Darkness, imprisoning me / All that I see, absolute horror / I cannot live, I cannot die / Trapped in myself, body my holding cell

These lyrics from Metallica's "One" were inspired by this classic anti-war novel (this is relevant, we promise). It's unique perspective and focus on the irreparable harm that war inflicts on the individual set it apart from the other anti-war text's we've read for the show.

Our theme music was composed by Nick Lerangis.

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There has been a murder! A murder in a small Quebecois village where everyone knows each other and most people seem to be either artists or café proprietors! Luckily Chief Inspector Armand Gamache and the Sûreté du Québec are on the case, there to be avuncular and reassuring and blur the line between friend and law enforcement professional.

This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.

Our theme music was composed by Nick Lerangis.

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What starts as a dismaying story about a wrongful conviction turns into a deep meditation on loyalty, marriage, and independence. Given the subject matter, you might expect a mystery or a courtroom drama. Instead, Jones offers up a moving account of a couple just trying to find a future that will have them.

Our theme music was composed by Nick Lerangis.

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Our newest BSC member, Dawn, has a lot to juggle in her debut as a series protagonist. Her mom is dating Mary-Anne's dad. She's low-key feuding with Kristy, the BSC President. And she's been hired by a mother of three who just does NOT have her life together. What a trial by fire!

These episodes posted first for our Patreon supporters! If you want to hear the rest of them ahead of time (and a bunch of other stuff besides), visit Patreon.com/overduepod.

Here's the full Sit Me Baby One More Time reading list:

• Kristy's Great Idea
• Claudia and the Phantom Phone Calls
• The Truth about Stacey
• Mary Anne Saves the Day
• Dawn and the Impossible Three
• Hello, Mallory
• Jessi's Secret Language
• Welcome to the BSC, Abby

Our theme music was composed by Nick Lerangis.

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A story about a young woman trapped in an underground prison with 39 other women sounds like it could be a stone cold bummer, and it isn’t not that. But this translated French novel from 1995 also hits some affirming, human notes, and it’s those aspects of it that help explain why it’s found new life via word of mouth and BookTok.

This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.

Our theme music was composed by Nick Lerangis.

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Perhaps befittingly, Anne Patchett's fourth novel changed the trajectory of her career. The award-winning Bel Canto centers on 58 people (a combination of hostages and militants sequestered in an unnamed country), many of whom spend the time cut off from the outside world meditating on the paths their lives did and didn't take. Many welcome the opportunity to sit, reflect, grow, and change -- all without the added pressure of the real world. But the tragedy, of course, is that they cannot keep the outside world at bay forever.

Our theme music was composed by Nick Lerangis.

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Did you ever wonder why the name "Jeeves" has always been inseparable from the concept of "a very good butler"? It's because of these short stories (plus more short stories, plus several novels) by English novelist P.G. Wodehouse.

Hapless gadfly Bertie Wooster relies on his man Jeeves for just about everything, from clothing advice to getting his various dim-bulb friends out of money-related scrapes. And if they fight sometimes, that's OK, because Bertie always eventually realizes that Jeeves was right to be upset about whatever they were fighting about.

This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.

Our theme music was composed by Nick Lerangis.

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Did you know that the classic 1997 slasher film I Know What You Did Last Summer was actually based on a propulsive young adult thriller from 1973? Lois Duncan's original novel isn't too interested in bloody kills, however. It's more focused on how young people build their identities: around their regrets, around their parents, and around tragedies.

Our theme music was composed by Nick Lerangis.

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See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.