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Left of the Projector

Left of the Projector

By: Evan
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About this listen

 On Left of the Projector we discuss from film from a leftist perspective. Episodes will feature guests who will offer their thoughts on films from a shared interest in class consciousness and personal experience. While everyone can take something different from a movie, LotP will provide discussion and analysis from an anti-capitalist and Marxist point of view. Support this podcast: https://www.patreon.com/LeftoftheProjectorPod (Patreon)Evan Art
Episodes
  • Big Trouble in Little China (1986)

    Big Trouble in Little China (1986)
    Sep 2 2025

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojectorpod.threadless.com/

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector
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    1 hr and 10 mins
  • Lilly Lives Alone (2025) with director and cast interview (No spoilers!)

    Lilly Lives Alone (2025) with director and cast interview (No spoilers!)
    Aug 26 2025

    I'm joined by Director Martin Melnick, Actors Shannon Beeby and Ryan Jonze to discuss the newly released film Lilly Lives Alone. You can find now on Dark Sky Films.

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojectorpod.threadless.com/

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector
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    54 mins
  • Punch-Drunk Love (2002) with Portia Barnett-Herrin

    Punch-Drunk Love (2002) with Portia Barnett-Herrin
    Aug 19 2025

    In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.

    https://www.newwoo.uk/

    https://www.instagram.com/portia_bh/

    https://www.threads.com/@portia_bh

    Left of the Projector Links

    https://www.patreon.com/LeftoftheProjectorPod

    https://boxd.it/5T9O1

    https://leftoftheprojectorpod.threadless.com/

    https://leftoftheprojector.com

    https://instagram.com/leftoftheprojector

    http://tiktok.com/@leftoftheprojectorpod

    https://www.threads.net/@leftoftheprojector
    Show More Show Less
    1 hr and 6 mins
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