CatBusRuss did not intend to pull out an episode from the archives, but with the passing of Rob and Michelle Reiner on Sunday (December 14, 2025), he felt it was important to keep them in our minds and in the proper light. Rambling Ronnie and ThePoeticCritic kept their language at a "PG-13" level during this conversation about Reiner's debut feature, so our host hopes that he did not make this a "R" with stating his feeling towards the criminal who is squatting in the White House during the introduction.

For the first time, "NinetyForChill: The #Podcast" has gone international. Rambling Ronnie has come on to discuss one of her favorite comedies and what is unquestionably the most important mockumentary of all time, "This Is Spinal Tap". This was the first R-Rated feature that ThePoeticCritic rented along side her little brother Cool Movies Darth. Needless to say, all parties are excited to tell the world aboot the excellence of this film.

Russ (I) definitely saw this picture before I entered the world of professional wrestling. It was hilarious, if just for picking out the cameos like Billy Crystal as Mort the Mime and the oldest (and perhaps first) Fred Willard appearance that I had ever seen. After entering a showmanship profession, this film is even funnier because it is beyond authentic.

For me, it was not a puppet show where I sustained my most severe documented concussion. It was wrestling during a Christion-promoted boxing expedition. Puppet's would have been an honor.

ThePoeticCritic spent her teens as an amateur actress. Needless to say, she has her tales of nearly falling off balconies because of poor backstage crew. Being trapped like Derek Smalls is something all performers are or will become familiar with.

Rambling Veronica (TPC's Twitter account impressed her since she was using Veronica as an alias), did not happen to have any tales to tell as a performer, but with the sincerity and politeness of Canadians, they all seem to share a common vibe. Provided they are not from Quebec. I am sorry I did not give the listeners a warning about the mocking of Montreal during this podcast.

We all seemed to have been on the same page when it comes to comedy. Ronnie's last episode was about "Monty Python's Life of Brian". Us Stevens children were raised on British comedy. Monty Python was the only MTV we were allowed to watch. With "The New Red Green Show" being Central Illinois's "Red Dwarf" lead in, this podcast seemed destined to happen.

Discussing Monty Python lead us to bring up "The Rutles: All You Need Is Cash". This was Eric Idle's Beetle mock that was produced by Lorne Michaels. When you bring up Lorne Michaels, you bring us "Saturday Night Live" and "SCTV". We end up talking about all of the best Western comedy that was influenced by the British.

By proxy, I guess you can say all of Christopher Guest's mocumentaries are British comedies. He is a British Baron after all.

ThePoeticCritic and Rambling Ronnie are even bigger fans of Guest's directorial efforts than I am. We do get to address and compare and contrast these films. It was kind of a silly part since none of us have seen them all. Ronnie is a big fan of "A Mighty Wind" and TPC seemed to lean towards "Best in Show". One thing is certain, you must give "Waiting for Guffman" a chance.

The feature that CatBusRuss is revisiting was originally titled "3615 code Père Noël", but is also known as "Game Over", and "Hide and Freak". It only feels appropriate to have so many titles when you take into account that the Cannon Group handled the international distribution of this film. The title of "Deadly Games" at least secures it a place on Shudder. That platform can never have too many holiday-themed horror flicks.

This movie was released in 1989, a year before "Home Alone". Director René Manzor stated that he feels John Hughes may have ripped him off, but the film is way too dark to be compared to the Macaulay Culkin star turn. At least that is our host's opinion.

Gregory Carl thinks it is closer to the American blockbuster. It is about a nine year-old who is quick to come up with improvised weaponry to defend him and his grandfather against a deranged Father Christmas. Both Kevin and Thomas live in large houses and you wonder where their parents came up with the money, but that is where the comparisons may end.

Russ thinks this feature answers what if Chris Columbus penned "Home Alone". Just check out the wiki for "Gremlins" to see where our host is coming from. Kevin McCallister did not have to deal with insane, delusional criminals. Joe Pesci can be scary, but we did not find Harry to be murderous. Even worse, Gregory suggests that this film's antagonist may have perverse intentions. Lacking humor to accompany the violence, this maybe what a realistic bout with the Wet Bandits would look like.

To get away from the darkness, CatBusRuss received a Christmas gift from Tubi. After 15 years, Albert Pyun's take on "Bloodsport" has finally made it back to streaming. "Heatseeker" stars two of the most under-appreciated martial artists in cinema, Keith Cooke and Gary Daniels, as two champions heading towards a rematch. What makes this a different kind of fight is that Daniels is being sponsored by a biotechnology corporation trying to prove that it is not enough to be human to become a champion. If you come into this feature after the first act, you will want to see where this story goes. Like most Pyun films, the question becomes, can you stand what you see?

CatBusRuss might need to do some research because this may be the last Merry Mark L. Lester Christmas. Last year, he covered what maybe perhaps his most memorable films, "Showdown in Little Tokyo" and "Commando". Our host is prepping for a 1986 panel to tour the comic cons, so maybe he will get around to watch "Armed and Dangerous" to compare and contrast with "Police Academy 3: Back in Training", but reviewing "Class of 1984" and the "Class of 1999" franchise may address the pinnacle of his filmography.

He did not direct "Class of 1999 II: The Subsitute", but when you compare it to his attempts to become the next Roger Corman, like "Groupie", there is a lot of potential left on the table. It should be accepted as fact, a little more or just some Eric Roberts could elevate them both to B-Movie classics.

Lester is a man who knew his limitations, and these class of movies show that he was a wise director because of it.