Aiyana-Lee sits down with Kyle Meredith to talk about a truly surreal 2025 — from grinding it out as an independent artist to getting a life-changing DM from Spike Lee that led to her starring role in Highest 2 Lowest. She opens up about how Lee discovered her music, writing and performing the film’s title track and end-credit song, and what it was like working alongside Denzel Washington. The conversation also digs into her songwriting roots, growing up around legendary music history, surviving rough label experiences, reclaiming her voice on singles like “City of Lies,” and figuring out where music and acting go next now that the spotlight’s officially on.

Listen to Aiyana-Lee chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Director Paul Feig talks with Kyle Meredith about adapting The Housemaid from Freda McFadden’s bestseller, shaping its sly tonal shift from “fun unsettling” to full-on psychological thriller, and why he ultimately added entire pieces to the story that aren’t in the book. Feig digs into the dual-POV structure, explains his aversion to lazy voiceover, and breaks down how the film balances an hour of questions with an hour of answers. He also gets into building nuanced female-led stories (from Bridesmaids to Ghostbusters to A Simple Favor), collaborating with a wildly good-looking cast, and letting actors define their characters through wardrobe and posture. And Kyle gets him talking about a perfectly framed martini shot and the hidden gin bottles that have become Feig trademarks.

Listen to Paul Feig chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Zende Murdoch of The Runarounds jumps on with Kyle Meredith to dig into how a “fake” TV band on The Runarounds (now streaming on Prime Video) turned into a very real, very busy rock band. He talks about answering that mysterious Instagram casting call tied to Outer Banks, the long secret stretch of years where the group was quietly writing, finding their sound, and cutting an EP with Jerry Harrison of Talking Heads before anyone even knew the show existed. Zende gets into the proggy drum flex of “Funny How the Universe Works,” what it was like building the season one soundtrack in a sort of songwriting boot camp, and how the crew splits writing between songs for the characters and songs for the actual band. He also takes us into the new single “Chasing the Good Times,” born in a Nashville session with Brad Schultz of Cage The Elephant, the surreal rush of watching sold-out dates roll in, and why, TV renewal or not, The Runarounds are now a full-on touring band with plenty more music on the way.

Listen to Zende Murdoch chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.