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New Books in South Asian Studies

New Books in South Asian Studies

By: New Books Network
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 Interviews with Scholars of South Asia about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studiesNew Books Network Social Sciences World
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Episodes
  • Catherine Hartmann, "Making the Invisible Real: Practice of Seeing in Tibetan Pilgrimage" (Oxford UP, 2025)

    Catherine Hartmann, "Making the Invisible Real: Practice of Seeing in Tibetan Pilgrimage" (Oxford UP, 2025)
    May 9 2025
    Dr. Catherine Hartmann is Assistant Professor of Asian Religions in the Department of Philosophy and Religious Studies at University of Wyoming. She received her B.A. in Religious Studies from the University of Virginia in 2011, M.A. in the History of Religions from the University of Chicago in 2013, and a Ph.D. from the Committee on the Study of Religion at Harvard University in 2020. Dr. Hartmann's engagement with Religious Studies arises out of a longstanding interest in religion as a force that shapes our experience of the world, and in the practices religions develop to transform that experience. Her work focuses on the history of Tibetan pilgrimage to holy mountains and the goal of transforming perception while on pilgrimage. She is also interested in Buddhist ethics, vision and visuality, theories of place, and autobiographical writing. Her most recent book, Making the Invisible Real: Practices of Seeing in Tibetan Pilgrimage (Oxford UP, 2025), asks the following question: How can a person learn to see a mountain as a divine mandala, especially when, to the ordinary eye, the mountain looks like a pile of rocks and snow? This is the challenge that the Tibetan pilgrimage tradition poses to pilgrims, who are told to overcome their ordinary perception to see the hidden reality of the holy mountain. Drawing on multiple genres of Tibetan literature from the 13th to 20th centuries--including foundational narratives of holy places, polemical debates about the value of pilgrimage, written guides to holy sites, advice texts, and personal diaries--this book investigates how the pilgrimage tradition tries to transform pilgrims' perception so that they might experience the wondrous sacred landscape as real and materially present. Catherine Anne Hartmann argues that the pilgrimage tradition does not simply assume that pilgrims experience this sacred landscape as real, but instead leads pilgrims to adopt deliberate practices of seeing: ways of looking at and interacting with the world that shape their experience of the holy mountain. Making the Invisible Real explores two ways of seeing: the pilgrim's ordinary perception of the world, and the fantastic vision believed to lie beyond this ordinary perception. As pilgrims move through the holy place, they move back and forth between these two ways of seeing, weaving the ordinary perceived world and extraordinary imagined world together into a single experience. Hartmann shows us how seemingly fantastical religious worldviews are not simply believed or taken for granted, but actively constructed and reconstructed for new generations of practitioners. Previous interview with Dr. Hartmann on the New Books Network: Teaching Buddhist Studies Online A Discussion with Kate Hartmann. Milarepa, the One Who Harkened, by Nicholas Roerich. Dr. Hartmann's website with contact information: https://www.drkatehartmann.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    1 hr and 7 mins
  • Andrew Ollett, "The Mirror of Ornaments (Alaṅkāradappaṇō): A Prakrit Work of Poetics" (UniorPress, 2025)

    Andrew Ollett, "The Mirror of Ornaments (Alaṅkāradappaṇō): A Prakrit Work of Poetics" (UniorPress, 2025)
    May 8 2025
    The Mirror of Ornaments (Alaṅkāradappaṇō) defines and exemplifies 42 figures of speech or “ornaments” in 134 verses. It is the only surviving work of poetics in Prakrit, a literary language closely related to Sanskrit. It is one of the earliest representatives of the larger Indian discourse on poetics, and is especially closely linked to Bhāmaha’s Ornament of Literature (Kāvyālaṅkāra). This book includes an introduction, annotated translation, glossary, and diplomatic and critical editions of the single surviving manuscript of the Mirror of Ornaments. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    55 mins
  • Tupur Chatterjee, "Projecting Desire: Media Architectures and Moviegoing in Urban India" (NYU Press, 2025)

    Tupur Chatterjee, "Projecting Desire: Media Architectures and Moviegoing in Urban India" (NYU Press, 2025)
    May 4 2025
    Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex’s evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India’s media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
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    43 mins

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