re Not Us Without You – all about modern day cults.

00:00 Welcome
03:58 Writing tip: ‘Your best friend’s work’
07:58 WIN!: The Bourne Escape by Brian Freeman
10:55 Word of the week: ‘Desideratum’
11:28 The world of words: Riband vs. Ribbon
13:33 Writer in residence: Christine Keighery
15:15 Christine’s fascination with cults
17:17 Getting to know her characters
20:20 Writing four perspectives
22:00 Having great editors
23:40 Religion vs cults
25:20 The ingredients of a good thriller
26:13 Balancing character and plot
27:05 Transitioning from junior fiction to adult fiction
28:27 Writing the Go Girl series
33:02 The importance of character in all writing
36:21 Christine's writing process
40:56 Advice for aspiring writers
45:28 What's next for Christine?
47:04 Final thoughts

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Do you love true-crime podcasts? Author A.L. Tait got obsessed with them for a while and pulled those themes into her latest middle-grade crime-thriller novel Danger Road. She joins us to discuss her experience writing and publishing this one, along with her busy year of writing, her process and how she found her unique voice.

00:00 Welcome
02:51 Writing tip: ‘Geolocating writing prompts’
06:26 WIN!: Lights, Camera, Love by Natalie Murray
09:36 Word of the week: ‘Objurgate’
10:13 Writer in residence: A.L. Tait
12:00 The inspirations for Danger Road
16:41 Creating distinctive voices
20:07 A busy year of writing.
23:48 The importance of continuous writing
24:41 Challenges of underwriting
27:21 How Tait found her storytelling voice
30:09 The ‘Your Kid’s Next Read’ community
34:43 On writing nonfiction and ghostwriting
36:00 Say yes to new writing avenues and genres
38:18 Final thoughts

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Connect with Valerie and listeners in the podcast community on Facebook
Visit WritersCentre.com.au | ValerieKhoo.com

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How do you go about adapting a stage play into a compelling murder mystery novel? For acclaimed actor and playwright Toby Schmitz, this was his challenge in creating his debut, The Empress Murders – set on the high seas amid the glamour and clamour 1920s. In this episode, Toby shares his inspirations, aspirations and perspirations in bringing his story to the page.

00:00 Welcome
02:29 Writing tip: ‘Magazine apps to combat doomscrolling’
07:32 WIN!: Arcana Academy by Elise Kova
10:30 Word of the week: ‘Vicissitude’
11:11 The world of words: Tack vs. Tact
12:59 Writer in residence: Toby Schmitz
14:02 Toby describes The Empress Murders
16:06 Storytelling in the 1920s
18:11 Themes of colonialism
20:19 How the story started as a play
22:05 Defining what an Australian story is
26:17 The journey from play to novel
27:01 Finding freedom in novel writing
27:22 Crafting the story with index cards
28:13 Maintaining the playwright's touch
29:32 Exploring colonial guilt
30:30 Switching genres throughout
32:32 Inspirations for Toby
35:36 Navigating historical authenticity
37:16 The research process
39:11 The emotional experience of publishing
43:10 Reflections on feedback and notes
45:08 Hopes for the reader's experience
46:36 Acknowledging influences and support
49:19 Final thoughts

Read the show notes

Connect with Valerie and listeners in the podcast community on Facebook
Visit WritersCentre.com.au | ValerieKhoo.com

See omnystudio.com/listener for privacy information.