Vinyl rules in this episode. A 1969 stoner anthem crashes a small-market radio shift as the wrong Lee Michaels song is played on air, the conversation wanders through hidden vinyl tracks, chateau recording studios in France with Elton John, the surprise appearance of Styx’s “Plexiglass Toilet,” and the classical roots of Eric Carmen’s All By Myself. Plus, a personal bombshell: Jenny reveals her all-time favorite song.

Fan favorites Jane Taylor and Justin Miller are back for an episode that starts on a yacht and ends in a hotel you may never be able to leave. They kick things off with Christopher Cross’s “Sailing,” which leads to waiting room music, funerals with questionable playlists, and the stodginess of the Grammy Awards. They compare and contrast Cross's “yacht rock” with the MTV video yachts of Duran Duran as they take up “Rio” and reveal their favorite Duran deep cuts. Elton John’s “The One” leads to a comparison with “Your Song,” and a discussion of intimacy, distance, and how love songs age. After a detour into the question of what the best song of the 70s might be, the episode closes with a long stay at the Eagles’ “Hotel California,” touching on desert road trips, childhood fear, resorts that are past their prime, and strangely ineffective cutlery.

In this episode, Laura is joined by performer and self-proclaimed “lyric guy” Nick Bean to talk through a deceptively simple stretch of early-90s radio playlists — and the rules hiding inside them. From the Dave Clark Five's blunt persistence to Rod Stewart’s affectionate Motown tribute that buries The Temptations deep in the mix, the conversation moves to inspiration, authority, and who gets positioned as “variety” rather than default.

The heart of the episode centers on two back-to-back songs by women — Gloria Estefan’s Coming Out of the Dark and Mariah Carey’s Vision of Love — and the broadcast logic that once said they shouldn’t sit next to each other. Along the way, Laura and Nick unpack vulnerability, gendered expectations in music and comedy, the difference between empowerment and display, and what it meant to hear genuinely new voices at the moment they arrived.