In Japanese culture men who dress as women or transform into women have been very popular in manga and anime. Recently otokonoko or "men with a feminine appearance" or crossdressers have made a huge surge in popularity. I explain what otokonoko is and show a recent manga I found in this episode.

Sprained ankles from high heels, blisters from taping, telltale marks on earlobes from clip-on earrings - there are many injuries that you could get while you're dressed. How to avoid hurting yourself is the topic of this episode!

According to a report, if a man stares at a woman's boobs for 10 minutes a day or longer it can act as medicine and improve his health. In this episode I discuss if this could be true or not... and what side of the staring I prefer to be on.

The more I enjoy being Jennifer the more I think about things that I can do to improve my appearance or make me feel better about myself. Coincidentally, many of these thoughts are ones that women think about. In this episode I talk about how my feminine mindset influences my everyday life.

Many crossdressers are afraid to be their true selves and go out in public. But have you ever considered how courageous you are just by being a crossdresser? Confidence is something we all have but sometimes forget we do. Hear how you can use this to your benefit!

Sometimes it takes a long time to realize something that you knew all along. In this episode I talk about how years of messages and clues should have told me what I finally figured out about myself and now share with you.

As a crossdresser, we are more comfortable and connected to our feminine self. In this episode I talk about connecting with other women that way but as my male self. Having conversations with women, relating to their views and other topics are discussed.

If you get outed as a crossdresser to your employer whether by a coworker or by accident it can be an issue. In this episode I discuss the potential repercussions of someone finding out about your lifestyle and how it can affect your work.