Publisher's Summary

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
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Episodes
  • Francis Young, "Fairies: A History" (John Wiley & Sons, 2026)

    Francis Young, "Fairies: A History" (John Wiley & Sons, 2026)
    Apr 21 2026
    Many people think they know what fairies are, what a fairy looks like, and how a fairy is expected to behave. Dr. Francis Young's Fairies: A History (Polity, 2026) demonstrates that the truth about belief in fairies is far stranger than clichéd images of tiny figures with wings and wands.Before the rise of the 'small winged fairy' in the nineteenth century, the category of fairies included a vast range of supernatural human-like creatures, from the elves of Scandinavia and the aos sí of Ireland to the vilas of the Balkans and the fadas of Iberia. Dr. Young traces the ancient origins of belief in such creatures and how it adapted to the rise of Christianity and then flourished in medieval Europe, before being transformed – but not destroyed – by the upheavals of the Reformation, the Enlightenment, and even European colonial expansion, which made fairies a global phenomenon. He concludes this uniquely wide-ranging history by reflecting on the surprising ways in which fairy belief endures in our apparently disenchanted contemporary world.No one who reads this brilliant tour through the enchanted pathways of fairyland will ever look at the winged creatures of contemporary popular culture – or the woods at the bottom of their garden – in the same way again. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
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    40 mins
  • Generic

    Generic
    Apr 20 2026
    In this episode of High Theory, Kim talks to Ben Mangrum about Generic. A curious term that denotes both the conventions and rules of genre, and the impersonal or nameless quality of things like generic drugs or generic devices; the generic structures many of our cultural codes. Ben uses both senses to talk about the history of computing. He tells us about the surprising role the genre of comedy has played in our interactions with computers. Ben suggested that we reference Spike Jones’s 2010 short film I’m Here as an example of computational comedy. In the episode Ben references Aziz Ansari and Eric Klinenberg’s Modern Romance (Penguin Books 2016), a book of comedy and social critique about online dating, as well as classics like Agatha Christie’s Muder on the Orient Express (Collins Crime Club 1934), William Gibson’s Neuromancer (Ace Books 1984), and the film You’ve Got Mail (1998). He also talks about David Schumway’s writing on screwball comedies, “Screwball Comedies: Constructing Romance, Mystifying Marriage” in Cinema Journal 30 no. 4 (Summer 1991): 7-23, doi: 0.2307/1224884, and Lauren Berlant’s on genre, “Genre Flailing” in Capacious: Journal for Emerging Affect Inquiry 1 no. 2 (2018). If you want to learn more, check out Ben’s book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford 2025). In this cultural history of the computer, Ben shows that comedy has been central to how we've made sense of the technology's sweeping effects on public life and private experience. From the first Broadway play to include a computer in the 1950s to popular films and joke-telling digital assistants, many have used comedy to make the computer seem ordinary. Others have tried to stage the assimilation of computers within corporate life as a kind of comic drama. Mangrum describes these and many other ways in which comedy and computation have come together as a new genre of experience: the comedy of computation. Ben Mangrum works as an Associate Professor of Literature at the Massachusetts Institute of Technology. His research examines topics ranging from the environmental humanities to twentieth-century “world literature” and the history of ideas and media underlying contemporary methods in the digital humanities. His first book, Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism, was published in 2019 by Oxford University Press. The transcript of this episode lives here as a WordDoc and here as a PDF. The image for this episode shows a happy computer, drawn in a few pixels on a blue background. It was made for High Theory by Lili Epstein. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
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    19 mins
  • Sasha Senderovich and Harriet Murav, "In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union" (Stanford UP, 2026)

    Sasha Senderovich and Harriet Murav, "In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union" (Stanford UP, 2026)
    Apr 20 2026
    In their anthology, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union (Stanford University Press, 2026), Sasha Senderovitch and Harriet Murav provide an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works. Interviewees: Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the University of Washington. Harriet Murav is Center for Advanced Study Professor Emerita at the University of Illinois, Urbana-Champaign. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
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    1 hr and 2 mins
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