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ROAD PODCAST (Reflections Of A DJ)

ROAD PODCAST (Reflections Of A DJ)

By: ROAD PODCAST (Reflections Of A DJ)
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 Welcome to the R.O.A.D. Podcast. The show gives you unfiltered opinions from the eyes and ears of 3 seasoned DJs from the Las Vegas nightclub industry. DJ Crooked and DJ Neva come to us by way of New York; Manhattan and The Bronx respectively. Both relocated to Vegas in the early 2000s to open, what was then, Light and Jet Nightclub. Crooked is known for his workhorse mentality, and high-energy DJ sets, but has never been one for the industry politics. While DJ Neva has earned his OG status due to his countless years of experience in the DJ game. In 2007, they brought a piece of home with them by founding KNYEW (an acronym for “Keeping New York Every Where), a successful clothing brand, the first of its kind to be seen in Las Vegas. Similarly, Jaime Da Great grew up in LA. Jaime, while making a huge name for himself in the sneaker industry, has shifted his focus to becoming a full-time DJ.All rights reserved Music
Episodes
  • Episode 363: WALSHY FIRE “Inside Major Lazor, Black Chiney, and ‘The Art Of Dancehall’”

    Episode 363: WALSHY FIRE “Inside Major Lazor, Black Chiney, and ‘The Art Of Dancehall’”
    Sep 10 2025
    Episode 363: WALSHY FIRE “Inside Major Lazor, Black Chiney, and ‘The Art Of Dancehall’” This week on @RoadPodcast, the crew sits down with @WalshyFire — DJ, producer, and member of @MajorLazer — to talk Dancehall, Soca, and the art of building culture. At 01:34, Walshy recalls meeting @DJMoma and why Soca faced resistance in the '80s–’90s. By 05:10, he’s breaking down the pushback against Soca and Afro Beats, and Soca’s joyful contrast to other genres. He dives into NYC’s gang culture and block party memories (07:10), including a near brawl at a LOX performance diffused by dancers (10:12). The crew swaps stories on “banned” songs in late ’90s NYC and venue violence, with jokes about the Queens vs. Brooklyn rivalry (11:33). Walshy shares his path from Clark University and a jazz radio station to NYC and Beat Street Records (14:55), then joining Black Chiney Sound after a career-making gig (28:45). He reflects on classic riddim productions, lessons from Sean Paul, and supporting both grassroots parties and major festivals (46:01). The crew debates the state of Dancehall today (53:55). They discuss the struggle to find venues for independent parties (1:01:01) and positive changes in club culture (1:02:25). At 1:05:33, Walshy recounts going viral for declining a request, leading to a larger talk on post-pandemic etiquette and handling entitled guests (1:13:50). He closes with his new book Art of Dancehall, life in Major Lazer, and upcoming releases (1:23:01).
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    1 hr and 41 mins
  • Episode 362: RASHAD SMITH (Pt.2): "Bad Boy's First Hitman & His Fallout With Biggie"

    Episode 362: RASHAD SMITH (Pt.2): "Bad Boy's First Hitman & His Fallout With Biggie"
    Aug 6 2025
    Episode 362: RASHAD SMITH (Pt.2): "Bad Boy's First Hitman & His Fallout With Biggie" In Part 2 of our deep dive with legendary producer @Rashad_Ringo_Smith, the @RoadPodcast crew uncovers even more behind-the-scenes stories that shaped the sound of hip-hop and R&B.Rashad kicks things off by breaking down the making of the iconic “One More Chance” and its different versions (00:01), before opening up about the intense, high-stakes creative process at Bad Boy Records under the direction of @Diddy (09:01). He reveals how the classic “Bad Boy” sound came together — especially the blend of vocal powerhouses @theRealFaithEvans and @theRealMaryJBlige, which helped redefine R&B (20:03).He shares the wild backstory behind LL Cool J’s “Doin It” — a track originally made for Biggie — and the behind-the-scenes fallout with Puff and B.I.G. when it landed elsewhere (27:21). The crew dives into LL’s catalog and legacy (50:34), before Rashad reflects on his creative connection with @QTipTheAbstract and his work with A Tribe Called Quest (54:22).Wrapping things up, Rashad talks about collaborating with @Nas and @50cent, and reflects on the moment that stands out most in his legendary career (1:30:01). This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ’s, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you’re in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX
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    1 hr and 55 mins
  • Episode 362: RASHAD SMITH (Pt.1): "The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes"

    Episode 362: RASHAD SMITH (Pt.1): "The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes"
    Jul 30 2025
    Episode 362: RASHAD SMITH (Pt.1): "The Mystery Beatmaker for Rakim, Uptown Records & Busta Rhymes" This week on @RoadPodcast, the crew sits down for Part 1 of an epic two-part conversation with legendary producer @Rashad_Ringo_Smith — the mastermind behind tracks for @TheNotoriousBIG, @BustaRhymes, @JayZ, @Beyonce, @TheGodRakim, and more. You may not know his name, but you definitely know his sound. Rashad kicks things off by reflecting on his early days as a DJ, his childhood nicknames, and the powerful influence his mother had on his musical journey (00:11). He shares his deep love for jazz and reveals how he flipped the same sample two different ways for Busta Rhymes’ “Woo Hah” and its remix featuring @OlDirtyBastardLegacy (08:55). He breaks down the art of crate digging with iconic producers, the origins of the “pause tape,” and how it became the foundation for early production before DAWs (18:01). Rashad dives deep into the making of “Woo Hah,” seeing the Hype Williams-directed video for the first time, and Spike Lee’s unexpected interest in using the track for Clockers (38:01). From crafting “Don’t Sweat the Technique” to the murky politics of credit in the industry (58:10), Rashad opens up about why he calls himself “The Muted Drum” — a nod to his role as one of the most “unknown, known” producers in hip-hop (1:11:04). He also shares stories from his time at Uptown Records, working with a young @Diddy, and the moment he invented the producer tag (1:31:01), before diving into the rise of Bad Boy Records and the complicated dynamics behind the scenes (1:55:01). The episode wraps with Rashad reflecting on the making of the classic Notorious B.I.G. track “One More Chance” (2:10:33). Don’t miss Part 2, where Rashad speaks on more of his iconic tracks and tells unforgettable stories. This episode is sponsored by @SoundCollectiveNYC, an industry-leading music school, musical space and community located in downtown Manhattan for aspiring DJ’s, Producers, Musicians and more. Take private Ableton lessons, practice DJ routines, experiment with different audio equipment and reserve studio spaces for just the day, maybe a week or sign up for their monthly membership. Check www.soundcollective.com for more info and try their Online Classes free for a month by entering the code “ROAD”. If you’re in the New York area, visit them at 28 Broadway, New York, NY 10004 and tell them the Road Podcast sent you!! Try Beatsource for free: btsrc.dj/4jCkT1p Join DJcity for only $10: bit.ly/3EeCjAX
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    2 hrs and 15 mins
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