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Rock Art Zone Podcast Roger Swidorowicz

Rock Art Zone Podcast Roger Swidorowicz

By: Roger Swidorowicz 2025 Podcast
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 🎙️ Rock Art Zone Podcast with Roger Swidorowicz | A space dedicated to the study, dissemination, and preservation of rock art worldwide. Each episode features interviews with archaeologists, researchers, conservationists, and cultural heritage experts who share discoveries, theories, and reflections on prehistoric graphic expressions. Hosted by Roger Swidorowicz, a passionate rock art communicator, the podcast explores the most iconic sites and the current challenges in preserving this millennia-old legacy.
🔍 Ideal for archaeology professionals, historians, students, cultural managers, and lovers of ancient art.
🔊 Available on Spotify, Apple Podcasts, and all major platforms.
#Roger-Swidorowicz #RogerSwidorowiczCopyright Roger Swidorowicz 2025 Podcast Social Sciences
Episodes
  • Arauák River Valley Rock Art New Venezuelan Site Complex Roger Swidorowicz

    Arauák River Valley Rock Art New Venezuelan Site Complex Roger Swidorowicz
    Mar 22 2025
    New Rock Art Site Complex in the Arauák River Valley, Southeastern VenezuelaSource: Pérez–Gómez, J. M., & Roger Swidorowicz (2023). New rock art site complex in the Arauák River Valley, southeastern Venezuela. Rock Art Research, 40(2), 131-144.Date: October 26, 2023Prepared for:Executive Summary:This document summarizes the key findings of a recent study detailing a newly discovered rock art site complex in the Arauák River Valley, southeastern Venezuela. The research focuses on a prominent isolated boulder near Upuigma Tepui, featuring numerous pictograms, and briefly presents newly found petroglyphs in the same regional context. The paper explores the potential use of the boulder as a shelter and ritual space by indigenous hunter-gatherers, provides a preliminary stylistic analysis suggesting regional interrelationships, and identifies a possible source for the red ochre used in the paintings. The authors emphasize the need for further systematic research to understand the chronology and sociocultural context of these sites and advocate for their protection as valuable heritage.Main Themes and Important Ideas/Facts:- Discovery of a Significant Pictogram Site:- The primary focus is an isolated boulder in the Arauák River Valley containing extensive Amerindian rock art in the form of pictograms.- The boulder is located on the slopes of Upuigma Tepui, within a landscape characterized by tepuis (flat-topped mountains), rainforest, and savannahs. The authors note that the "remarkable geographical characteristics of these mountains are likely to have had a significant phenomenological impact on the cultural perception and environmental interpretation of the nearby human groups."- A walking survey revealed the boulder's strategic location, flanked by ravines and near a freshwater spring. A ferrous outcrop, potentially the source of red ochre, was found nearby.- The boulder offers "a privileged position over the landscape, affording generous access from and magnificent views over the savannah while at the same time highlighting impressive mountain views."- The boulder also acts as a watershed between the Arauák and Aparuren Rivers, potentially placing it at the center of a natural walkthrough for game migration.- Description of the Pictogram Panels:- The researchers identified and documented several panels on the boulder, including the "principal panel," "yellow panel," "shelter panel," "aerial panel," "leaf," "mineral accretion panel," and "circles."- "Principal Panel": Features mostly finger-marked pictograms in the red-orange range, with many superimposed motifs. Non-figurative motifs dominate, such as "dot patterns, penniforms, tectiforms, cruciforms, claviforms, pectiforms, scalariforms and geometric motifs representing quadrangles and triangles." A historic graffito from 1947 was also found here.- "Yellow Panel": Located on a detached rock, displaying similar finger-marked techniques with some darker red-orange hues, possibly due to ochre decay. Superimposition is evident, suggesting a "sequence of production over time." A labyrinth-like geometric figure is a notable motif.- "Shelter Panel": Situated within a natural shelter area with soot marks (suggesting campfires), this panel also features finger-marked pictograms, including "a few anthropomorphs, dot patterns, serpentiforms, claviforms, cruciforms, tectiforms, pectiforms and ‘Y’ forms." A "therianthrope characteristic" motif was also found.- "Aerial Panel": A small, high panel accessible only by climbing, exhibiting excellent preservation, possibly due to its protected location. Motifs include "dot patterns, scalariforms, tectiforms, half circles, penniforms and cruciforms."- "Leaf": A distinctive phytomorph motif, possibly representing a plant, feather, or lines, located on a high point.- "Mineral Accretion Panel": Pictograms are largely obscured by mineral accretions, which could be valuable for future dating.- "Circles": Features circles, dot patterns, and "plant" motifs. Superimposition and mineral accretion are present.- Graphic documentation involved photography and computer enhancement using Photoshop and DStretch to maximize visibility and digitally trace motifs.- Preliminary Stylistic Analysis and Regional Interrelationships:- The observed pictogram styles are similar to others in the Bolivar state region and the broader regional context, including Brazil and the Guianas. The authors cite numerous previous studies supporting this.- The dominance of non-figurative motifs aligns with findings from other parts of Venezuela and northern South America.- The study presents a preliminary typology and distribution of signs found on the boulder panels, with "claviforms (30.96%), dot patterns (17.8%), penniforms (8.02%), ‘Y’ signs (6.7%) and tectiforms (5.96%)" being the most prominent.- The authors note that while precise meanings are unknown, these signs "seem to offer insight into the cognitive abilities and beliefs of the ...
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    16 mins
  • Welcome to The Rock Art Zone Podcast

    Welcome to The Rock Art Zone Podcast
    Mar 22 2025
    Good morning, good afternoon, or good evening, depending on where in the world you’re listening from. I warmly welcome you to the very first episode of the Rock Art Zone Podcast, a space dedicated to exploring the deep and powerful connection between contemporary humanity and its most ancient form of expression: rock art.My name is Roger Swidorowicz, and it is both an honor and a privilege to open this platform of reflection, education, and inspiration—one that seeks to bring us closer to a phenomenon as old as it is fascinating: the visual traces our ancestors left behind on stone.This opening episode is more than just the beginning of an intellectual and sensory journey—it is a statement of purpose: to contribute to the understanding and appreciation of rock art as one of the most profound manifestations of the human spirit. Every pigment stroke, every carving etched in stone, is far more than a simple image. It is a message, a collective memory, a gesture that transcends time and binds us to our oldest roots.Why a podcast on rock art?In a world saturated with digital imagery and fleeting content, talking about rock art may, at first glance, seem like a journey into the past. But in reality, it's a return to our core—what truly makes us human. Rock art is not merely an archaeological artifact. It is an open window into the sensibility, spirituality, and worldview of ancient cultures who, for tens of thousands of years, have left their mark on the world.This podcast was born from the conviction that rock art deserves a place in today’s cultural conversations. Not only because of its heritage value but also due to its power to challenge us and ask essential questions:Who were we when we first began painting and engraving stone?What drove us to do it?How do these images shape our understanding of the sacred, of community, of time, and of territory?Art as a founding human actLet’s start with something fundamental: rock art is not a marginal or accidental expression of prehistoric people. On the contrary, it is a deliberate, systematic practice imbued with symbolism. It is, in many ways, a founding act of humanity. Before writing, before farming, before cities or structured civilizations—humans were already painting. Already engraving. Already telling stories through images.This cannot be overlooked. In those ochre strokes, in the figures of animals, in those scenes of hunting or ritual, there is a powerful affirmation: “We are here. This is what we see. This is what we live. This is what we dream.”On this podcast, we will explore many forms of rock art: Paleolithic cave paintings in Europe, Andean petroglyphs, Saharan engravings, Aboriginal Australian rock art, Amazonian and Patagonian expressions, as well as rock imagery from North America and Sub-Saharan Africa. We will speak with archaeologists, preservationists, Indigenous communities, contemporary artists, and scientists from multiple disciplines. Each will help us reconstruct this vast symbolic and visual puzzle we call rock art.A threatened heritageBut this first episode also serves as a wake-up call. Rock art is under threat. Despite many sites being recognized as World Heritage by UNESCO, the dangers are many: vandalism, urban development, mining, unregulated tourism, climate change, and institutional neglect. Too often, rock art sites lack the protection and public awareness necessary to ensure their survival.Here’s a critical question:What happens when a rock painting is destroyed?The answer is simple and painful: a unique piece of human history disappears. It cannot be recovered. It cannot be recreated. Every image is one-of-a-kind—like a thousand-year-old signature telling us something irreplaceable about its time and people.That's why awareness is urgent. And this podcast wants to be part of the solution: to inform, to educate, to sensitize, and to advocate for the active preservation of this irreplaceable legacy.Memory and the present: the ancestral still livesOne common mistake when discussing rock art is to consider it purely "prehistoric," as if it were the dead remains of extinct cultures. But in many parts of the world, rock art traditions are still alive. Some Indigenous communities continue to produce symbolic rock imagery as part of their living rituals and knowledge systems.In Australia, in Africa, in South and North America, there are communities that regard these artworks not as relics, but as integral parts of their ongoing cultural identity. In this podcast, we will hear their voices. We will learn from the descendants of those who painted and engraved these rocks centuries ago. We will explore their traditional interpretations, which are often more meaningful and nuanced than strictly academic or archaeological readings.This is, therefore, a space for intercultural listening. A place for respectful dialogue and the recovery of ancestral wisdom.Rock art and the imaginationBeyond preservation and research,...
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    8 mins

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