Our crossover trilogy concludes with the story of Emperor Frederick Barbarossa's Italian campaign of 1174-76. Once more, we are joined by our podcasting friends Mike (A History of Italy) and Dirk (History of the Germans) to explain how the Emperor took offence at the name of a new city and ended up in a fight for his life. The conclusion of the story will have huge implications for Venice and for European history in general.

More information about History of the Germans available here: History of the Germans Podcast • German History Podcast

More information about A History of Italy available here: A History of Italy – A podcast on the history of the Italian peninsula from the fall of the Western Roman Empire to the present

You can Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

In the second of our Barbarossa 3-parter, we're joined again by Mike (A History of Italy) and Dirk (History of the Germans).

By the end of the 1150s, the plans of Western Emperor Frederick Barbarossa appear to be working perfectly. But within a few years, discontent is growing. Venice can't avoid getting involved when her territory is attacked from multiple directions. By the mid-1160s she is starting to finance the anti-imperial efforts of a growing number of Italian cities.

There's danger around every corner, not least in the new Venetian tradition of chasing bulls and pigs around the city, which derives from one of the events in today's story. The stage is set for a climactic showdown, which will determine the fate of Barbarossa's imperial ambitions and Venice's relationship with her nearby commercial markets.

More information about History of the Germans available here: History of the Germans Podcast • German History Podcast

More information about A History of Italy available here: A History of Italy – A podcast on the history of the Italian peninsula from the fall of the Western Roman Empire to the present

You can Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

We've been focused on Venice's explosive relations with Constantinople recently, but the situation on her doorstep in Italy is just as dramatic. So this week, we turn our focus to the new Western Emperor, Frederick Barbarossa. Our podcasting friends Mike (A History of Italy) and Dirk (History of the Germans) guide us through the first of three-part special, which will culminate in the momentous battle of Legnano. This week we look at the background of Barbarossa's first two Italian trips and his grand imperial ambitions.

More information about History of the Germans available here: History of the Germans Podcast • German History Podcast

More information about A History of Italy available here: A History of Italy – A podcast on the history of the Italian peninsula from the fall of the Western Roman Empire to the present

You can Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Thousands of ordinary Venetian merchants have suddenly been imprisoned and bankrupted by the Byzantine Emperor. The city’s leaders need to act quickly and decisively. Within months, a new fleet has been built and is sailing down the Adriatic, ready to confront Manuel Comnenos, just as a previous fleet had bullied his father into submission almost 50 years earlier. But will history repeat itself? Or are there more disasters in store for the Venetians? And what does all of that have to do with a strangely anomalous modernist hotel right at the heart of the city’s historic waterfront?

Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

Relations between Venice and Constantinople are getting tense, even as commercial activity is booming. With Emperor Manuel’s universalist ambitions showing no signs of abating, and the equally acquisitive Frederick Barbarossa on their doorstep to the west, the Venetians have a difficult path to tread. And then, on St Gregory’s Day 1171, Manuel takes a dramatic step that ensures that things will never be the same again.

Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

We're wandering down a few dark Venetian alleyways this week, in search of some ghost stories to celebrate Halloween. And one of them allegedly features the spirit of one of the presenters' favourite historical characters, Giordano Bruno.

Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is from Vivaldi’s Gloria, used under Creative Commons licence from musopen.org

Church schisms, imperial schisms, neighbours illegally trying to divert rivers into your lagoon, other neighbours asking for help out of the blue ... as the 12th century heads towards its mid-point, Venice has a lot going on around her. And that's before her Archbishop goes rogue and the Normans seize Corfu. Again. And if that isn't enough for you, we've also got a guest appearance by a distant ancestor of a Shakespearean hero. Find out more as Doxe Pietro Polani realises that he's got 99 problems but a Bishop ain't ... no, 100. He's got 100 problems.

Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org

This week we’re looking at how all the political shenanigans affected regular Venetian merchants. What were they buying and selling, where were they doing all this general “business”, and how did the rising merchant class affect the city’s political structures? From cashing cheques to imposing checks on political power; from weighing goods on balance scales to creating balance between different family factions at home – every aspect of Venetian life was in some way affected by both checks and balances.

Email us at histvenicepod@gmail.com, or find us on Bluesky, Facebook, and Instagram.

Intro and outro music is Primavera from Vivaldi’s Le Quattro Stagioni, used under Creative Commons licence from musopen.org