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New Books in Poetry

New Books in Poetry

By: New Books Network
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 Interview with Poets about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetryNew Books Network Art
Episodes
  • Aisha Sasha John, "total: poems" (Random House, 2025)

    Aisha Sasha John, "total: poems" (Random House, 2025)
    Oct 9 2025
    In this NBN episode, host Hollay Ghadery speaks with Aisha Sasha John about her poetry collection, total: poems (McClelland & Stewart, 2025). "John is brilliant at communicating. She's also really funny. Poems don't get more direct and precise and unforgettable than this." —National Post The highly anticipated new collection from Griffin Poetry Prize finalist Aisha Sasha John. IS THERE A SYNONYM CLOSER TO COMPASSION THAN PATIENCE? A PERSON WHO LOVES BEAUTY MORE THAN THEY FEAR IT THE CLOSEST TO NOTHING YOU CAN DO FOR MONEY TO TOUCH TIME TO ITSELF About Aisha Sasha John: AISHA SASHA JOHN is the author of i have to live (2017), a finalist for the Griffin Poetry Prize; THOU (2014), a finalist for the Trillium Book Award for Poetry and the ReLit Poetry Award; and The Shining Material (2011). She choreographs and performs in the feminist collective WIVES as well as solo performances (The Aisha of Oz, VOLUNTEER). Aisha's video work and text art have been exhibited in galleries (Doris McCarthy, Oakville Galleries) and installed at Union Station in Toronto (Art Metropole). She was born in Montreal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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    27 mins
  • Taylor Byas, "Resting Bitch Face: Poems" (Catapult, 2025)

    Taylor Byas, "Resting Bitch Face: Poems" (Catapult, 2025)
    Oct 8 2025
    The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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    1 hr and 1 min
  • Farah Ghafoor, "Shadow Price: Poems" (House of Anansi, 2025)

    Farah Ghafoor, "Shadow Price: Poems" (House of Anansi, 2025)
    Oct 8 2025
    In this NBN episode, host Hollay Ghadery interviews Farah Ghafoor about her poetry collection, Shadow Price (House of Anansi, 2025), which was longlisted for the 2025 Toronto Book Awards. Borrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast. About Farah Ghafoor: Based in Tkaranto (Toronto), Farah Ghafoor is the author of Shadow Price (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of Shadow Price won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as The Walrus, The Offing, Brick Magazine, and The Fiddlehead, art exhibitions like Who's Afraid of Labour Justice ? and FACE/WASTE, as well as anthologies and post-secondary course curriculums. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
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    35 mins
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