Episodes

  • Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)

    Lynda Nead, "British Blonde: Women, Desire and the Image in Post-War Britain" (Yale UP, 2025)
    Feb 22 2026
    In the 1950s, American glamour swept into a war-torn Britain as part of a broader transatlantic exchange of culture and commodities. But in this process, the American ideal of the blonde became uniquely British—Marilyn Monroe transformed into Diana Dors. British Blonde: Women, Desire and the Image in Post-War Britain (Yale UP, 2025) by Professor Lynda Nead examines postwar Britain through the changing ideals of femininity that reflected the nation’s evolving concerns in the twenty-five years following the Second World War. At its heart are four iconic women whose stories serve as prompts for broader accounts of social and culture change: Diana Dors, the quintessential blonde bombshell; Ruth Ellis, the last woman to be hanged in Britain; Barbara Windsor, star of the Carry On films; and the Pop artist Pauline Boty. Together, they reveal how class, social aspiration, and desire reshaped the cultural atmosphere of the 1950s and 1960s, complicating gender roles and visual culture in the process. Richly illustrated with paintings, photography, film stills, and advertisements, this interdisciplinary and engagingly written study offers a highly original perspective on an era that transformed Britain’s visual and cultural identity. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    56 mins
  • Sary Zananiri, "Photographing Biblical Modernity: Frank Scholten in British Mandate Palestine" (I.B. Tauris, 2026)

    Sary Zananiri, "Photographing Biblical Modernity: Frank Scholten in British Mandate Palestine" (I.B. Tauris, 2026)
    Feb 12 2026
    This open access book offers the first in-depth appraisal of the photographic archive of Frank Scholten (1881–1942), a queer Dutch photographer and Catholic convert whose work in Palestine between 1921 and 1923 provides a remarkable lens on the intersecting dynamics of modernity, religion, colonialism, and visual culture. Drawing on over 26,000 photographs, it situates Scholten's work within transnational religious, colonial, and nationalist networks. Employing a relational methodology, Photographing Biblical Modernity: Frank Scholten in British Mandate Palestine (I.B. Tauris, 2026) treats photography not merely as visual documentation but as a site of layered cultural encounters shaped by the movements of people, ideas, and ideologies. It interrogates biblical visuality, the performance of indigeneity, intercommunal relations, and the gendered politics of labour and nationalism.Through interdisciplinary engagement with visual culture, Middle East studies, and gender theory, this book considers how Scholten's positionality offers insights into both the granular details of Palestinian society and broader macro-historical shifts during a period of profound transition. Rather than framing Palestine as a biblical relic, Scholten's photographs reveal a socially and politically complex society under early British Mandate rule. Ultimately, this book positions Scholten's archive as a vital historical source for understanding the layered and contested narratives that have defined Palestine's modern history. Access the book here: here Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 hr and 15 mins
  • Michelle Henning, "A Dirty History of Photography: Chemistry, Fog, and Empire" (U Chicago Press, 2026)

    Michelle Henning, "A Dirty History of Photography: Chemistry, Fog, and Empire" (U Chicago Press, 2026)
    Jan 22 2026
    In A Dirty History of Photography: Chemistry, Fog, and Empire (U Chicago Press, 2026), Professor Michelle Henning presents an environmental history of chemical photography through the lens of its deep connections to empire and industry. Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Professor Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Professor Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    57 mins
  • Agata Fijalkowski, "Law, Visual Culture, and the Show Trial" (Routledge, 2023)

    Agata Fijalkowski, "Law, Visual Culture, and the Show Trial" (Routledge, 2023)
    Dec 30 2025
    Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials. The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, Agata Fijalkowski's Law, Visual Culture, and the Show Trial (Routledge, 2023) examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors and political authorities embraced new photographic technologies to advance their legal propaganda and legal photography. Drawing on contemporary theoretical work in the area, the book then challenges straightforward accounts of the relationship between law and the visual, critically engaging entrenched legal historical narratives, in relation to three different protagonists, to offer the possibility of reclaiming and rewriting past accounts. As its analysis demonstrates, the power of images can also be subversive; and, as such, the cases it addresses contribute to the discourse on visual epistemology and open onto contemporary questions about law and its inherent performativity. Alex Batesmith is a Lecturer in Legal Profession in the School of Law at the University of Leeds, and a former barrister and UN war crimes prosecutor, with teaching and research interests in international criminal law, cause lawyering and the legal profession, and law and emotion. Twitter: @batesmith. LinkedIn. His recent publications include: “‘Poetic Justice Products’: International Justice, Victim Counter-Aesthetics, and the Spectre of the Show Trial” in Christine Schwöbel-Patel and Rob Knox (eds) Aesthetics and Counter-Aesthetics of International Justice (Counterpress, forthcoming 2023, ISBN 978-1-910761-17-5) "Lawyers who want to make the world a better place – Scheingold and Sarat’s Something to Believe In: Politics, Professionalism, and Cause Lawyering" in D. Newman (ed.) Leading Works on the Legal Profession (Routledge, July 2023), ISBN 978-1-032182-80-3) “International Prosecutors as Cause Lawyers" (2021) Journal of International Criminal Justice 19(4) 803-830 (ISSN 1478-1387) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 hr and 12 mins
  • Mariana Ortega, "Carnalities: The Art of Living in Latinidad" (Duke UP, 2024)

    Mariana Ortega, "Carnalities: The Art of Living in Latinidad" (Duke UP, 2024)
    Dec 16 2025
    How can habits of racialization be affected by art, in its reception and its creation? How can a carnal aesthetics help us understand Latinx life? What if we listen to photographs? How might they undo us? Can we be undone? In Carnalities: The Art of Living in Latinidad (Duke UP, 2025), Mariana Ortega focuses on photography using a hermeneutics of love and critical phenomenology to think about and with creative practices of primarily Latinx artists. Moving from the ocular to the mouthly, Ortega opens up possibilities for being affected by art. She also shows how artists use aesthetic practices to transform themselves, the possibilities for life, and as means to refuse to forget the dead. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 hr and 17 mins
  • Jorge Coronado, “Portraits in the Andes: Photography and Agency, 1900-1950” (U Pittsburgh Press, 2018)

    Jorge Coronado, “Portraits in the Andes: Photography and Agency, 1900-1950” (U Pittsburgh Press, 2018)
    Nov 9 2025
    In Portraits in the Andes: Photography and Agency, 1900-1950 (University of Pittsburgh Press, 2018), Jorge Coronado, Professor of Spanish and Portuguese at Northwestern University, examines photography to further the argument that intellectuals grafted their own notions of indigeneity onto their subjects. He looks specifically at the Cuzco School of Photography (active in the southern Andes) to argue that photography, in its capacity as a visual and technological practice, can be a powerful tool for understanding and shaping what modernity meant in the region. Ryan Tripp teaches a variety of History courses at Los Medanos Community College. He also teaches History courses for two universities. He has a Ph.D. in History from the University of California, Davis, with a double minor that includes Native American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    46 mins
  • Brian Baker, "The Road" (Akashic Books, 2025)

    Brian Baker, "The Road" (Akashic Books, 2025)
    Oct 29 2025
    The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker’s many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses. While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more. The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker’s–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    34 mins
  • Oksana Sarkisova and Olga Shevchenko "In Visible Presence: Soviet Afterlives in Family Photos" (MIT Press, 2023)

    Oksana Sarkisova and Olga Shevchenko "In Visible Presence: Soviet Afterlives in Family Photos" (MIT Press, 2023)
    Oct 15 2025
    In Visible Presence: Soviet Afterlives in Family Photos (MIT Press, 2023) is an absorbing exploration of Soviet-era family photographs that demonstrates the singular power of the photographic image to command attention, resist closure, and complicate the meaning of the past. A faded image of a family gathered at a festively served dinner table, raising their glasses in unison. A group of small children, sitting in orderly rows, with stuffed toys at their feet and a portrait of Lenin looming over their heads. A pensive older woman against a snowy landscape, her gaze directed lovingly at a tombstone. These are a few of the evocative images in In Visible Presence by Dr. Oksana Sarkisova and Dr. Olga Shevchenko, an exquisitely researched book that brings together photographs from Soviet-era family photo archives and investigates their afterlives in Russia.In Visible Presence explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies, In Visible Presence offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.With more than 250 black and white photos, In Visible Presence is an astonishing journey into domestic photography, family memory, and the ongoing debate over the meaning of the Soviet past that is as timely and powerful today as it has ever been. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
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    1 hr