The Phoenician Scheme is Wes Anderson’s latest feature film. And if you are a fan of deadpan screw ball humour, meticulously shot and edited behind a colour pallet of muted earth tones, you will not be disappointed. But for his thirteenth feature film, Wes is leaning a little more into action and even violence to tell his new father daughter comedy. He joins Tom Power to talk about the evolution of his singular way of telling family stories.

Christopher Stowell is the new artistic director of the Royal Winnipeg Ballet – Canada's oldest ballet company and the longest continuously operating ballet company in North America. He’ll speak with Tom about why ballet is his “family business,” his career as a principal dancer and ballet leader, and what the future holds for the Royal Winnipeg Ballet.

A few years ago, the cartoonist and writer Gabrielle Drolet developed a condition that made her unable to use her hands. It kept getting worse over time, and as Gabrielle searched for a diagnosis, she also had to find new ways to make art. Her new memoir “Look Ma, No Hands” is the story of an artist coming to terms with disability, adapting to the unexpected, and ultimately learning to express herself again. Drolet joins Tom Power to talk about those experiences that informed her memoir.

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