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New Books in the History of Science

New Books in the History of Science

By: New Books Network
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 Interviews with historians of science about their new booksNew Books Network Art Literary History & Criticism Science World
Episodes
  • Raphael Cormack, "Holy Men of the Electromagnetic Age: A Forgotten History of the Occult" (Norton, 2025)

    Raphael Cormack, "Holy Men of the Electromagnetic Age: A Forgotten History of the Occult" (Norton, 2025)
    Aug 18 2025
    An international history of the uncanny in the 1920s and 1930s. The interwar period was a golden age for the occult. Spiritualists, clairvoyants, fakirs, Theosophists, mind readers, and Jinn summoners all set out to assure the masses that just as newly discovered invisible forces of electricity and magnetism determined the world of science, unseen powers commanded an unknown realm of human potential Drawing on untapped sources in Arabic in addition to European ones, Raphael Cormack follows two of the most unusual and charismatic figures of this age: Tahra Bey, who took 1920s Paris by storm in the role of a missionary from the mystical East; and Dr. Dahesh, who transformed Western science to create a panreligious faith of his own in Lebanon. Traveling between Paris, New York, and Beirut while guiding esoteric apprenticeships among miracle-working mystics in Egypt and Istanbul, these men reflected the desires and anxieties of a troubled age. As Cormack demonstrates, these forgotten holy men, who embodied the allure of the unexplained in a world of dramatic change, intuitively speak to our unsettling world today Raphael Cormack is an award-winning editor, translator, and writer. The author of Midnight in Cairo, Cormack is assistant professor of modern languages and cultures at Durham University in the United Kingdom. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    44 mins
  • Joshua Nall, "News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910" (U Pittsburgh Press, 2019)

    Joshua Nall, "News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910" (U Pittsburgh Press, 2019)
    Aug 17 2025
    In the midst of the COVID-19 pandemic, we’re hearing an awful lot about the fraught relationship between science and media. In his book, News from Mars: Mass Media and the Forging of a New Astronomy, 1860-1910 (University of Pittsburgh Press, 2019), historian of science Joshua Nall shows us that a blurry boundary between science and journalism was a key feature—not a bug—of the emergence of modern astronomy. Focusing on objects and media, such as newspapers, encyclopedias, cigarette cards, and globes, Nall offers a history of how astronomers’ cultivation of a mass public shaped their discipline as it managed controversies over the possibility of canals on Mars, and even interplanetary communication. This book is strongly recommended for historians of science and communication, as well as those with an eye for material culture. Joshua Nall is curator of modern sciences at the Whipple Museum of the History of Science in the Department of the History and Philosophy of Science at the University of Cambridge. Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used statistics to make claims of discrimination in 1970s America, and how the relationship between rights and num- bers became a flashpoint in political struggles over bureaucracy, race, and law. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 4 mins
  • Thomas Kemple, “Intellectual Work and the Spirit of Capitalism: Weber’s Calling” (Palgrave Macmillan, 2014)

    Thomas Kemple, “Intellectual Work and the Spirit of Capitalism: Weber’s Calling” (Palgrave Macmillan, 2014)
    Aug 16 2025
    Thomas Kemple‘s new book is an extraordinarily thoughtful invitation to approach Max Weber (1864-1920) as a performer, and to experience Weber’s work by attending to his spoken and written voice. Intellectual Work and the Spirit of Capitalism: Weber’s Calling (Palgrave Macmillan, 2014) looks carefully at the literary structure and aesthetic elements of Weber’s arguments, considering how the texts offer an “allegorical resource for thinking sociologically.” Kemple argues that the formal structure of Weber’s ideas is inseparable from the content, and that understanding one is crucial for understanding the other. As a way into that formal structure, in each chapter Kemple offers an ingenious visual diagram that acts as a kind of “talking picture,” simultaneously evoking the cinematic elements of Weber’s own work and giving readers another tool for engaging the performative aspects of it. Kemple’s book is particularly attentive to the ways that Weber’s performance is shaped by a close engagement with the work of other writers, musicians, and thinkers, from Goethe and Tolstoy to Machiavelli and Martin Luther, and from the Bhagavadgita to The Valkyries. In addition, Marianne Weber – Max’s “wife, intellectual partner, and posthumous editor” – is an important presence throughout the book in helping us understand and read Weber’s work anew. Kemple’s thoughtful and beautifully written analysis helps us understand not just Weber’s own work, but also the value of that work for attending to issues of our own present. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 hr and 13 mins
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