Cavemen. Dinosaurs. Lasers. Robots. A mysterious medallion. A talking box. Choice meats! And oh that theme song. This barely begins to dip into the brain-bending fountain of wonders that is YOR, THE HUNTER FROM THE FUTURE. Javi, Paul and - intrepidly - Producer Brad have ventured to Yor’s World and returned forever changed by this Italian adaptation of an Argentinian graphic novel that was distilled from a four-hour television mini-series, and is criminally unavailable on any streaming service or for digital rental or purchase. But they would not be denied (thank you Internet Archive), even though it required Javi to heed the film’s counsel (“We will need a lot more hemp before we’re through.”), while Paul Plot was sent into a fugue state. Because while we’re all well-versed in spaghetti Westerns, this is a spaghetti fantasy that takes a stunning turn into spaghetti sci-fi, and somehow blurs the lines between bad and great, and stupid and genius — rendering this week’s episode an absolute fever dream. There is simply no way you can prepare yourself… for YOR!!!

Show Notes:

Yor, the Hunter from the Future (1983) [Internet Archive]

Yor's World (Theme Song) on iTunes and Apple Music

1983 Box Office

August 19, 1983 Weekend Box Office

Yor Movie Box Office Results

NYT/Janet Maslin Yor review

Archived Antonio Margheriti bio

Archived interview with Edoardo Margheriti, Antonio's son.

Fanbasepress article speculating on Antonio Margheriti connection to 2001: A Space Odyssey

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Behold the birth of the cinematic icon that is Nicolas Cage. Bask in the glory of his historic first on-screen freak-out. Witness his wondrous weirdness expertly unleashed by director Martha Coolidge, who made the most of a tiny budget, tight schedule, and tepid script to deliver a (sub-)cultural landmark by way of the Sherman Oaks Galleria. This week, Javi, Paul - and for sure, like totally, Producer Brad - pop their pastel polo collars as they venture valiantly into the strange suburban vortex of vapidity that is VALLEY GIRL. Demure Julie (Deborah Foreman) falls for pseudo-punk Randy (Cage) from the scary side of the Hollywood Hills, but when her high school social circle disdainly disapproves, she’s torn between lofty love and crushing conformity. Will peer pressure prune her passion? Or will she stop the world and melt with Randy a million miles away on Electric Avenue? Whether you’re in the mood for the valley or not, our hosts have got the vibe, even if their brains are bad news from that creepy clown doll. Have a nice flight!

Show Notes:

1983 Box Office

Valley Girl Weekend Box Office, April 29, 1993

Valley Girl Box Office, August 12, 1983

Valley Girl Box Office Results

AFI Catalog entry for Valley Girl

Roger Ebert review of Valley Girl

AFI Movie Club segment on Valley Girl with DP Frederick Elmes

NYT 2020 article on Valley Girl quoting Martha Coolidge exploiting nudity requirement loopholes.

Indie Wire article with quotes from Nicholas Cage praising Martha Coolidge.

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Put on your Ray-Bans, rev up the Porsche, and crank up the Tangerine Dream! It’s time for the movie that made Tom Cruise a star, which somehow Javi and Paul had never seen! Listen as they, with the help of ever-patient Producer Brad, get past their preconceived notions and are rewarded with a teen sex comedy that has more in common with Blue Velvet than Porky’s. Suburban high school senior Joel (Cruise), afflicted with anxiety about getting into Princeton and left home alone by his materialistic parents, is prodded by devil-on-his-shoulder pal Miles (Curtis Armstrong) down the path to some Risky Business in the form of call girl Lana (Rebecca De Mornay), who turns Joel’s home into a brothel. Is it a swooning love letter to capitalism, or subversive indictment of it, or both? Javi and Paul marvel and muse at this unexpectedly layered, nuanced, and finely crafted film rife with symbolism, sex positivity, delightful dream sequences, awesome needle drops, surprisingly positive trans representation, a crystal egg, and a young Joe Pantoliano as Guido the Killer Pimp. There is no substitute!

Show Notes:

1983 Box Office

August 5-7, 1983, Weekend Box Office

Risky Business Box Office Results

Hollywood Reporter excerpts from Curtis Armstrong's 2017 memoir, Revenge of the Nerd.

Top 100 Stars in Leading roles at the Domestic Box Office

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What is Krull? Who is Krull? Where is Krull? Why is Krull? These are all time-honored questions asked by no one - except those of us who have experienced the fantasy sci-fi would-be saga that is Krull. Join Paul, Javi, and the stalwart Producer Brad as they journey through space (they think) and time (maybe?) to experience the (it thinks) epic battle between a princess, her prince, and their rag-tag misfit army of actors who would go on to do far better work (Liam Neeson? What are you doing here?) against an intergalactic dictator (we guess) and his army of poorly-armed, partially-ambulatory stormtroopers (kinda). Thrill to the modest swordplay, marvel at the adequate production design, and let your spirit rise to the strains of one of James Horner’s minor soundtracks! It’s a deep (ish) dive into one of the lost (not really) classics (now we’re being generous) of the summer of ’83, so buckle your swash and get ready, because once you go Krull, you come back… uh, null?

Show Notes:

1983 Box Office

July 29,1983 Weekend Box Office

Krull Box Office Results

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Does it get any more ’80s than Flashdance? Luminous Jennifer Beals is a welder by day who dances at a bar by night, but must conquer imposter syndrome to achieve her ballerina dreams. It’s sort of a music video-esque Disney musical crossed with an inspirational sports drama (a la Rocky or Rudy), yet somehow Javi and Paul had never seen it, much to Producer Brad’s amusement. Join them in a world made of steel, made of stone (aka Pittsburgh) as they bask in the glory of Giorgio Morodor’s memorable music, wrestle with the film’s male-gaze-fantasy-meets-aspirational-female-empowerment dichotomy, and get pleasantly sucker-punched by this surprisingly sweet fairy tale about having faith in oneself (and dancing like you’ve never danced before). And did we mention it’s from the future director of Fatal Attraction, future screenwriter of Basic Instinct (and Showgirls), and action impresario Jerry Bruckheimer? (And is that Cynthia Rhodes playing her same character from Staying Alive?) Break out your leg warmers, Diet Pepsi and torn sweatshirt — it’s time to take your passion and make it happen!

Show Notes:

1983 Box Office

April 15, 1983 Weekend Box Office

July 22, 1983 Weekend Box Office

Flashdance Box Office Results

As mentioned by Paul, Angela Trimbur Dance classes!

AFI Catalog on Flashdance

USA Today Article Commemorating the 35th Anniversary of Flashdance

NYT Article on the dismissal of class action lawsuit over Polish jokes in Flashdance.

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John Travolta returns as sweaty strutting disco stud Tony Manero in this misguided sequel to Saturday Night Fever co-written and directed by… Sylvester Stallone? Tony makes a brazen leap from Brooklyn to Bizarro World Broadway (and from the ’70s to the ’80s) but soon finds himself not in a love triangle, but a love pentagon as he vies for the lead role in a dizzyingly demented Dante-meets-disco dance revue provocatively titled Satan’s Alley (not to be confused with Tropic Thunder’s monks-in-forbidden-love fake film). Javi, Paul and - divinely - Producer Brad embark on their most chaotic episode yet as they are relentlessly pummeled with headbands, leotards, lens flares, slow-mo, possible vampires, and the very apotheosis of The Frank Factor as director Stallone tries to turn this film into a career catapult for his brother to outshine the Bee Gees (who apparently didn’t appreciate this). In the immortal words of the film, “It’s a journey through hell that ends in an ascent to heaven. You might think it’s simple, but if it’s gonna work you gotta bust your asses!” And we did, so you don’t have to. Let’s strut!

Show Notes:

As Paul mentioned, Dennon and Sayhber, the choreographers for Staying Alive, offer classes. Here's the link to their site where you can sign up for dance classes.

We can't believe we forgot to discuss the trailer for Satan's Alley, the fake movie from the movie Tropic Thunder! You can watch the trailer here.

1983 Box Office

July 15, 1983 Weekend Box Office

Staying Alive Box Office Results

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You’ll believe a man can sigh as Supergeeks Javi, Paul and - indestructibly - Producer Brad discover the third time’s not the charm with Superman III, though it does offer one unforgettable high-concept scene (and a truly funny setup and payoff). Our hosts boldly bend format this episode by picking three scenes each to examine (one of which may or may not involve bowling vandalism via Super-sneeze) as they struggle to maintain their sanity against the artificial Kryptonite of this threequel’s seemingly never-ending inanities. In stark contrast to the wonders that Rocky III rewarded us with by adding iconic adversary Mr. T (as recounted in our very first episode!), here we get Superman vs. Supercomputer (that’s an Atari) as programming prodigy Richard Pryor is extorted into villainy by evil tycoon Robert Vaughn. Despite their combined talents (and a psychic nutritionist stand-in for Miss Teschmacher), they are no Lex Luthor, just as director Richard Lester is no Richard Donner (and composer Ken Thorne is no John Williams). Still, while Margot Kidder’s Lois Lane is conspicuously sidelined for most of the film, we’re treated to Annette O’Toole’s lovely Lana Lang, and Christopher Reeve gets to play a creepy, scuzzy new character (Man of Heel?). You will not believe a man can ski off a skyscraper and survive, but you will enjoy this episode full of love for Superman and our hosts’ entertaining exasperation at this misguided misfire.

1983 Box Office

July 8, 1983 Weekend Box Office

Superman III Box Office Results

Richard Pryor's 1981 appearance on The Tonight Show displaying his Superman fandom.

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When Paul, Javi, and the audacious Producer Brad see a great movie, the result is a podcast full of mirthful entertainment… but when it’s a movie that crashes and burns, the result is UNMITIGATED SNARK GREATNESS. What happens when Burt Reynolds and Hal Needham, the star and director of the hit films “Smokey and the Bandit” and “Cannonball Run”, reunite for a putative romantic comedy about a deviant NASCAR driver and a church lady turned fried chicken chain ad exec? Our horrified hosts weave a wonderment of wordplay, yet still somehow manage to run out words for “atrocity.” Loni Anderson, Jim Nabors, Ned Beatty, Parker Stevenson and Bubba Smith were all somehow forced to do time in this carceral excruciation of a film - and the Multiplex Overthruster crew has nothing but elucidating empathy as they perform a much-needed autopsy of one of the low points of the Summer of ’83: “Stroker Ace”! Trust us, this episode is worth it for its odes to Cassandra Peterson’s captivating cameo and how an AVOD ad break can offer an unexpected oasis of comfort — plus don’t miss a startling post-credit bonus revelation!

1983 Box Office

July 1, 1983 Weekend Box Office

Superman III Box Office Results

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