On Tuesday I will be releasing the new Logickal album, entitled Theories of the Heavens. It is a colletion of ambient drone works of a darker variety, and should be thought of as a series of meditations upon vast distances that arise between us - whether physical, psychic, temporal or magickal.

This episode is comprised of reconfigurations and reprocesses of the tracks from the album, but keeping with the spirit of the originals. I hope you enjoy these, and please do check out the release at https://logickal.bandcamp.com.

Back from a holiday in the United Kingdom - 9 days away from music making, which might be the longest I have abstained from any kind of creation in a decade, at least. While I had a wonderful time, I definitely had the need to get back to work once I returned.

This episode is made of bits from three different rehearsal takes, all bent and modified in some way of their own. I’ve been on the fence about retaining the Polyend Synth, but it does hold its own as another option for my Ambient sets. It’s still not quite earned a place in the more rhythmic material yet, but it’s right at home helping do these kinds of things.

Subscribers to my Patreon should be seeing an alternate combination of these three recordings coming to them in the coming days - hopefully before I leave the country again for a work trip to that city of music, Vienna.

Includes:

oct3-stepaside-3x // oct3-stepaway-3x // oct3-stepdown

Slightly late due to illness and Internet issues, here is a live improvisation made using the hardware rig of Elektron Octatrack, Syntakt and Digitone, sequenced by the Torso T-1. It's been a bit since I've had my rig set up, but an upcoming show made me work through some of a late summer cold to get things up and running.

This is definitely a longer, slower burn of a piece, and a bit of a change of pace to some of my usual sequencing - I have the T-1 tracks focused on a single note of a single sound on the Digitone, each with a different sequence length, leading to our favorite asynchronous looping patterns. The Syntakt is supplying analog drones and some arpeggios via the SY Chip machine.

All of this leads into the Octatrack, where I start sampling, looping and stretching the patterns and let things evolve as they go. It's not perfect, but it leads to some blissed-out moments. Overall, it was a good practice session, I think.